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Author: John W. Robichaux Publisher: Courier Corporation ISBN: 0486437280 Category : Art Languages : en Pages : 82
Book Description
An artist for over seventy years and a teacher for more than sixty, painter Henry Hensche (1901–1992) placed great emphasis in his classes on Monet's Impressionist tradition of seeing and painting color under the influence of light. Hensche taught his students to "see the light, not the object," says his biographer John Robichaux. This book reveals the basic painting philosophy and methodology of a great teacher, as expounded in his famous classes and workshops on Cape Cod.
Author: John W. Robichaux Publisher: Courier Corporation ISBN: 0486437280 Category : Art Languages : en Pages : 82
Book Description
An artist for over seventy years and a teacher for more than sixty, painter Henry Hensche (1901–1992) placed great emphasis in his classes on Monet's Impressionist tradition of seeing and painting color under the influence of light. Hensche taught his students to "see the light, not the object," says his biographer John Robichaux. This book reveals the basic painting philosophy and methodology of a great teacher, as expounded in his famous classes and workshops on Cape Cod.
Author: Arthur Stern Publisher: Echo Point Books & Media, LLC ISBN: Category : Art Languages : en Pages : 363
Book Description
Learn to see and mix any color with extraordinary precision! Many painters don't paint what they see, but what they expect to see, what they think they see, what they remember, or what they imagine things are supposed to look like. Since "the mind stands in the way of the eye," the purpose of this revolutionary book is to train you to paint what your eye actually sees. Arthur Stern claims that color is key to painting what you see. After working with three generations of students, he developed a program of 22 painting projects that teach the artist to observe, identify, mix, match, and paint the colors of the world with remarkable accuracy. Using a painting knife and oil paint, you learn to analyze every painting subject as a series of distinct color areas—called color spots—and place each spot on the canvas as a unique and vivid mixture. The fundamental lesson of the book is that if you put the right color spot in the right place, you create a realistic image of form, space, surface texture, atmosphere, light, and shade. As you follow the painting projects in this book, you'll make the dramatic discovery that everything in nature is filled with luminous color. You'll learn to see glowing color in the "blackest" shadow and the "whitest" linen. You'll learn when a green can appear red; how to use paint to replicate metal, glass, wood, paper, porcelain, and other opaque, transparent, or textured surfaces. Before long, you'll be seeing a multitude of colors in a slice of bread, apples and oranges, and a mass of green leaves. You'll learn how to paint quickly enough to capture a "live" still life—a flower that moves and slowly dies as you paint it. You'll even practice with a setup outdoors to see how sunlight and skylight affect color. How to See Color and Paint It is a must for beginners and a valuable asset for intermediate artists who want to develop a more subtle perception of color. A final section contains beautiful paintings of many subjects that have grown out of projects and ideas taught in this book. 130 color plates; 40 black & white illustrations
Author: Charles W. Hawthorne Publisher: Courier Corporation ISBN: 048620653X Category : Art Languages : en Pages : 98
Book Description
Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts
Author: Lois Griffel Publisher: Watson-Guptill ISBN: 9780823095193 Category : Color in art Languages : en Pages : 0
Book Description
Master Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.
Author: Ted Goerschner Publisher: Echo Point Books & Media ISBN: 9781626548558 Category : Art Languages : en Pages : 146
Book Description
One of the best things about attending a workshop led by a skilled instructor is that you're a better artist by the end of the week. Don't expect anything less from this workshop-in-print. If you want to learn how to capture your subjects in an expressive and colorful style, this book is the next best thing to attending a Ted Goerschner workshop. Get the workshop experience in the comfort of your own studio, at whatever pace that is right for you Day 1: Ted shares his secrets to obtaining fresh, bright color Day 2: Find out how to build a perfect scene Day 3: Ted shows you how to choose and focus on a subject while painting in nature Day 4: Discover a simple five-step approach that works for every painting Day 5: As every artist has difficult days, learn how open-minded perseverance can lead to a successful painting Day 6: Ted demonstrates how to add life to your landscapes and put people in your paintings Day 7: Ted shows how to incorporate design techniques to make your art more exciting Ted also performs a dozen of his famous paint-on demos, in which he actually paints on top of a student's work to correct problems that virtually every student struggles with. By the end of the workshop, you'll be loosened up and creating paintings filled with light, color, and great juicy brushstrokes. So what are you waiting for? You don't want to be late for your first day Ted Goerschner (1933-2013) was inspired by his grandfather's success as a sculptor and painter and knew by the age of six that he wanted to be an artist. Goerschner attended the Newark School of Fine and Industrial Art, and after serving two years in the Korean War, he studied painting at the Art Students League in New York City. His career finally took off when Charles Movalli wrote an article on him in American Artist in 1977. As an award-winning painter, he has been featured in a number of art periodicals and exhibited at the Art Students League in New York, National Academy of Design in New York, Salamagundi Club in New York, and Rockport Art Association. Lewis Barret Lehrman has been a working artist and writer, in one form or other, for all his working life. He is the author of a number of books on art, including Being an Artist, Energize Your Paintings With Color, Freshen Your Paintings with New Ideas, Capturing Light in Watercolor, and Harley Brown's Eternal Truths For Every Artist. A New York native, Lehrman currently resides in Scottsdale, Arizona with his wife Lola. For more information on this artist, visit his website: www.lewisblehrman.com.
Author: John F. Carlson Publisher: Courier Corporation ISBN: 0486317455 Category : Art Languages : en Pages : 146
Book Description
The whys and hows of the various aspects of landscape painting: angles and consequent values, perspective, painting of trees, more. 34 black-and-white reproductions of paintings by Carlson. 58 explanatory diagrams.
Author: Trevor J. Fairbrother Publisher: Addison Gallery of American Ar ISBN: Category : Art Languages : en Pages : 156
Book Description
"Dow produced oil paintings, photographs, ink wash drawings, and wood block prints until his death in 1922. The exhibitions showcases a recently discovered album of forty-one cyanotypes that Dow produced in 1899 and dedicated to his friend, the Ipswich poet Everett Stanley Hubbard"--Galley website.
Author: John W. Robichaux
Author: John W. Robichaux
Author: Henry Hensche
Author: Arthur Stern
Author: Charles W. Hawthorne
Author: Lois Griffel
Author: Robert Henri
Author: Ted Goerschner
Author: Tim Chambers
Author: John F. Carlson
Author: Trevor J. Fairbrother