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Halevy's Opera The Jewess

Author: F. Halévy
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 44

Book Description

Halevy's Opera The Jewess

Author: F. Halévy
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 44

Book Description

The Jew in Heinrich Heine

Author: Lewis Browne
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

Book Description

The Rough Guide to Opera

Author: Matthew Boyden
Publisher: Rough Guides
ISBN: 9781858287492
Category : Music
Languages : en
Pages : 756

Book Description
Sketches of opera composers, opera synopses, and CD reviews.

The Opera Lover's Companion

Author: Charles Osborne
Publisher: Yale University Press
ISBN: 9780300123739
Category : Music
Languages : en
Pages : 648

Book Description
Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.

Fromental Halévy and His Operas, 1799-1841

Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527568776
Category : Music
Languages : en
Pages : 684

Book Description
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.

Richard Wagner and the Jews

Author: Milton E. Brener
Publisher: McFarland
ISBN: 0786491388
Category : Social Science
Languages : en
Pages : 344

Book Description
It is well known that Richard Wagner, the renowned and controversial 19th century composer, exhibited intense anti-Semitism. The evidence is everywhere in his writings as well as in conversations his second wife recorded in her diaries. In his infamous essay "Judaism in Music," Wagner forever cemented his unpleasant reputation with his assertion that Jews were incapable of either creating or appreciating great art. Wagner's close ties with many talented Jews, then, are surprising. Most writers have dismissed these connections as cynical manipulations and rank hypocrisy. Examination of the original sources, however, reveals something different: unmistakeable, undeniable empathy and friendship between Wagner and the Jews in his life. Indeed, the composer had warm relationships with numerous individual Jews. Two of them resided frequently over extended periods in his home. One of these, the rabbi's son Hermann Levi, conducted Wagner's final opera--Parsifal, based on Christian legend--at Wagner's request; no one, Wagner declared, understood his work so well. Even in death his Jewish friends were by his side; two were among his twelve pallbearers. The contradictions between Wagner's antipathy toward the amorphous entity "The Jews" and his genuine friendships with individual Jews are the subject of this book. Drawing on extensive sources in both German and English, including Wagner's autobiography and diary and the diaries of his second wife, this comprehensive treatment of Wagner's anti-Semitism is the first to place it in perspective with his life and work. Included in the text are portions of unpublished letters exchanged between Wagner and Hermann Levi. Altogether, the book reveals astonishing complexities in a man long known as much for his prejudice as for his epic contributions to opera.