Author: Alan R Warren
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Robert Maudsley casually walked into the cell of another inmate, who was sleeping on his bunk facedown. A savage rage quickly took over, and Maudsley started stabbing the back of the man's head. There was blood, pieces of brain, and chunks of hair flying in a fury. After the man went limp, Maudsley grabbed the man's head and held it in both palms and started to smash it against the walls of the cell, so hard that the plaster began to fall off the ceiling.Nurses and guards had to watch on, not being able to get into the cell, hearing the victim's head crack each time it was smashed against the wall. After Maudsley finished with the attack, he sat the limp body up against the bed, got down on his knees, and started to eat chunks of the brain with his home-made knife.Robert Maudsley was dubbed "Hannibal the Cannibal' on account of his thirst for eating the brains of his victims. He is one of the most interesting and thought-provoking murderers in prison. He will be housed in a bulletproof cage, in the basement of Wakefield Prison, England, where Britain hold its most savage, high-profile convicts. He is known to be such a danger to others, even inmates, he lives in a specially designed cell that doesn't allow him any contact with anybody, except for guards that will slide his food through a small hole at the bottom of one of his cells.Robert Maudsley is deemed to be the 'Most Dangerous Prisoner in Britain.' Even though he only killed one person outside of prison, his remaining victims were claimed while incarcerated. This book reviews Maudsley's life from his tormented childhood, his rage-filled murder outside of prison, and the planned torturous murders of three convicted pedophiles.In the basement of Wakefield, you might be surprised who else has been housed beside him, and what kind of relationship they have.
Hannibal the Cannibal ; The True Story of Robert Maudsley
Author: Alan R Warren
Publisher:
ISBN: 9781777259464
Category : True Crime
Languages : en
Pages : 92
Book Description
Publisher:
ISBN: 9781777259464
Category : True Crime
Languages : en
Pages : 92
Book Description
Hannibal for Dinner
Author: Kyle A. Moody
Publisher: McFarland
ISBN: 1476666423
Category : Performing Arts
Languages : en
Pages : 336
Book Description
NBC's Hannibal only lasted for three seasons but became a critical darling and quickly inspired a ravenous fanbase. Bryan Fuller's adaptation of Hannibal Lecter's adventures created a new set of fans and a cult audience through its stunning visuals, playful characters, and mythical tableaus of violence that doubled as works of art. The show became a nexus point for viewers that explored consumption, queerness, beauty, crime, and the meaning of love through a lens of blood and gore. Much like the show, this collection is a love letter to America's favorite cannibal, celebrating the multiple ways that Hannibal expanded the mythology, food culture, fandom, artistic achievements, and religious symbolism of the work of Thomas Harris. Primarily focusing on Hannibal, this book combines interviews and academic essays that examine the franchise, its evolution, creatively bold risks, and the art of creating a TV show that consumed the hearts and minds of its audience.
Publisher: McFarland
ISBN: 1476666423
Category : Performing Arts
Languages : en
Pages : 336
Book Description
NBC's Hannibal only lasted for three seasons but became a critical darling and quickly inspired a ravenous fanbase. Bryan Fuller's adaptation of Hannibal Lecter's adventures created a new set of fans and a cult audience through its stunning visuals, playful characters, and mythical tableaus of violence that doubled as works of art. The show became a nexus point for viewers that explored consumption, queerness, beauty, crime, and the meaning of love through a lens of blood and gore. Much like the show, this collection is a love letter to America's favorite cannibal, celebrating the multiple ways that Hannibal expanded the mythology, food culture, fandom, artistic achievements, and religious symbolism of the work of Thomas Harris. Primarily focusing on Hannibal, this book combines interviews and academic essays that examine the franchise, its evolution, creatively bold risks, and the art of creating a TV show that consumed the hearts and minds of its audience.
Hannibal the Cannibal
Author: Alan R Warren
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Robert Maudsley casually walked into the cell of another inmate, who was sleeping on his bunk facedown. A savage rage quickly took over, and Maudsley started stabbing the back of the man's head. There was blood, pieces of brain, and chunks of hair flying in a fury. After the man went limp, Maudsley grabbed the man's head and held it in both palms and started to smash it against the walls of the cell, so hard that the plaster began to fall off the ceiling.Nurses and guards had to watch on, not being able to get into the cell, hearing the victim's head crack each time it was smashed against the wall. After Maudsley finished with the attack, he sat the limp body up against the bed, got down on his knees, and started to eat chunks of the brain with his home-made knife.Robert Maudsley was dubbed "Hannibal the Cannibal' on account of his thirst for eating the brains of his victims. He is one of the most interesting and thought-provoking murderers in prison. He will be housed in a bulletproof cage, in the basement of Wakefield Prison, England, where Britain hold its most savage, high-profile convicts. He is known to be such a danger to others, even inmates, he lives in a specially designed cell that doesn't allow him any contact with anybody, except for guards that will slide his food through a small hole at the bottom of one of his cells.Robert Maudsley is deemed to be the 'Most Dangerous Prisoner in Britain.' Even though he only killed one person outside of prison, his remaining victims were claimed while incarcerated. This book reviews Maudsley's life from his tormented childhood, his rage-filled murder outside of prison, and the planned torturous murders of three convicted pedophiles.In the basement of Wakefield, you might be surprised who else has been housed beside him, and what kind of relationship they have.
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Robert Maudsley casually walked into the cell of another inmate, who was sleeping on his bunk facedown. A savage rage quickly took over, and Maudsley started stabbing the back of the man's head. There was blood, pieces of brain, and chunks of hair flying in a fury. After the man went limp, Maudsley grabbed the man's head and held it in both palms and started to smash it against the walls of the cell, so hard that the plaster began to fall off the ceiling.Nurses and guards had to watch on, not being able to get into the cell, hearing the victim's head crack each time it was smashed against the wall. After Maudsley finished with the attack, he sat the limp body up against the bed, got down on his knees, and started to eat chunks of the brain with his home-made knife.Robert Maudsley was dubbed "Hannibal the Cannibal' on account of his thirst for eating the brains of his victims. He is one of the most interesting and thought-provoking murderers in prison. He will be housed in a bulletproof cage, in the basement of Wakefield Prison, England, where Britain hold its most savage, high-profile convicts. He is known to be such a danger to others, even inmates, he lives in a specially designed cell that doesn't allow him any contact with anybody, except for guards that will slide his food through a small hole at the bottom of one of his cells.Robert Maudsley is deemed to be the 'Most Dangerous Prisoner in Britain.' Even though he only killed one person outside of prison, his remaining victims were claimed while incarcerated. This book reviews Maudsley's life from his tormented childhood, his rage-filled murder outside of prison, and the planned torturous murders of three convicted pedophiles.In the basement of Wakefield, you might be surprised who else has been housed beside him, and what kind of relationship they have.
Cannibal Fictions
Author: Jeff Berglund
Publisher: University of Wisconsin Pres
ISBN: 0299215946
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
Objects of fear and fascination, cannibals have long signified an elemental "otherness," an existence outside the bounds of normalcy. In the American imagination, the figure of the cannibal has evolved tellingly over time, as Jeff Berglund shows in this study encompassing a strikingly eclectic collection of cultural, literary, and cinematic texts. Cannibal Fictions brings together two discrete periods in U.S. history: the years between the Civil War and World War I, the high-water mark in America's imperial presence, and the post-Vietnam era, when the nation was beginning to seriously question its own global agenda. Berglund shows how P. T. Barnum, in a traveling exhibit featuring so-called "Fiji cannibals," served up an alien "other" for popular consumption, while Edgar Rice Burroughs in his Tarzan of the Apes series tapped into similar anxieties about the eruption of foreign elements into a homogeneous culture. Turning to the last decades of the twentieth century, Berglund considers how treatments of cannibalism variously perpetuated or subverted racist, sexist, and homophobic ideologies rooted in earlier times. Fannie Flagg's novel Fried Green Tomatoes invokes cannibalism to new effect, offering an explicit critique of racial, gender, and sexual politics (an element to a large extent suppressed in the movie adaptation). Recurring motifs in contemporary Native American writing suggest how Western expansion has, cannibalistically, laid the seeds of its own destruction. And James Dobson's recent efforts to link the pro-life agenda to allegations of cannibalism in China testify still further to the currency and pervasiveness of this powerful trope. By highlighting practices that preclude the many from becoming one, these representations of cannibalism, Berglund argues, call into question the comforting national narrative of e pluribus unum.
Publisher: University of Wisconsin Pres
ISBN: 0299215946
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
Objects of fear and fascination, cannibals have long signified an elemental "otherness," an existence outside the bounds of normalcy. In the American imagination, the figure of the cannibal has evolved tellingly over time, as Jeff Berglund shows in this study encompassing a strikingly eclectic collection of cultural, literary, and cinematic texts. Cannibal Fictions brings together two discrete periods in U.S. history: the years between the Civil War and World War I, the high-water mark in America's imperial presence, and the post-Vietnam era, when the nation was beginning to seriously question its own global agenda. Berglund shows how P. T. Barnum, in a traveling exhibit featuring so-called "Fiji cannibals," served up an alien "other" for popular consumption, while Edgar Rice Burroughs in his Tarzan of the Apes series tapped into similar anxieties about the eruption of foreign elements into a homogeneous culture. Turning to the last decades of the twentieth century, Berglund considers how treatments of cannibalism variously perpetuated or subverted racist, sexist, and homophobic ideologies rooted in earlier times. Fannie Flagg's novel Fried Green Tomatoes invokes cannibalism to new effect, offering an explicit critique of racial, gender, and sexual politics (an element to a large extent suppressed in the movie adaptation). Recurring motifs in contemporary Native American writing suggest how Western expansion has, cannibalistically, laid the seeds of its own destruction. And James Dobson's recent efforts to link the pro-life agenda to allegations of cannibalism in China testify still further to the currency and pervasiveness of this powerful trope. By highlighting practices that preclude the many from becoming one, these representations of cannibalism, Berglund argues, call into question the comforting national narrative of e pluribus unum.
Cannibalism and the Colonial World
Author: Francis Barker
Publisher: Cambridge University Press
ISBN: 9780521629089
Category : History
Languages : en
Pages : 330
Book Description
In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.
Publisher: Cambridge University Press
ISBN: 9780521629089
Category : History
Languages : en
Pages : 330
Book Description
In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.
Our Cannibals, Ourselves
Author: Priscilla L. Walton
Publisher: University of Illinois Press
ISBN: 0252092783
Category : Social Science
Languages : en
Pages : 186
Book Description
Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
Publisher: University of Illinois Press
ISBN: 0252092783
Category : Social Science
Languages : en
Pages : 186
Book Description
Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
Hannibal's Fairy Tale
Author: Michelle Leigh Gompf
Publisher: McFarland
ISBN: 1476676119
Category : Performing Arts
Languages : en
Pages : 207
Book Description
Much has been written about the aesthetics of the television series Hannibal and its devoted fans, and some have discussed its philosophical ideas and its Gothic characteristics, but until now there has been no in-depth reading of the show as a fairy tale. However, the show positions itself as a fairy tale in its third season. Recognizing it as a fairy tale provides an understanding of its appeal and forces us to consider its lessons. Like a fairy tale, Hannibal plays with time and reality and teaches its audience about their world and how to survive in it. From the show, the audience learns both the importance and the danger of family and friends, the complicated nature of humanity containing the capability for good and evil, and the arbitrariness of society's definitions and taboos. As a fairy tale, it draws its viewers in and encourages them not only to come back time and again but to retell and even add to the story.
Publisher: McFarland
ISBN: 1476676119
Category : Performing Arts
Languages : en
Pages : 207
Book Description
Much has been written about the aesthetics of the television series Hannibal and its devoted fans, and some have discussed its philosophical ideas and its Gothic characteristics, but until now there has been no in-depth reading of the show as a fairy tale. However, the show positions itself as a fairy tale in its third season. Recognizing it as a fairy tale provides an understanding of its appeal and forces us to consider its lessons. Like a fairy tale, Hannibal plays with time and reality and teaches its audience about their world and how to survive in it. From the show, the audience learns both the importance and the danger of family and friends, the complicated nature of humanity containing the capability for good and evil, and the arbitrariness of society's definitions and taboos. As a fairy tale, it draws its viewers in and encourages them not only to come back time and again but to retell and even add to the story.
The Adventures of Cinema Dave in the Florida Motion Picture World
Author: Dave Montalbano
Publisher: Xlibris Corporation
ISBN: 1462836739
Category : Language Arts & Disciplines
Languages : en
Pages : 654
Book Description
The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.
Publisher: Xlibris Corporation
ISBN: 1462836739
Category : Language Arts & Disciplines
Languages : en
Pages : 654
Book Description
The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.
Horror Noir
Author: Paul Meehan
Publisher: McFarland
ISBN: 0786462191
Category : Performing Arts
Languages : en
Pages : 311
Book Description
This critical survey examines the historical and thematic relationships between two of the cinema's most popular genres: horror and film noir. The influence of 1930s- and 1940s-era horror films on the development of noir is detailed, with analyses of more than 100 motion pictures in which noir criminality and mystery meld with supernatural and psychological horror. Included are the films based on popular horror/mystery radio shows (The Whistler, Inner Sanctum), the works of RKO producer Val Lewton (Cat People, The Seventh Victim), and Alfred Hitchcock's psychological ghost stories. Also discussed are gothic and costume horror noirs set in the 19th century (The Picture of Dorian Gray, Hangover Square); the noir elements of more recent films; and the film noir aspects of the Hannibal Lecter movies and other serial-killer thrillers.
Publisher: McFarland
ISBN: 0786462191
Category : Performing Arts
Languages : en
Pages : 311
Book Description
This critical survey examines the historical and thematic relationships between two of the cinema's most popular genres: horror and film noir. The influence of 1930s- and 1940s-era horror films on the development of noir is detailed, with analyses of more than 100 motion pictures in which noir criminality and mystery meld with supernatural and psychological horror. Included are the films based on popular horror/mystery radio shows (The Whistler, Inner Sanctum), the works of RKO producer Val Lewton (Cat People, The Seventh Victim), and Alfred Hitchcock's psychological ghost stories. Also discussed are gothic and costume horror noirs set in the 19th century (The Picture of Dorian Gray, Hangover Square); the noir elements of more recent films; and the film noir aspects of the Hannibal Lecter movies and other serial-killer thrillers.
Cannibalism in Literature and Film
Author: J. Brown
Publisher: Springer
ISBN: 1137292121
Category : Performing Arts
Languages : en
Pages : 369
Book Description
A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.
Publisher: Springer
ISBN: 1137292121
Category : Performing Arts
Languages : en
Pages : 369
Book Description
A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.