Author: Rebecca Prime
Publisher: Rutgers University Press
ISBN: 0813570867
Category : Performing Arts
Languages : en
Pages : 248
Book Description
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
Hollywood Exiles in Europe
Author: Rebecca Prime
Publisher: Rutgers University Press
ISBN: 0813570867
Category : Performing Arts
Languages : en
Pages : 248
Book Description
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
Publisher: Rutgers University Press
ISBN: 0813570867
Category : Performing Arts
Languages : en
Pages : 248
Book Description
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
Hollywood and Europe
Author: Geoffrey Nowell-Smith
Publisher: British Film Institute
ISBN:
Category : Business & Economics
Languages : en
Pages : 178
Book Description
No Marketing Blurb
Publisher: British Film Institute
ISBN:
Category : Business & Economics
Languages : en
Pages : 178
Book Description
No Marketing Blurb
Passport to Hollywood
Author: James Morrison
Publisher: SUNY Press
ISBN: 9780791439371
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Examines popular films made in Hollywood by European directors, offering a fresh take on the much-debated issue of the "great divide" between modernism and mass culture.
Publisher: SUNY Press
ISBN: 9780791439371
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Examines popular films made in Hollywood by European directors, offering a fresh take on the much-debated issue of the "great divide" between modernism and mass culture.
Peter Lorre: Face Maker
Author: Sarah Thomas
Publisher: Berghahn Books
ISBN: 0857454420
Category : Performing Arts
Languages : en
Pages : 222
Book Description
Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.
Publisher: Berghahn Books
ISBN: 0857454420
Category : Performing Arts
Languages : en
Pages : 222
Book Description
Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.
European Cinema
Author: Thomas Elsaesser
Publisher: Amsterdam University Press
ISBN: 9053565949
Category : Performing Arts
Languages : en
Pages : 567
Book Description
'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.
Publisher: Amsterdam University Press
ISBN: 9053565949
Category : Performing Arts
Languages : en
Pages : 567
Book Description
'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.
The Europe-Hollywood Coopetition
Author: Alejandro Pardo
Publisher:
ISBN: 9788480810500
Category : Competition
Languages : en
Pages : 136
Book Description
Publisher:
ISBN: 9788480810500
Category : Competition
Languages : en
Pages : 136
Book Description
Destination Hollywood
Author: Larry Langman
Publisher: McFarland
ISBN: 9780786406814
Category : Performing Arts
Languages : en
Pages : 312
Book Description
During the first part of the twentieth century, Hollywood experienced an influx of European filmmakers seeking new lives in America. With them came unique perspectives and styles from their home countries that forever affected American film production. Well-known talents like Charlie Chaplin, Billy Wilder, and Alfred Hitchcock all made America their filmmaking base, as did other less known but equally influential filmmakers. This is the complete guide to directors, screenwriters, artistic directors, cinematographers, and composers of European birth who made at least one film in the United States. The book is arranged by country, and each chapter begins with that country's cinema history. Each filmmaker from that country is then given a separate entry, including biographical and professional highlights, and synopses and analyses of their better-known films. Photographs from films that featured European talent are included. An index of names and titles allows for easy reference, and a complete bibliography is also included.
Publisher: McFarland
ISBN: 9780786406814
Category : Performing Arts
Languages : en
Pages : 312
Book Description
During the first part of the twentieth century, Hollywood experienced an influx of European filmmakers seeking new lives in America. With them came unique perspectives and styles from their home countries that forever affected American film production. Well-known talents like Charlie Chaplin, Billy Wilder, and Alfred Hitchcock all made America their filmmaking base, as did other less known but equally influential filmmakers. This is the complete guide to directors, screenwriters, artistic directors, cinematographers, and composers of European birth who made at least one film in the United States. The book is arranged by country, and each chapter begins with that country's cinema history. Each filmmaker from that country is then given a separate entry, including biographical and professional highlights, and synopses and analyses of their better-known films. Photographs from films that featured European talent are included. An index of names and titles allows for easy reference, and a complete bibliography is also included.
Hollywood in Europe
Author: David W. Ellwood
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 316
Book Description
Met lit. opg. For different periods from the pre-world war II years onwards, attention is given to the influence of the American film industry on European films and the depiction of America in European films.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 316
Book Description
Met lit. opg. For different periods from the pre-world war II years onwards, attention is given to the influence of the American film industry on European films and the depiction of America in European films.
Runaway Romances
Author: Robert R. Shandley
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 242
Book Description
Examines Hollywood's European travelogue romances from 1947 to 1964, the end of American isolationism and the advent of challenges in Hollywood that made American filmmakers begin filming abroad.
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 242
Book Description
Examines Hollywood's European travelogue romances from 1947 to 1964, the end of American isolationism and the advent of challenges in Hollywood that made American filmmakers begin filming abroad.
"Film Europe" and "Film America"
Author: Andrew Higson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 424
Book Description
Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000
Publisher:
ISBN:
Category : History
Languages : en
Pages : 424
Book Description
Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000