Graphic Worlds of Peter Bruegel the Elder PDF Download

Author: H. Arthur Klein
Publisher: Courier Corporation
ISBN: 0486795411
Category : Art
Languages : en
Pages : 177

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Book Description
Unique survey of best works by16th-century Flemish printmaker presents 64 engravings and one woodcut, each accompanied by an informative essay. Subjects include landscapes, ships and the sea, peasants, humor, and religion.

Author: Manfred Sellink
Publisher: in Detail
ISBN: 9789491819872
Category : Painting, Flemish
Languages : en
Pages : 288

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Book Description
The perfect companion for the Bruegel year of 2019: an introduction to the famous painter through stunning large close-up details in a beautiful coffee table book. Flemish painter Pieter Bruegel the Elder (1525-1569), known for his beautiful landscapes and peasant scenes, is among the most popular artists in the history of Netherlandish painting. Reproducing all of Bruegel's best-known paintings, drawings and prints, this book reveals them as never before, in stunning large close-up details that showcase his mastery. Organized by his major themes - landscapes, daily life, biblical subjects and festive celebrations - it offers astonishing views of popular works of art such as Hunters in the Snow, Peasant Wedding and The Tower of Babel. The printings and drawings section includes his series on Sins and Virtues. Bruegel expert Manfred Sellink reveals how the painter introduced new subject matter into fine art and examines his use of landscape, perhaps the artist's greatest innovation.

Author: Daniela Hammer-Tugendhat
Publisher: Hirmer Verlag GmbH
ISBN: 9783777428635
Category : Drawing, Renaissance
Languages : en
Pages : 0

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Book Description
Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the 16th century. Even during his lifetime his drawings were highly regarded and many were widely distributed as references for copperplate engravings. Drawing on the pictorial tradition of earlier generations of artists, Bruegel introduced completely new ideas with regard to both subject and form.0On the eve of the Dutch War of Independence against Spanish hegemony, in a time of political, social and religious change, Pieter Bruegel (ca. 1525? 1569) created an equally complex pictorial world. Humorous and down-to-earth, sharp-witted and deeply critical, he reflected on the society of his time. The lavishly illustrated catalogue illuminates Bruegel?s artistic origins and offers an overview of his entire graphical oeuvre which unites contrasting subjects such as?Peasant Bruegel?; Bruegel as the?second Hieronymus Bosch?; as an innovator in landscape art; and as a satirical moralist.00Exhibition: Albertina, Vienna, Austria (08.09.-03.12.2017).

Author: Arianne Faber Kolb
Publisher: Getty Publications
ISBN: 0892367709
Category : Art
Languages : en
Pages : 106

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Book Description
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.

Author: Odilon Redon
Publisher: Courier Corporation
ISBN: 0486156451
Category : Art
Languages : en
Pages : 240

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Book Description
A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. 172 lithographs, plus 37 etchings and engravings.

Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1282

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Book Description
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

Author: Alfred W. Crosby
Publisher: Cambridge University Press
ISBN: 9780521639903
Category : History
Languages : en
Pages : 268

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Book Description
This 1997 book discusses the shift to quantitative perception which made modern science, technology, business practice and bureaucracy possible.

Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572

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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.

Author: Ruth Oldenziel
Publisher: MIT Press
ISBN: 0262516136
Category : Technology & Engineering
Languages : en
Pages : 429

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Book Description
The kitchen as political symbol and material reality in the cold war years. Richard Nixon and Nikita Khrushchev's famous “kitchen debate” in 1958 involved more than the virtues of American appliances. Both Nixon and Khrushchev recognized the political symbolism of the modern kitchen; the kind of technological innovation represented in this everyday context spoke to the political system that produced it. The kitchen connects the “big” politics of politicians and statesmen to the “small” politics of users and interest groups. Cold War Kitchen looks at the kitchen as material object and symbol, considering the politics and the practices of one of the most famous technological icons of the twentieth century. Defining the kitchen as a complex technological artifact as important as computers, cars, and nuclear missiles, the book examines the ways in which a range of social actors in Europe shaped the kitchen as both ideological construct and material practice. These actors—from manufacturers and modernist architects to housing reformers and feminists—constructed and domesticated the technological innovations of the postwar kitchen. The home became a “mediation junction” in which women users and others felt free to advise producers from the consumer's point of view. In essays illustrated by striking period photographs, the contributors to Cold War Kitchen consider such topics as Soviet consumers' ambivalent responses to the American dream kitchen argued over by Nixon and Khrushchev; the Frankfurter Küche, a European modernist kitchen of the interwar period (and its export to Turkey when its designer fled the Nazis); and the British state-subsidized kitchen design so innovative that it was mistaken for a luxury American product. The concluding essays challenge the received wisdom of past interpretations of the kitchen debate.

Author: Robert Muchembled
Publisher: John Wiley & Sons
ISBN: 1509536795
Category : History
Languages : en
Pages : 233

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Book Description
Why is our sense of smell so under-appreciated? We tend to think of smell as a vestigial remnant of our pre-human past, doomed to gradual extinction, and we go to great lengths to eliminate smells from our environment, suppressing body odour, bad breath and other smells. Living in a relatively odour-free environment has numbed us to the importance that smells have always had in human history and culture. In this major new book Robert Muchembled restores smell to its rightful place as one of our most important senses and examines the transformation of smells in the West from the Renaissance to the beginning of the 19th century. He shows that in earlier centuries, the air in towns and cities was often saturated with nauseating emissions and dangerous pollution. Having little choice but to see and smell faeces and urine on a daily basis, people showed little revulsion; until the 1620s, literature and poetry delighted in excreta which now disgust us. The smell of excrement and body odours were formative aspects of eroticism and sexuality, for the social elite and the popular classes alike. At the same time, medicine explained outbreaks of plague by Satan's poisonous breath corrupting the air. Amber, musk and civet came to be seen as vital bulwarks against the devil's breath: scents were worn like armour against the plague. The disappearance of the plague after 1720 and the sharp decline in fear of the devil meant there was no longer any point in using perfumes to fight the forces of evil, paving the way for the olfactory revolution of the 18th century when softer, sweeter perfumes, often with floral and fruity scents, came into fashion, reflecting new norms of femininity and a gentler vision of nature. This rich cultural history of an under-appreciated sense will be appeal to a wide readership.