Author: Alexander Von Fenner Publisher: Diplomica Verlag ISBN: 3836665034 Category : Language Arts & Disciplines Languages : en Pages : 105
Book Description
The following scientific work about Heinrich Mann is the translation of my examination "Heinrich Mann: Die Entwicklung im Fr hwerk vom "sozialkritischen" zum "politischen" Roman," published 2007 in Germany and entitled: "Heinrich Mann: Mirror and antagonist of his time." This work describes his early literary his early literary life and shows his attitude towards most of the changes in the society during the turn of the century. At the same time it demonstrates his change to a democrat and the way how he engrosses his thoughts to become a political author. At the beginning of his rise to a literary example for a small group of youngf writers he was a member and observer of the special period called "Fin de si cle." Starting as a journalist he learned from french examples like Balzac, Bourget and Zola and he wasreally impressed by the French spirit and styles of literature in the middle of the 19th century. Certainly he has been influenced by contemporary literature and authors from Germany. But nevertheless he was more focused on the French spirit of this period. Heinrich Mann, born 1871, brother of the established Thoms Mann was not an important writer. In my opion and in comparison to his brother he was the one who was underestimated in his time. Besides his personal development in his work shows why he was just the opposite to Thomas Mann - more brilliant than well-known for the enexperienced reader of German literature. The reason for it may be his attitude to prefer peace more than the other side of the German national mood to overwhelm other nations by hostile tendencies before the First World War. His special authorial abilities can be realised in how he describes the political attitudes in his own ironical and sarcastic style. In this article the literary work of Heinrich Mann caricatures the German Empire which is presented by means of my comparisons of the three novels "Im Schlaraffenland," (1900), "Professor Unrat" (1905) and "Die Kleine Stadt" (1909).
Author: Alexander v. Fenner Publisher: diplom.de ISBN: 3836612917 Category : Literary Criticism Languages : en Pages : 71
Book Description
Inhaltsangabe:Abstract: In the beginning of the 20th century numerous changes in the social, economic and political level flow together. In the ambivalent spirit of end time and break-up different trends of literature are unfolded. For the young Heinrich Mann these processes continue in his early work as a writer and qualify for interpretation and the hope to overcome the Fin de siécle trend. The selected novels of this work Im Schlaraffenland Ein Roman unter feinen Leuten (1900), Professor Unrat oder Das Ende eines Tyrannen (1904) and Die Kleine Stadt (1909) represent the development of this intention. At first they appear as a satirical criticism of the society and later in the second half of the decade as a draft for a democratic society. In the following the former novels Im Schlaraffenland and Professor Unrat are mentioned without subheading. This work shall point out the very development phase of Heinrich Mann between 1900 and 1909 until the beginning of his political writing. As a result of biographical and literary effects he takes up a special position and shows a change in his early work. His critical and satirical examination of the society associated with a special style of speech open out in a preachy democratic ideal of the society after the turning year 1905. On the one hand these positions make the career of the man of letters difficult in the German nationalistic empire. On the other hand they make him to become a precursor of a vanguard readership. Before the philosophical influence of Friedrich Nietzsche and the literary effect of predominantly French origin on Heinrich Mann will be dwelled on, this work will give a short overview of the literary understanding. After this the three mentioned novels will be discussed in the chapters 2., 3. and 4. and will be correlated. It will become apparent that there is a strong breach of Heinrich Mann in his satires and his democratic utopia. After the year 1905 Heinrich Mann changes his mind back to the time of reconnaissance, Jean Jacques Rousseau s ideal of the society and the trilogy imagination of liberty, equality and brotherliness of the French revolution of 1789. His guiding themes of power and spirit, the dualism of the society and the individual and the problems of the artist are therefore at the figure of change in the first decade of the 20th century. Inhaltsverzeichnis:Table of Contents: HEINRICH MANN: MIRROR AND ANTAGONIST OF HIS TIME1 INTRODUCTION3 1.The Fin [...]
Author: Thomas August Kohut Publisher: Oxford University Press, USA ISBN: 0195061721 Category : Germany Languages : en Pages : 344
Book Description
This striking biography of Kaiser Wilhelm II is the most penetrating study to date of his development and personality, as well as an important contribution to our understanding of the crucial period in history that bears his name, 'Wilhelmine Germany'. A skilful, psychoanalytically informed analysis of the Kaiser's character, the book shows how the powerful leader of Germany's 'Second Reich' became the slave of public opinion - restless, impulsive, and easily swayed by flattery or by those with stronger wills. It reveals a man both anxiously insecure and brashly arrogant, flamboyant and confident in public, yet vacillating and ineffective in his political decisions. Despite his political ineptitude, however, Wilhelm II was one of the most successful and beloved symbolic leaders of modern times. Professor Kohut argues that, in this nationalistic age, the new German nation wanted to see itself as it saw its Kaiser - strong, self-assured, and surrounded by pomp and splendour.
Author: Publisher: BRILL ISBN: 9042028769 Category : Social Science Languages : en Pages : 391
Book Description
This volume presents for the first time a study of the interface between exile and travel within the context of exile from Nazi Germany. The nineteen essays share the overarching aim to compare the tropes of travel and exile as generators of a critical discourse and as central categories within German exile, in particular literature, music and film. The essays are guided by powerful questions: How does travel compare to exile, and how much overlap is there between these two categories? How do exiles travel, as practitioners of displacement? Or rather, to what extent does the concept of travel apply to the exilic predicament? Do the terms “exile” and “travel” still have validity in our postmodern era of cosmopolitanism, ever increasing mobility, the embrace of otherness, and tourism? How does exile literature in which travel is thematized compare to the tradition(s) of travel writing? And how are the critical moments of leavetaking, re-membering home, and return imagined and narrated? The essays feature numerous German and Austrian authors, musicians, and filmmakers and lend fresh insights into German Exile and the field of Exile Studies at large.
Author: Evelyn Juers Publisher: Farrar, Straus and Giroux ISBN: 1429922842 Category : Biography & Autobiography Languages : en Pages : 397
Book Description
In 1933 the author and political activist Heinrich Mann and his partner, Nelly Kroeger, fled Nazi Germany, finding refuge first in the south of France and later, in great despair, in Los Angeles, where Nelly committed suicide in 1944 and Heinrich died in 1950. Born into a wealthy middle-class family in Lübeck, Heinrich was one of the leading representatives of Weimar culture. Nelly was twenty-seven years younger, the adopted daughter of a fisherman and a hostess in a Berlin bar. As far as Heinrich's family was concerned, she was from the wrong side of the tracks. In House of Exile, Heinrich and Nelly's story is crossed with others from their circle of friends, relatives, and contemporaries: Heinrich's brother, Thomas Mann; his sister, Carla; their friends Bertolt Brecht, Alfred Döblin, and Joseph Roth; and, beyond them, the writers James Joyce, Franz Kafka, and Virginia Woolf, among others. Evelyn Juers brings this generation of exiles to life with tremendous poignancy and imaginative power. In train compartments, ship cabins, and rented rooms, the Manns clung to what was left to them—their bodies, their minds, and their books—in a turbulent and self-destructive era.
Author: Dietrich Orlow Publisher: Routledge ISBN: Category : History Languages : en Pages : 424
Book Description
For undergraduate junior/senior level courses in German history. Covering the entire period of modern German history from nineteenth century imperial Germany right through 2001 this well-established text engages students with its narrative, problem-focused approach, presenting a balanced, general survey of the country's political division in 1945 and reunification in the present. Detailing foreign policy as well as political, economic, and social developments, it presents a central theme of the problem of asymmetrical modernization in the country's history as it fully explores the complicated path of Germany's troubled past and stable present.
Author: Stephen C. Meyer Publisher: Oxford University Press ISBN: 0190658452 Category : Music Languages : en Pages : 844
Book Description
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Author: Alexander Von Fenner
Author: Alexander von Fenner
Author: Alexander v. Fenner
Author: Thomas August Kohut
Author: Christopher Innes
Author: 
Author: Evelyn Juers
Author: Dietrich Orlow
Author: Stephen C. Meyer
Author: Joachim Reppmann