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Author: SM Reine Publisher: Red Iris Books ISBN: Category : Fiction Languages : en Pages : 385
Book Description
Sophie Keyes has made a mistake that might destroy the universe. The Traveler has an offer: go back in time, fix your mistake, and save the world. Easy. Except that fixing Sophie's mistake means destroying her life, and Lincoln Marshall won't stand to see that happen. Not if he can time travel with them to find another way. Their attempt to jump into the past goes awry and dumps them into Reno 2006, where Elise Kavanagh is in hiding with James Faulkner. It's a delicate moment in the timeline, and if Lincoln takes a single wrong step, he'll change everything. He can't go to Elise for help. He can't speak to the woman he's loved for years, touch her again, kiss her... Not unless he's willing to bring the universe that much closer to destruction. For the Godslayer, Lincoln might be willing to lose it all. For the Traveler, it might be a step too far. War is breaking out in Reno 2006, and the consequences threaten to ripple through time--assuming that they don't make the entire world fall apart first. Book 3 of the A Fistful of Daggers series.
Author: SM Reine Publisher: Red Iris Books ISBN: Category : Fiction Languages : en Pages : 385
Book Description
Sophie Keyes has made a mistake that might destroy the universe. The Traveler has an offer: go back in time, fix your mistake, and save the world. Easy. Except that fixing Sophie's mistake means destroying her life, and Lincoln Marshall won't stand to see that happen. Not if he can time travel with them to find another way. Their attempt to jump into the past goes awry and dumps them into Reno 2006, where Elise Kavanagh is in hiding with James Faulkner. It's a delicate moment in the timeline, and if Lincoln takes a single wrong step, he'll change everything. He can't go to Elise for help. He can't speak to the woman he's loved for years, touch her again, kiss her... Not unless he's willing to bring the universe that much closer to destruction. For the Godslayer, Lincoln might be willing to lose it all. For the Traveler, it might be a step too far. War is breaking out in Reno 2006, and the consequences threaten to ripple through time--assuming that they don't make the entire world fall apart first. Book 3 of the A Fistful of Daggers series.
Author: Grace Mazur Publisher: CRC Press ISBN: 1439873534 Category : Mathematics Languages : en Pages : 179
Book Description
Grace Dane Mazur uses the idea of the hinge to illuminate real and metaphysical thresholds in fiction, poetry, myth, and ordinary life. From ancient narratives of Gilgamesh, Odysseus, Parmenides, and Orpheus, to modern works by Katherine Mansfield and Eudora Welty, the exploration of the Other World acts as a metaphor for the entrancement of readin
Author: Richard Slotkin Publisher: University of Oklahoma Press ISBN: 9780806130316 Category : History Languages : en Pages : 868
Book Description
Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing
Author: Mary Lea Bandy Publisher: Univ of California Press ISBN: 0520953479 Category : Performing Arts Languages : en Pages : 345
Book Description
This comprehensive study of the Western covers its history from the early silent era to recent spins on the genre in films such as No Country for Old Men, There Will Be Blood, True Grit, and Cowboys & Aliens. While providing fresh perspectives on landmarks such as Stagecoach, Red River, The Searchers, The Man Who Shot Liberty Valance, and The Wild Bunch, the authors also pay tribute to many under-appreciated Westerns. Ride, Boldly Ride explores major phases of the Western’s development, including silent era oaters, A-production classics of the 1930s and early 1940s, and the more psychologically complex portrayals of the Westerner that emerged after World War II. The authors also examine various forms of genre-revival and genre-revisionism that have recurred over the past half-century, culminating especially in the masterworks of Clint Eastwood. They consider themes such as the inner life of the Western hero, the importance of the natural landscape, the roles played by women, the tension between myth and history, the depiction of the Native American, and the juxtaposing of comedy and tragedy. Written in clear, engaging prose, this is the only survey that encompasses the entire history of this long-lived and much-loved genre.
Author: Robert Penn Warren Publisher: University Press of Kentucky ISBN: 9780813191553 Category : Fiction Languages : en Pages : 428
Book Description
In his sixth novel, The Cave (1959), Robert Penn Warren tells the story of a young man trapped in a cave in fictional Johntown, Tennessee. His predicament becomes the center of national attention as television cameras, promoters, and newscasters converge on the small town to exploit the rescue attempts and the thousands of spectators gathered at the mouth of the cave.
Author: David S. Shields Publisher: University of Chicago Press ISBN: 022601343X Category : Performing Arts Languages : en Pages : 416
Book Description
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Author: Eleni Palis Publisher: Oxford University Press ISBN: 0197558178 Category : Performing Arts Languages : en Pages : 185
Book Description
Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.