Author: Colin Noël BennettPublisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 398
Book Description
The Handbook of Kinematography
Author: Colin Noël BennettPublisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 398
Book Description
The Guide to Kinematography for Camera Men, Operators, and All who Want to Know
Author: Colin Noe l BennettPublisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 280
Book Description
A History of Early Film
Author: Stephen HerbertPublisher: Taylor & Francis
ISBN: 9780415211536
Category : Business & Economics
Languages : en
Pages : 448
Book Description
"This important collection reprints influential works in the early history of moving pictures in the UK. Ranging from the period of invention in the early 1890s to the First World War, the pieces include the seminal 1917 report to the Cinema Commission of Enquiry The Cinema--Its Present Position and Future Possibilities; Colin Bennett's 1913 Handbook of Kinematography; articles from trade journals published during the 1910s; and more."--Publisher description.
A History of Early Film V2
Author: Stephen HerbertPublisher: Taylor & Francis
ISBN: 1000894428
Category : Social Science
Languages : en
Pages : 445
Book Description
Volume 2 of A History of Early Film examines filmmaking and presentation during the latter part of the early cinema period. Technology did not stand still during these years and despite problems with editing, synchronization and amplification, many auditoria were fitted with sound-film equipment during the early cinema periods. Much of the discussion in the trade magazines revolved around economic and commercial subjects, including expenses incurred in complying with new laws, and the damage caused by irresponsible promoters. Among the material included is a complete reprint of the 1913 edition of Colin Bennett's The Handbook of Kinematography. Technical production is covered with a section on micro-kinematography, tele-kinematography and general natural history filming. Film exhibition is also discussed and a final chapter covers coyright and censorship.
The Nottingham Library Bulletin
Author: Nottingham Free Public LibrariesPublisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 290
Book Description
Subject Index of Modern Books Acquired
Author: British LibrarySubject Index of the Modern Books Acquired by the British Museum in the Years ...
Author: British MuseumPublisher:
ISBN:
Category : Best books
Languages : en
Pages : 1586
Book Description
The Age of Invention
Author: Holland ThompsonPublisher:
ISBN:
Category : Inventions
Languages : en
Pages : 288
Book Description
Volume 37.
Doing Experimental Media Archaeology
Author: Andreas FickersPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110799790
Category : History
Languages : en
Pages : 184
Book Description
This book offers a plea to take the materiality of media technologies and the sensorial and tacit dimensions of media use into account in the writing of the histories of media and technology. In short, it is a bold attempt to question media history from the perspective of an experimental media archaeology approach. It offers a systematic reflection on the value and function of hands-on experimentation in research and teaching. Doing Experimental Media Archaeology: Theory is the twin volume to Doing Experimental Media Archaeology: Practice, authored by Tim van der Heijden and Aleksander Kolkowski.
Animation
Author: Scott CurtisPublisher: Rutgers University Press
ISBN: 0813572789
Category : Performing Arts
Languages : en
Pages : 244
Book Description
From the earliest motion pictures and cartoons of the 1900s, to the latest 3D animated feature and CGI blockbuster, animation has always been a part of the cinematic experience. While the boundaries between animation and live-action have often been carefully tended, the ubiquity of contemporary computer imaging certainly blurs those lines, thereby confirming the importance of animation for the history of American cinema. The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation: the artisanal, solitary labors of early animators such as Winsor McCay, or of independent animators such as Mary Ellen Bute; the industrial assembly lines of Hollywood studio-unit animation; the parsimonious production houses of the post-studio, post-war era; the collaborative approach of boutique animation and special-effect houses. Drawing on archival sources, this volume provides not only an overview of American animation history, but also, by focusing on the relationship between production and style, a unique approach to understanding animation in general.