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Author: Joe Banks Publisher: MIT Press ISBN: 1913689123 Category : Music Languages : en Pages : 530
Book Description
An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.
Author: Joe Banks Publisher: MIT Press ISBN: 1913689123 Category : Music Languages : en Pages : 530
Book Description
An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.
Author: Ian Abrahams Publisher: SAF Publishing Ltd ISBN: 9780946719693 Category : Biography & Autobiography Languages : en Pages : 298
Book Description
Hawkwind's fusion of agit-prop and improvised space rock-including Lemmy and lyrics by Michael Moorcock-made them intriguing outsiders in rock. For over 30 years, Hawkwind have successfully existed outside the traditional music business, and spawned a fanatical fanbase. This high quality, authoritative biography contains dozens of new interviews with band members and over 100 rare illustrations, many published for the first time. With a cover designed by Hawkwind's own sleeve artist Peter Pracownik and full co-operation of the all the key protagonists, this authoritative, high-quality biography is the definitive account of one of the UK's most innovative bands.
Author: Carol Clerk Publisher: Omnibus Press ISBN: 0857120174 Category : Music Languages : en Pages : 713
Book Description
Hawkwind emerged in 1969 from Ladbroke Grove, the heartland of London’s counterculture, to become a ‘people’s band’ supported by bikers and hippies alike as they staged free gigs, benefits and protests and welcomed the involvement of any number of creative people – writers, poets, dancers – from within their community. They insisted upon all these things even with the Top Three success of 1972’s enduring anthem Silver Machine and the pioneering Space Ritual projects. They have had more line-up changes than their only remaining founder member Dave Brock, can remember. Motorhead’s Lemmy and legendary Cream drummer Ginger Baker were just two of the musicians sacrificed along the way as the band went head to head with the police, customs, the taxman – and each other. With the memories of many of those who were there, this is the story of an extraordinary 35-year career, the music and the band, whose fans still loyally turn out for conventions and are rewarded with ‘private festivals’, set against a background of sex, drugs, madness, writs, rage and revenge.
Author: Mark Pilkington Publisher: ISBN: 9780954805418 Category : English fiction Languages : en Pages : 0
Book Description
The secind installment of the acclaimed new anthology series. Includes 24 articles exploring the outer edges of anthropology, psychology, magick, literature, art, history, science and religion. This journal has become a true product of London's undergound and this new edition opens the gates to a parallel sultural universe that few knew existed a little further.
Author: Fred Vermorel Publisher: MIT Press ISBN: 1907222081 Category : History Languages : en Pages : 366
Book Description
A crime and a six-decade cover-up: the death of a fashion designer in the cesspit of vice and violence that was 1950s London. In 1954, Jean Mary Townsend was strangled with her own scarf and stripped of her underwear but not sexually assaulted. The subsequent police investigation was bungled, leading to a six-decade cover-up, ensuring that this twenty-one-year-old fashion designer was effectively killed twice: first bodily, and then as her significance and her memory were erased. Fred Vermorel's forensic, troubling (and trouble-making) investigation digs deep into Jean Townsend's life and times, and her transgressive bohemian milieu. It disentangles the lies and bluffs that have obscured this puzzling case for over half a century and offers a compelling solution to her murder and the official secrecy surrounding it. More than just a true crime story, Vermorel's investigation deploys Townsend's death as a wild card methodology for probing the 1950s: a cesspit of vice and violence, from coprophiles to bombsite gangs and flick knives in the cinema. Densely illustrated with archival material, Dead Fashion Girl is a heavily researched, darkly curious exposé of London's 1950s society that touches on celebrity, royalty, the postwar establishment, and ultimately, tragedy.
Author: Todd Winkler Publisher: MIT Press ISBN: 9780262731393 Category : Music Languages : en Pages : 372
Book Description
Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book. The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard. Although the book is aimed at those interested in writing music and software using Max, the casual reader can learn the basic concepts of interactive composition by just reading the text, without running any software. The book concludes with a discussion of recent multimedia work incorporating projected images and video playback with sound for concert performances and art installations.
Author: Eilon Paz Publisher: Ten Speed Press ISBN: 1607748703 Category : Music Languages : en Pages : 577
Book Description
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Author: Julian Cope Publisher: Faber & Faber Social ISBN: 9780571270347 Category : Popular music Languages : en Pages : 0
Book Description
From the visionary musician, antiquarian and musicologist Julian Cope, comes an alternative history of the last six decades of popular music.
Author: Andrew O'Neill Publisher: Headline ISBN: 9781472241450 Category : Music Languages : en Pages : 0
Book Description
'Absolutely hilarious' - Neil Gaiman 'One of the funniest musical commentators that you will ever read . . . loud and thoroughly engrossing' - Alan Moore 'A man on a righteous mission to persuade people to "lay down your souls to the gods rock and roll".' - The Sunday Times 'As funny and preposterous as this mighty music deserve' - John Higgs The history of heavy metal brings brings us extraordinary stories of larger-than-life characters living to excess, from the household names of Ozzy Osbourne, Lemmy, Bruce Dickinson and Metallica (SIT DOWN, LARS!), to the brutal notoriety of the underground Norwegian black metal scene and the New Wave Of British Heavy Metal. It is the story of a worldwide network of rabid fans escaping everyday mundanity through music, of cut-throat corporate arseholes ripping off those fans and the bands they worship to line their pockets. The expansive pantheon of heavy metal musicians includes junkies, Satanists and murderers, born-again Christians and teetotallers, stadium-touring billionaires and toilet-circuit journeymen. Award-winning comedian and life-long heavy metal obsessive Andrew O'Neill has performed his History of Heavy Metal comedy show to a huge range of audiences, from the teenage metalheads of Download festival to the broadsheet-reading theatre-goers of the Edinburgh Fringe. Now, in his first book, he takes us on his own very personal and hilarious journey through the history of the music, the subculture, and the characters who shaped this most misunderstood genre of music.
Author: Joe Banks
Author: Joe Banks
Author: Ian Abrahams
Author: Martin Popoff
Author: Carol Clerk
Author: Mark Pilkington
Author: Fred Vermorel
Author: Todd Winkler
Author: Eilon Paz
Author: Julian Cope
Author: Andrew O'Neill