Author: Tobias Hurwitz
Publisher: Alfred Music Publishing
ISBN: 9780739002285
Category : Music
Languages : en
Pages : 52
Book Description
Licks in every substyle of punk including the New York scene, the LA scene, the London scene, thrash and grunge, with detailed information about important artists and their contributions. All licks are shown in standard music notation and TAB and demonstrated on the CD.
Guitar Styles -- Punk
Author: Tobias Hurwitz
Publisher: Alfred Music Publishing
ISBN: 9780739002285
Category : Music
Languages : en
Pages : 52
Book Description
Licks in every substyle of punk including the New York scene, the LA scene, the London scene, thrash and grunge, with detailed information about important artists and their contributions. All licks are shown in standard music notation and TAB and demonstrated on the CD.
Publisher: Alfred Music Publishing
ISBN: 9780739002285
Category : Music
Languages : en
Pages : 52
Book Description
Licks in every substyle of punk including the New York scene, the LA scene, the London scene, thrash and grunge, with detailed information about important artists and their contributions. All licks are shown in standard music notation and TAB and demonstrated on the CD.
American Rock
Author: Erik Farseth
Publisher: Twenty-First Century Books ™
ISBN: 1512452858
Category : Juvenile Nonfiction
Languages : en
Pages : 67
Book Description
A guitarist fires off riffs. A drummer pounds out primal rhythms. Fans scream along to a booming chorus. These are the sounds of rock. When rock 'n' roll first shook up young audiences, parents and politicians screamed in protest. But artists soon used the music to make protests of their own. Since rock's birth in the 1950s, its sounds have been blasted from garages to stadiums. The music can be the soundtrack to rebellion, a tool for self-expression, or just a way to bang your head. Find out what inspired rock pioneers to pick up their guitars. Discover the stories of outrageous punks and grungy alternative rockers. And learn more about legends such as Jimi Hendrix, Janis Joplin, Metallica, and Green Day.
Publisher: Twenty-First Century Books ™
ISBN: 1512452858
Category : Juvenile Nonfiction
Languages : en
Pages : 67
Book Description
A guitarist fires off riffs. A drummer pounds out primal rhythms. Fans scream along to a booming chorus. These are the sounds of rock. When rock 'n' roll first shook up young audiences, parents and politicians screamed in protest. But artists soon used the music to make protests of their own. Since rock's birth in the 1950s, its sounds have been blasted from garages to stadiums. The music can be the soundtrack to rebellion, a tool for self-expression, or just a way to bang your head. Find out what inspired rock pioneers to pick up their guitars. Discover the stories of outrageous punks and grungy alternative rockers. And learn more about legends such as Jimi Hendrix, Janis Joplin, Metallica, and Green Day.
Total Rock Guitar
Author:
Publisher: Hal Leonard Corporation
ISBN: 9780793587872
Category : Music
Languages : en
Pages : 100
Book Description
(Guitar Educational). Total Rock Guitar is a unique and comprehensive source for learning rock guitar, designed to develop both lead and rhythm playing. This book/CD pack covers: getting a tone that rocks; open chords, power chords and barre chords; riffs, scales and licks; string bending, strumming, palm muting, harmonics and alternate picking; all rock styles; and much more. The examples in the book are in standard notation with chord grids and tablature, and the CD includes full-band backing for all 22 songs.
Publisher: Hal Leonard Corporation
ISBN: 9780793587872
Category : Music
Languages : en
Pages : 100
Book Description
(Guitar Educational). Total Rock Guitar is a unique and comprehensive source for learning rock guitar, designed to develop both lead and rhythm playing. This book/CD pack covers: getting a tone that rocks; open chords, power chords and barre chords; riffs, scales and licks; string bending, strumming, palm muting, harmonics and alternate picking; all rock styles; and much more. The examples in the book are in standard notation with chord grids and tablature, and the CD includes full-band backing for all 22 songs.
Indie Rock Sheet Music Collection
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 149502279X
Category : Music
Languages : en
Pages : 325
Book Description
(Piano/Vocal/Guitar Songbook). 25 classics from the indie rock genre arranged for piano, voice and guitar. Includes: Barely Legal (The Strokes) * Buddy Holly (Weezer) * Do I Wanna Know? (Arctic Monkeys) * Gold on the Ceiling (The Black Keys) * Loser (Beck) * Money Grabber (Fitz and the Tantrums) * Radioactive (Imagine Dragons) * Sex on Fire (Kings of Leon) * Somebody Told Me (The Killers) * You Don't Know Me (Ben Folds) * and more.
Publisher: Hal Leonard Corporation
ISBN: 149502279X
Category : Music
Languages : en
Pages : 325
Book Description
(Piano/Vocal/Guitar Songbook). 25 classics from the indie rock genre arranged for piano, voice and guitar. Includes: Barely Legal (The Strokes) * Buddy Holly (Weezer) * Do I Wanna Know? (Arctic Monkeys) * Gold on the Ceiling (The Black Keys) * Loser (Beck) * Money Grabber (Fitz and the Tantrums) * Radioactive (Imagine Dragons) * Sex on Fire (Kings of Leon) * Somebody Told Me (The Killers) * You Don't Know Me (Ben Folds) * and more.
Play It Loud
Author: Brad Tolinski
Publisher: Anchor
ISBN: 0385541007
Category : Music
Languages : en
Pages : 344
Book Description
The inspiration for the Play It Loud exhibition at the Metropolitan Museum of Art "Every guitar player will want to read this book twice. And even the casual music fan will find a thrilling narrative that weaves together cultural history, musical history, race, politics, business case studies, advertising, and technological discovery." —Daniel Levitin, Wall Street Journal For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, veteran music journalists Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Play It Loud uses twelve landmark guitars—each of them artistic milestones in their own right—to illustrate the conflict and passion the instruments have inspired. It introduces Leo Fender, a man who couldn't play a note but whose innovations helped transform the guitar into the explosive sound machine it is today. Some of the most significant social movements of the twentieth century are indebted to the guitar: It was an essential element in the fight for racial equality in the entertainment industry; a mirror to the rise of the teenager as social force; a linchpin of punk's sound and ethos. And today the guitar has come full circle, with contemporary titans such as Jack White of The White Stripes, Annie Clark (aka St. Vincent), and Dan Auerbach of The Black Keys bringing some of the earliest electric guitar forms back to the limelight. Featuring interviews with Les Paul, Keith Richards, Carlos Santana, Eddie Van Halen, Steve Vai, and dozens more players and creators, Play It Loud is the story of how a band of innovators transformed an idea into a revolution.
Publisher: Anchor
ISBN: 0385541007
Category : Music
Languages : en
Pages : 344
Book Description
The inspiration for the Play It Loud exhibition at the Metropolitan Museum of Art "Every guitar player will want to read this book twice. And even the casual music fan will find a thrilling narrative that weaves together cultural history, musical history, race, politics, business case studies, advertising, and technological discovery." —Daniel Levitin, Wall Street Journal For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, veteran music journalists Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Play It Loud uses twelve landmark guitars—each of them artistic milestones in their own right—to illustrate the conflict and passion the instruments have inspired. It introduces Leo Fender, a man who couldn't play a note but whose innovations helped transform the guitar into the explosive sound machine it is today. Some of the most significant social movements of the twentieth century are indebted to the guitar: It was an essential element in the fight for racial equality in the entertainment industry; a mirror to the rise of the teenager as social force; a linchpin of punk's sound and ethos. And today the guitar has come full circle, with contemporary titans such as Jack White of The White Stripes, Annie Clark (aka St. Vincent), and Dan Auerbach of The Black Keys bringing some of the earliest electric guitar forms back to the limelight. Featuring interviews with Les Paul, Keith Richards, Carlos Santana, Eddie Van Halen, Steve Vai, and dozens more players and creators, Play It Loud is the story of how a band of innovators transformed an idea into a revolution.
Feeding Back
Author: David Todd
Publisher: Chicago Review Press
ISBN: 161374062X
Category : Music
Languages : en
Pages : 402
Book Description
Feeding Back: Conversations with Rock's Alternative Guitarists from Proto-Punk to Post-Rock offers a counter-history of rock music through the lens of interviews with musicians including Richard Thompson, J Mascis, James Williamson, Bob Mould, Tom Verlaine, Lydia Lunch, Lee Ranaldo, Johnny Marr, and John Frusciante. Individually, the book's in-depth discussions explore these subjects' ideas and innovations; taken together they document an alternative-guitar tradition with roots in free jazz, punk, avant-garde, folk, and garage-rock styles. Of all the conversations in Feeding Back the most compelling is the one among the guitarists themselves, the way they both influence and respond to each other while redefining the instrument and the rock genre. From the proto-punk of the Stooges to the post-punk of Sonic Youth, from the &“Krautrock&” of Neu! to the post-rock of Tortoise, the book charts this alternative thread as it makes its way through rock guitar from the late &‘60s to the present. David Todd is an assistant professor of English at Otterbein University in Columbus, Ohio. As a playwright, his work has been presented in New York, DC, Portland, Chicago, and other cities around the U.S. His nonfiction articles have appeared in The Villager, Downtown Express, and Chelsea Now.
Publisher: Chicago Review Press
ISBN: 161374062X
Category : Music
Languages : en
Pages : 402
Book Description
Feeding Back: Conversations with Rock's Alternative Guitarists from Proto-Punk to Post-Rock offers a counter-history of rock music through the lens of interviews with musicians including Richard Thompson, J Mascis, James Williamson, Bob Mould, Tom Verlaine, Lydia Lunch, Lee Ranaldo, Johnny Marr, and John Frusciante. Individually, the book's in-depth discussions explore these subjects' ideas and innovations; taken together they document an alternative-guitar tradition with roots in free jazz, punk, avant-garde, folk, and garage-rock styles. Of all the conversations in Feeding Back the most compelling is the one among the guitarists themselves, the way they both influence and respond to each other while redefining the instrument and the rock genre. From the proto-punk of the Stooges to the post-punk of Sonic Youth, from the &“Krautrock&” of Neu! to the post-rock of Tortoise, the book charts this alternative thread as it makes its way through rock guitar from the late &‘60s to the present. David Todd is an assistant professor of English at Otterbein University in Columbus, Ohio. As a playwright, his work has been presented in New York, DC, Portland, Chicago, and other cities around the U.S. His nonfiction articles have appeared in The Villager, Downtown Express, and Chelsea Now.
The Guitar Style Resource: A Comprehensive Guide to Exploring New Techniques and Styles from Heavy Metal to Jazz, Book & CD
Author: Raleigh Green
Publisher: Alfred Music
ISBN: 9780739089088
Category : Music
Languages : en
Pages : 0
Book Description
You've learned the basics of guitar, so now it's time to explore new styles and techniques to help you become a well-rounded and more knowledgeable player. With The Guitar Style Resource, you will be exposed to a variety of musical influences that will help you create a unique, original, and exciting sound. Using examples based on actual songs, you will learn the essential elements of various styles. Learn about important players and understand what goes into creating a great guitar part. Dig in and explore new concepts that will unleash your inner musical potential. The included CD clearly demonstrates the musical examples in the book. * Explore a wide variety of styles from rock and reggae to classical and funk * Learn about the styles and recordings of pioneering players * Master techniques such as fingerstyle, palm muting, hammer-ons, pull-offs, and bending * Covers acoustic and electric guitar technique * Includes sample licks and tips on soloing
Publisher: Alfred Music
ISBN: 9780739089088
Category : Music
Languages : en
Pages : 0
Book Description
You've learned the basics of guitar, so now it's time to explore new styles and techniques to help you become a well-rounded and more knowledgeable player. With The Guitar Style Resource, you will be exposed to a variety of musical influences that will help you create a unique, original, and exciting sound. Using examples based on actual songs, you will learn the essential elements of various styles. Learn about important players and understand what goes into creating a great guitar part. Dig in and explore new concepts that will unleash your inner musical potential. The included CD clearly demonstrates the musical examples in the book. * Explore a wide variety of styles from rock and reggae to classical and funk * Learn about the styles and recordings of pioneering players * Master techniques such as fingerstyle, palm muting, hammer-ons, pull-offs, and bending * Covers acoustic and electric guitar technique * Includes sample licks and tips on soloing
Essential Elements for Guitar, Book 1 (Music Instruction)
Author: Will Schmid
Publisher: Hal Leonard Corporation
ISBN: 1476826269
Category : Music
Languages : en
Pages : 185
Book Description
(Essential Elements Guitar). Take your guitar teaching to a new level! Hal Leonard's top-selling comprehensive method for band and strings is now also available for guitar. With the time-tested classroom teaching methods of Will Schmid and Bob Morris and popular songs in a variety of styles, Essential Elements for Guitar is sure to become a staple of guitar teachers' instruction and get beginning guitar students off to a great start. This method has been designed to meet the National Standards for Music Education, with features such as cross-curricular activities, quizzes, multicultural songs, basic improvisation and more. Concepts covered in Book 1 include: getting started; basic music theory; guitar chords; notes on each string; ensemble playing; and much more! Songs used in Book 1 include such hits as: Dust in the Wind * Eleanor Rigby * Every Breath You Take * Hey Jude * Hound Dog * Let It Be * Ode to Joy * Rock Around the Clock * Stand By Me * Surfin' USA * Sweet Home Chicago * This Land Is Your Land * You Really Got Me * and more!
Publisher: Hal Leonard Corporation
ISBN: 1476826269
Category : Music
Languages : en
Pages : 185
Book Description
(Essential Elements Guitar). Take your guitar teaching to a new level! Hal Leonard's top-selling comprehensive method for band and strings is now also available for guitar. With the time-tested classroom teaching methods of Will Schmid and Bob Morris and popular songs in a variety of styles, Essential Elements for Guitar is sure to become a staple of guitar teachers' instruction and get beginning guitar students off to a great start. This method has been designed to meet the National Standards for Music Education, with features such as cross-curricular activities, quizzes, multicultural songs, basic improvisation and more. Concepts covered in Book 1 include: getting started; basic music theory; guitar chords; notes on each string; ensemble playing; and much more! Songs used in Book 1 include such hits as: Dust in the Wind * Eleanor Rigby * Every Breath You Take * Hey Jude * Hound Dog * Let It Be * Ode to Joy * Rock Around the Clock * Stand By Me * Surfin' USA * Sweet Home Chicago * This Land Is Your Land * You Really Got Me * and more!
Fundamentals of Guitar
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Change the Record - Punk Women Music Politics
Author: M.I. Franklin
Publisher: transcript Verlag
ISBN: 3839441714
Category : Social Science
Languages : en
Pages : 157
Book Description
Poets, Guitarists, Songwriters, TV Stars, Provocateurs, Riot Grrrl founders, the authors in this study challenge perceptions of punk music and politics. Viv Albertine, Alice Bag, Pauline Black, Carrie Brownstein, Kim Gordon, Nina Hagen, Chrisse Hynde, Patti Smith, Brix Smith Start, and Cosey Fanni Tutti have been breaking new ground in writing about their lives. They fill gaps in the historical record, back catalogues and perceptions of how music works as politics. They provide fans and music scholars with a corrective to androcentric studies of punk as a DIY politics of resistance to the mainstream. M.I. Franklin shows how they do this, along with ways to hear the personal and world politics inherent in their musical output.
Publisher: transcript Verlag
ISBN: 3839441714
Category : Social Science
Languages : en
Pages : 157
Book Description
Poets, Guitarists, Songwriters, TV Stars, Provocateurs, Riot Grrrl founders, the authors in this study challenge perceptions of punk music and politics. Viv Albertine, Alice Bag, Pauline Black, Carrie Brownstein, Kim Gordon, Nina Hagen, Chrisse Hynde, Patti Smith, Brix Smith Start, and Cosey Fanni Tutti have been breaking new ground in writing about their lives. They fill gaps in the historical record, back catalogues and perceptions of how music works as politics. They provide fans and music scholars with a corrective to androcentric studies of punk as a DIY politics of resistance to the mainstream. M.I. Franklin shows how they do this, along with ways to hear the personal and world politics inherent in their musical output.