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Author: Ann C. Gunter Publisher: Cambridge University Press ISBN: 9780521832571 Category : Art Languages : en Pages : 272
Book Description
For over a century, scholars have recognized an "orientalizing period" in the history of early Greek art, in which Greek artisans fashioned works of art under the stimulus of Near Eastern imports or resident foreign artisans. Previous studies have emphasized the role of Greek and Phoenician traders in bringing about these contacts with the civilizations of the ancient Near East and Egypt, debating their duration or intensity in the Greek world. In this study, Ann Gunter interrogates the categories of "Greek" and "Oriental" as problematic and shifts emphasis to modes of contact and cultural transfers within a broader regional setting. Her provocative study places Greek encounters with the Near East and Egypt in the context of the Neo-Assyrian Empire, which by the 8th and 7th centuries BCE extended from southern Turkey to western Iran. Using an expanded array of archaeological and textual sources, she argues that crucial aspects of the identity and meaning of foreign works of art were constructed through circumstances of transfer, ownership, and display.
Author: Ann C. Gunter Publisher: Cambridge University Press ISBN: 9780521832571 Category : Art Languages : en Pages : 272
Book Description
For over a century, scholars have recognized an "orientalizing period" in the history of early Greek art, in which Greek artisans fashioned works of art under the stimulus of Near Eastern imports or resident foreign artisans. Previous studies have emphasized the role of Greek and Phoenician traders in bringing about these contacts with the civilizations of the ancient Near East and Egypt, debating their duration or intensity in the Greek world. In this study, Ann Gunter interrogates the categories of "Greek" and "Oriental" as problematic and shifts emphasis to modes of contact and cultural transfers within a broader regional setting. Her provocative study places Greek encounters with the Near East and Egypt in the context of the Neo-Assyrian Empire, which by the 8th and 7th centuries BCE extended from southern Turkey to western Iran. Using an expanded array of archaeological and textual sources, she argues that crucial aspects of the identity and meaning of foreign works of art were constructed through circumstances of transfer, ownership, and display.
Author: S. Rebecca Martin Publisher: University of Pennsylvania Press ISBN: 0812249089 Category : Art Languages : en Pages : 320
Book Description
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and wall mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper, " Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity.
Author: Robin Osborne Publisher: Psychology Press ISBN: 9780415035835 Category : History Languages : en Pages : 420
Book Description
Robin Osborne's introduction to the art, archaeology and history of ancient Greece shows how we can write the history of this period, and the insights which can be gained by doing so for our understanding of later periods of history
Author: Mark D. Stansbury-O'Donnell Publisher: John Wiley & Sons ISBN: 1444350153 Category : Art Languages : en Pages : 434
Book Description
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
Author: Susan Woodford Publisher: Bloomsbury Publishing ISBN: 1472526392 Category : History Languages : en Pages : 225
Book Description
The four centuries between the composition of the Homeric epics and the conquests of Alexander the Great witnessed an immensely creative period in Greek art, one full of experimentation and innovation. But time has taken its toll; damaged statues have lost their colour and wall paintings have been totally destroyed. And yet sympathetic study of surviving sculpture and of drawing on vases can give extraordinary insight into and appreciation of these once brilliant works This book, designed originally for students, introduces the reader to Greek sculpture and vase painting in the critical period from the eighth to the fourth centuries BC. The works discussed are generously illustrated and lucidly analysed to give a vivid picture of the splendor of Greek art. The up-dated second edition includes a new chapter examining art in Greek society, a timeline to help relate artistic development to historical events, an explanation of how dates BC are arrived at, a brief overview of Greek temple plans and a further reading list of recent books. This clear, approachable and rigorous introduction makes the beauty of Greek art more readily accessible and comprehensible, balancing description with interpretation and illustration, and is an invaluable tool to help develop insight, appreciation and comprehension.
Author: Michael Byron Norris Publisher: Metropolitan Museum of Art ISBN: 0870999729 Category : Art, Classical Languages : en Pages : 257
Book Description
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
Author: John Boardman Publisher: Thames & Hudson ISBN: 0500773513 Category : Art Languages : en Pages : 508
Book Description
“One of the very best short histories of Greek Art.” — The Financial Times John Boardman, one of the best known and acknowledged scholars of the classical Greek world, has updated his definitive survey of its arts, the most influential and widely known historic artistic tradition of the Old World. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced our understanding of the arts of ancient Greece and their influence. It is now known that Greek artists completed their stone sculptures with realistic color, as well as working with a wealth of other materials. This proves that the romantic notion of an age of classic, pure white marble is a Renaissance construction which has persisted to the present day. The work of individual artists, as well as schools of artists, can be identified, creating a clearer picture than ever before of how art and artistic traditions traveled throughout the Greek world and beyond it. Boardman encourages the reader to consider the masterpieces that have been preserved in their original context. He weaves into his discussion of the arts insights into the society that produced them. Illustrated in full color throughout for the first time, this fifth edition demonstrates yet more vividly the artistic aims and achievements of ancient Greece.
Author: Ann C. Gunter
Author: Ann C. Gunter
Author: S. Rebecca Martin
Author: Robin Osborne
Author: Mark D. Stansbury-O'Donnell
Author: Ekrem Akurgal
Author: Jane Ellen Harrison
Author: Tomasz Polański
Author: Susan Woodford
Author: Michael Byron Norris
Author: John Boardman