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Author: P. Lal Publisher: New Directions Publishing ISBN: 9780811200790 Category : Drama Languages : en Pages : 420
Book Description
Professor Lal has provided an introduction on the history and aesthetic theory of Sanskrit drama, individual prefaces for each play, a phonetic guide to the pronunciation of the Indian names, and a selective bibliography.
Author: P. Lal Publisher: New Directions Publishing ISBN: 9780811200790 Category : Drama Languages : en Pages : 420
Book Description
Professor Lal has provided an introduction on the history and aesthetic theory of Sanskrit drama, individual prefaces for each play, a phonetic guide to the pronunciation of the Indian names, and a selective bibliography.
Author: Publisher: iUniverse ISBN: 0595139809 Category : Drama Languages : en Pages : 146
Book Description
Shakuntala Recognized is a translation of the Sanskrit play, Abhijyanashakuntalam, by the great poet and playwright Kalidasa. As a poet of mellifluous charm and as a master of Simile, he indulged in Sringara Rasa (Eros)—the sensuous aspects of human condition. This play is perhaps his most powerful expression of that sensuality. Extolled by Goethe, and German Romanticists and others, the play uniquely weaves a magical fabric of life with the threads of human frailties and tragedies. The plot for this play is based on a tale in the Indian epic Mahaabhaarata. The tale depicts how India came to be called Bharatavarsha or Bharat, a name that is still official in the Indian languages.
Author: A. C. Woolner Publisher: Motilal Banarsidass ISBN: 8120809084 Category : Religion Languages : en Pages : 396
Book Description
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Author: Kālidāsa Publisher: Columbia University Press ISBN: 9780231058391 Category : Drama Languages : en Pages : 412
Book Description
This volume offers comprehensive analyses and new translations of Kalidasa's three extant plays: "Sakuntala and the Ring of Recollection," "Urvasi Won by Valor," and "Malavika and Agnimitra."
Author: Kalidasa Publisher: Penguin UK ISBN: 0141908025 Category : Poetry Languages : en Pages : 352
Book Description
Kalidasa is the major poet and dramatist of classical Sanskrit literature - a many-sided talent of extraordinary scope and exquisite language. His great poem, Meghadutam (The Cloud Messenger), tells of a divine being, punished for failing in his sacred duties with a years' separation from his beloved. A work of subtle emotional nuances, it is a haunting depiction of longing and separation. The play Sakuntala describes the troubled love between a Lady of Nature and King Duhsanta. This beautiful blend of romance and comedy, transports its audience into an enchanted world in which mortals mingle with gods. And Kalidasa's poem Rtusamharam (The Gathering of the Seasons) is an exuberant observation of the sheer variety of the natural world, as it teems with the energies of the great god Siva.
Author: Bhavabhūti Publisher: NYU Press ISBN: 0814767338 Category : Drama Languages : en Pages : 456
Book Description
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Author: P. Lal
Author: P. Lal
Author: 
Author: Bhāsa
Author: P. Lal
Author: A. C. Woolner
Author: Kālidāsa
Author: Kālidāsa
Author: Bhāsa
Author: Kalidasa
Author: Bhavabhūti