Henri cartier-Bresson, "Voir est un tout" PDF Download

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Publisher:
ISBN: 9788930106467
Category :
Languages : ko
Pages : 202

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Author: Henri Cartier-Bresson
Publisher:
ISBN: 9783869307886
Category : Photography
Languages : en
Pages : 160

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One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.

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Publisher: Atelier EXB / Editions Xavier Barral
ISBN: 9782365113670
Category :
Languages : fr
Pages : 0

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Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography, Artistic
Languages : fr
Pages : 440

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La liste est longue des ouvrages qui ont été consacrés à Henri Cartier-Bresson. Mais aucun de ces livres n'a présenté un choix aussi large et diversifié que celui-ci. Sont réunis ici les grands classiques de ce photographe internationalement renommé, un certain nombre d'inédits, les souvenirs d'enfance et d'adolescence, de guerre et de famille, les meilleurs de ses dessins et des portraits réalisés par ses pairs.

Author: Henri Cartier-Bresson
Publisher: Aperture Foundation
ISBN: 9781597113922
Category : Photographers
Languages : en
Pages : 159

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Presented for the first time in English, this volume brings together twelve notable interviews and conversations with Henri Cartier-Bresson carried out between 1951 and 1998. While many of us are acquainted with his images, there are so few texts available by Cartier-Bresson on his photographic process. These verbal, primary accounts capture the spirit of the master photographer and serve as a lasting document of his life and work, which has inspired generations of photographers and artists. Here, Cartier-Bresson speaks passionately, with metaphors and similes, about the world and photography. A man of principles shaped by the evolving eras of the twentieth century, his major influences included Surrealism, European politics of the 1930s and '40s, the Second World War, and his experiences with Magnum as cofounder and reporter. This book illuminates his thoughts, personality, and reflections on a seminal career. In his own words: [Photography] is a way of questioning the world and questioning yourself at the same time. . . . It entails a discipline. For me, freedom is a basic frame of reference, and inside that frame are all the possible variations. Everything, everything, everything. But it is within a frame. The important thing is the sense of limit. And visually, it is the sense of form. Form is important. The structure of things. The space.

Author: Michel Frizot
Publisher: National Geographic Books
ISBN: 0500545189
Category : Photography
Languages : en
Pages : 0

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The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson—one of the great photographers of the twentieth century. In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China’s history: he photographed Beijing in “the last days of the Kuomintang,” and then headed back to Shanghai, where he bore witness to the new regime’s takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The “picture stories” he sent to Magnum and Life on a regular basis played a key role in Westerners’ understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson’s oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. Henri Cartier-Bresson: China 1948-1949, 1958 allows these photographs to be reexamined along with all of the documents that were preserved: the photographer’s captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. A welcome addition to any photography lover’s bookshelf, this is an exciting new volume on one of the twentieth century’s most important photographers.

Author: André Pieyre de Mandiargues
Publisher: HarperCollins Publishers
ISBN:
Category : Photography
Languages : en
Pages : 74

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Author: Pierre Assouline
Publisher:
ISBN: 9782259185684
Category : Photographers
Languages : fr
Pages : 384

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Le XXe siècle a été celui de l'image. Henri Cartier-Bresson, né en 1908, est l'œil du siècle. Raconter sa vie, décrypter son œuvre, c'est d'abord écrire l'histoire d'un regard. En déambulant dans son siècle, le regard de ce promeneur lucide a saisi la fascination de l'Afrique des années 1920, croisé les destins tragiques des républicains espagnols, accompagné la Libération de Paris, capté la lassitude de Gandhi quelques heures avant son assassinat et témoigné de la victoire des communistes chinois. Le photographe Cartier-Bresson est toujours là où il faut, pickpocket distingué des événements de la vie comme elle va. Cartier-Bresson, c'est aussi l'assistant de Jean Renoir pour trois films majeurs. Un artiste qui se veut artisan et fonde néanmoins Magnum, la plus prestigieuse des agences de photo. C'est encore celui qui a fixé les traits de ses contemporains capitaux, Mauriac en lévitation mystique, Giacometti ou Sartre personnages de leur œuvre, Faulkner ou Camus, et tant d'autres saisis à l'instant décisif, autant de portraits pour l'éternité. Henri Cartier-Bresson s'est longuement confié à Pierre Assouline : il lui a tout dit de sa fidélité au surréalisme de sa jeunesse, de sa passion inentamée pour le dessin, de la guerre et de ses camps, des amis et des femmes qui ont croisé son chemin. Il lui a même ouvert ses archives. Le talent du biographe fait le reste : comme sur une photo réussie, on assiste à la rencontre rare de deux sensibilités.

Author: Henri Cartier-Bresson
Publisher: Centre D/L Photograp
ISBN:
Category : Photography
Languages : fr
Pages : 154

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PHOTOGRAPHIE, CARTIER-BRESSON, Henri, photographe français, 1908

Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 384

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Book Description
Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work.