Historia, identificación y conservación de fotografías del siglo XIX PDF Download

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Category :
Languages : es
Pages : 0

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Author: Jordi Mestre i Vergés
Publisher:
ISBN: 9788497047616
Category : Performing Arts
Languages : es
Pages : 120

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La fotografía digital ha desplazado a la fotografía química como sistema mayoritario, lo que provoca una valoración de la primera y nuevos retos y conceptos en la producción y conservación de la fotografía digital. Cada procedimiento; no es lo mismo un daguerrotipo que un planotipo, una diapositiva o un archivo digital, requerirá sus propias condiciones de conservación. Para identificar y conservar nuestro patrimonio fotográfico debemos considerar tanto su historia como sus materiales y soportes, para proporcionar las condiciones oportunas a cada caso y darles respuesta.

Author: Juan Carlos Valdez Marín
Publisher:
ISBN:
Category : Photography
Languages : es
Pages : 184

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Juan Carlos Valdez Marín -fotógrafo él mismo, investigador comprometido entrega una obra que se volverá imprescindible entre los interesados -profesionales y aficionados- en la conservación de las piezas fotográficas creadas desde mediados del siglo XIX, ya que aborda el tema de manera ordenada y minuciosa.Este libro es el resultado de largos años de estudio, en el que, con santo y seña, se desmenuzan y describen los procesos fotográficos, los materiales utilizados, los resultados obtenidos, incluso la degradación de las piezas por el tiempo, por el uso de elementos no adecuados: papel, metales, sustancias químicas y naturales, o por combinaciones no del todo afortunadas por parte de los incipientes fotógrafos vueltos alquimistas, inventores de un arte del que tal vez ignoraron la trascendencia, pero con el que consiguieron no sólo capturar el instante, sino también su permanencia.Así, Valdez Marín, además de adentrarse en dichos procesos, elabora un manual, una guía para seguirse paso a paso, un tratado sobre los cuidados y el rescate de la imagen, pero, sobre todo, una historia ejemplificada de la fotografía.

Author: Juan Carlos Valdez Marín
Publisher:
ISBN:
Category : Photography
Languages : es
Pages : 156

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Author:
Publisher:
ISBN: 9788413572123
Category : Education
Languages : es
Pages : 0

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Publisher:
ISBN:
Category : Archival materials
Languages : en
Pages : 222

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Author: Sagrario Berti
Publisher:
ISBN: 9789807780568
Category : Illustration of books
Languages : en
Pages : 560

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Printed Photography in Venezuela provides a comprehensive inventory of photographically illustrated books published in Venezuela from 1945 to 2017. The research attempts to trace the history of the illustrated book with photographs examining the relationship between photography, literature, graphic design and editing; that is the coexistence of these disciplines in books. The book is structured according to thematic continuities, temporal synchronicities and similar editorial purposes, and has been organized in two sections. In the first one it examines books financed by the State and by oil companies. The threads of the printed works published since the 1950s, clearly reflect the government of the president in office and represent an idea of a "prosperous" nation, as happens with El Farol magazine, sponsored by Creole Petroleum Corporation. Those publications in the democratic period (1958) represent "social welfare" and describe the contradictions of progress and modernity in Caracas; while those printed during the last three five-year periods disseminate and extol national identities related to the Socialist Revolution. In this section the main thematic axes of the editorial production format the proposals adjusted to the model of the coffee table book. From the coffee table book, it traces the social life of illustrated books with photography, their cultural trajectory and resocialization in different contexts. To outline this itinerary, we have described its morphology, uses and functions, considering the institution or editors that printed them and for what purpose. When dealing with corporate gifts (non-venal editions), we examine in its value regime as a symbolic object, as well as in the re-stylization of contents through shapes or graphic elements. Coffee table books are transportable cultural objects, which not only cross territories as souvenirs, but also occupy domestic spaces and are intended for second-hand trade or for collecting. Also, in this first section, the book explores the local-national documentary photographic tendency present in books about nature, fauna, indigenous communities or the lives of inhabitants of rural areas. In the second part of the book are interpreted the authorial discourses whose contents and formulations are associated with Luis Camnitzer's ideas on Latin American conceptualism, in the sense that they are illustrated books whose "aesthetic expresses a concern for reality, rather than for abstraction". Prints, pamphlets or books where politics is used as a theme to create artistic forms. Thus, for example, it can be seen that some of these printed devices -those edited by the El Techo de la Ballena (1961-1969) collective, for instance- are conceptualist resources used by some authors to agitate and occasionally denounce the socio-political and cultural contradictions of the country in the 60's. On the other hand, it analyzes the discursive continuities authors-photographers who register or explore reality in an analytical way, ordering it by means of sequences or systematizing it in autonomous art forms, in catalogs, for instance. In the selected books, the photography dialogues with other narrative resources: graphic design and literature configuring pre-existing texts, usually poetic and, in some cases, representing political issues or social themes. Occasionally, photography is used to certify statistics for their indicial quality, to evoke past or restilize realities through graphic design medium: different types of paper, typographic fonts or printing techniques. In summary: this publication seeks to clarify the directionality of meaning proposed in illustrated books with photography, coffee table books, magazines, brochures, catalogues, posters and photobooks. With this purpose, the book explores subjects through of political, social, artistic ideologies, and also ideas of nation embodied in the corporate or authorial initiatives that shaped them. Printed Photography in Venezuela presents in short, a transversal and multiple reading that points to the assessment of the work as a whole and to make visible and make the book tangible.

Author: Eugenio Valdés Figueroa
Publisher: Morris and Helen Belkin Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 174

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Author: Jeremy Adelman
Publisher:
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Category : Ambrotype
Languages : en
Pages : 122

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Author: Peter Herrle
Publisher: LIT Verlag Münster
ISBN: 3643102763
Category : Architecture
Languages : en
Pages : 309

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The global spread of uniform modes of production and cultural values has been accompanied by a dissemination of stereotypes of "modern" architecture styles almost everywhere around the globe. Paradoxically, the reverse process has also emerged: In some countries, the elites feel the necessity to counterbalance the "loss of identity" and defend their own cultures against the "intruding" forces of globalization. What started as a defensive notion has developed into a more progressive attempt to re-create what has allegedly been lost. This trend is being strongly expressed in discourses about architecture in countries of the South. Who are the actors feeling compelled to "construct" new identities? How are these new identities in architecture created in various parts of the world? And, which are the ingredients borrowed from various historical and ethnic traditions and other sources? These and other questions are discussed in five case studies from different parts of the world, written by renowned scholars from Brazil, Mexico, Egypt, India and Singapore.