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Author: Robin Wood Publisher: Columbia University Press ISBN: 9780231129664 Category : History Languages : en Pages : 424
Book Description
This new edition includes all the chapters of the original work, supplemented with analysis of comedy films of the 1990s, a chapter on contemporary filmmakers, including David Fincher & Jim Jarmusch, & an essay on 'Day of the Dead'
Author: Robin Wood Publisher: Columbia University Press ISBN: 9780231129664 Category : History Languages : en Pages : 424
Book Description
This new edition includes all the chapters of the original work, supplemented with analysis of comedy films of the 1990s, a chapter on contemporary filmmakers, including David Fincher & Jim Jarmusch, & an essay on 'Day of the Dead'
Author: Robin Wood Publisher: Columbia University Press ISBN: 0231507577 Category : Performing Arts Languages : en Pages : 413
Book Description
This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern "screwball" comedies like My Best Friend's Wedding, and an analysis of '90s American and Canadian teen movies in the vein of American Pie, Can't Hardly Wait, and Rollercoaster. Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on Day of the Dead.
Author: J. Hoberman Publisher: The New Press ISBN: 1620971003 Category : Social Science Languages : en Pages : 410
Book Description
Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond. Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan's ascendance brought such movie events as Jaws, Apocalypse Now, Blade Runner, Ghostbusters, Blue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War. An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman's Found Illusions trilogy; the first volume, The Dream Life, was described by Slate's David Edelstein as "one of the most vital cultural histories I've ever read"; Film Comment called the second, An Army of Phantoms, "utterly compulsive reading." Reagan, a supporting player in Hoberman's previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.
Author: Linda Dittmar Publisher: Rutgers University Press ISBN: 9780813515878 Category : Performing Arts Languages : en Pages : 410
Book Description
Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films.
Author: Robin Wood Publisher: Columbia University Press ISBN: 9780231126953 Category : Performing Arts Languages : en Pages : 516
Book Description
When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.
Author: Robin Wood Publisher: Columbia University Press ISBN: 9780231076050 Category : Performing Arts Languages : en Pages : 372
Book Description
An examination of the relationship between narrative style and sexual politics. Looking at contemporary films from the USA, Europe and Japan, the book examines the ways in which films relate to sexual politics and the organization within our culture of gender and sexuality.
Author: Jonathan Darman Publisher: Random House ISBN: 0812994698 Category : History Languages : en Pages : 493
Book Description
In politics, the man who takes the highest spot after a landslide is not standing on solid ground. In this riveting work of narrative nonfiction, Jonathan Darman tells the story of two giants of American politics, Lyndon Johnson and Ronald Reagan, and shows how, from 1963 to 1966, these two men—the same age, and driven by the same heroic ambitions—changed American politics forever. The liberal and the conservative. The deal-making arm twister and the cool communicator. The Texas rancher and the Hollywood star. Opposites in politics and style, Johnson and Reagan shared a defining impulse: to set forth a grand story of America, a story in which he could be the hero. In the tumultuous days after the Kennedy assassination, Johnson and Reagan each, in turn, seized the chance to offer the country a new vision for the future. Bringing to life their vivid personalities and the anxious mood of America in a radically transformative time, Darman shows how, in promising the impossible, Johnson and Reagan jointly dismantled the long American tradition of consensus politics and ushered in a new era of fracture. History comes to life in Darman’s vivid, fly-on-the wall storytelling. Even as Johnson publicly revels in his triumphs, we see him grow obsessed with dark forces he believes are out to destroy him, while his wife, Lady Bird, urges her husband to put aside his paranoia and see the world as it really is. And as the war in Vietnam threatens to overtake his presidency, we witness Johnson desperately struggling to compensate with ever more extravagant promises for his Great Society. On the other side of the country, Ronald Reagan, a fading actor years removed from his Hollywood glory, gradually turns toward a new career in California politics. We watch him delivering speeches to crowds who are desperate for a new leader. And we see him wielding his well-honed instinct for timing, waiting for Johnson’s majestic promises to prove empty before he steps back into the spotlight, on his long journey toward the presidency. From Johnson’s election in 1964, the greatest popular-vote landslide in American history, to the pivotal 1966 midterms, when Reagan burst forth onto the national stage, Landslide brings alive a country transformed—by riots, protests, the rise of television, the shattering of consensus—and the two towering personalities whose choices in those moments would reverberate through the country for decades to come. Praise for Landslide “Richly detailed . . . Landslide is a vivid retelling of a tumultuous three years in American history, and Mr. Darman captures in full the personalities and motives of two of the twentieth century’s most consequential politicians.”—The New York Times “Novel and even surprising . . . Landslide deftly reminds readers that Johnson and Reagan both trafficked in grandiose oratory and promoted utopian visions at odds with the social complexity of modern America.”—The Washington Post “Riveting . . . Darman portrays [Johnson and Reagan] as polar opposites of political attraction. . . . Animated by the artful insight that they were men of disappointment headed toward an appointment with history . . . A tale about myths and a nation that believed them, about a world of a half century ago now gone forever.”—The Boston Globe “Alert to the subtleties of politics and political history, Darman, a former correspondent for Newsweek, nimbly explores delusion and self-delusion at the highest levels.”—The New York Times Book Review
Author: Thomas Schatz Publisher: McGraw-Hill Humanities/Social Sciences/Languages ISBN: Category : Language Arts & Disciplines Languages : en Pages : 324
Book Description
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
Author: Robin Wood
Author: Robin Wood
Author: Robin Wood
Author: Robin Wood
Author: Susan Jeffords
Author: J. Hoberman
Author: Linda Dittmar
Author: Robin Wood
Author: Robin Wood
Author: Jonathan Darman
Author: Thomas Schatz