Granville Barker and His Correspondents PDF Download

Author: Harley Granville-Barker
Publisher: Detroit : Wayne State University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 616

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Book Description

Author: Harley Granville-Barker
Publisher: Detroit : Wayne State University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 616

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Book Description

Author: Eric Salmon
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838632284
Category : Authors, English
Languages : en
Pages : 384

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Book Description

Author: Cary M. Mazer
Publisher: A&C Black
ISBN: 1472539494
Category : Literary Criticism
Languages : en
Pages : 252

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Book Description
All four figures in this volume have been canonized as central to 'stage-centred' Shakespearean scholarship and stage practice. From William Poel's reproductions of early modern stages in the late nineteenth century to Sam Wanamaker's reconstruction of the Globe on London's South Bank, they all viewed Shakespeare's plays as being enmeshed in the social and historical dynamics of theatremaking and theatregoing. The volume considers how their attempts to recapture early modern performance conditions can be considered progressive.

Author: Harley Granville Barker
Publisher: Bloomsbury Publishing
ISBN: 1474294855
Category : Drama
Languages : en
Pages : 279

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Book Description
Granville Barker on Theatre brings together some of the most important critical theatrical writings of Harley Granville Barker, a major figure of 20th-century British theatre. Known as a pioneer of the National Theatre and Repertory Movement, and remembered mainly for his Prefaces to Shakespeare, from the 1900s to his death in the 1940s Granville Barker commented enthusiastically in newspaper items, introductions to plays, articles, essays, articles, and published lectures on a range of topics: the nature of theatre as an art form and as a social medium, the need for ensemble playing in a repertory system, the relationship between the three chief constituents of theatre – the actor, the playwright and the audience. Granville Barker on Theatre makes available again these writings in which Barker dissects the state of theatre as he saw it, with coruscating critiques of the commercial system, the long run and censorship, the vitality of theatre outside Britain, and what he saw as the welcome renaissance of theatre in non-professional groups liberated from the profit motive. These writings show a master practitioner concerned with, above all, promoting a new type of drama; vital not only for its own sake but for the sake of the health of society at large.

Author: Harley Granville-Barker
Publisher:
ISBN: 9780854300853
Category :
Languages : en
Pages : 266

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Book Description
"The name of Harley Granville Barker is well known both in the theatre industry, where his plays continue to be performed, and in academic study of drama and theatre, especially Shakespeare studies. However, because almost no attention has been paid to an archive which the British Library purchased in the late 1990s, work published on him has been inaccurate about his beliefs, his most personal feelings, and the major career change in his life. This archive consists mainly of correspondence between Barker and Helen Huntington, whom he met in 1914 and who became his second wife in 1918. These letters tell us about the early years of their relationship as well as what they read, discussed, and planned. This book presents extended extracts from the Barker-Huntington correspondence together with unfamiliar short essays and some interviews which were published in American newspapers. These cover topics such as teh future of American theatre, uses of drama with children with learning difficulties, eurhythmics and the origins of theatre. Meticulously edited and fully annotated, the primary texts are accompanied by a pair of contextualising essays about Helen Huntington. The first looks at the private lives and crises of those involved in the break-up of Granville Barker's marriage to his first wife, Lillah McCarthy. Reconsidering McCarthy's actions, this essay also suggests that Huntington was abused by her husband, from whom Barker rescued her. A second essay addresses the portrayal of Helen Huntington as a theatre-hating woman who ruined Barker's caeer. In fact she was a regulare theatre-goer, a writer and Barker's eventual collaborator"--Back cover.

Author: Adrian Poole
Publisher: Bloomsbury Publishing
ISBN: 1441145281
Category : Literary Criticism
Languages : en
Pages : 1168

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Book Description
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.

Author: John Anthony Bertolini
Publisher: Penn State Press
ISBN: 9780271009087
Category : Literary Criticism
Languages : en
Pages : 248

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Book Description
The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors. The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obituary tribute to Barrie demonstrates Shaw's high regard for his contemporary and near neighbor. There are also essays on how Shaw came increasingly to resemble Strindberg as a dramatist, on the requirements of acting and directing Shaw alongside his contemporaries at the Shaw Festival at Niagara-on-the-Lake, and on Heartbreak House as a complex dialogue with Chekhov, Shakespeare, and Strindberg. John R. Pfeiffer has prepared a special bibliography of sources relating to Shaw and other playwrights in addition to the Continuing Checklist of Shaviana, and Dan H. Laurence has provided Shaw's pronunciation guide for the more troublesome names of his stage characters. There are also reviews of four recent additions to Shavian scholarship. Contributors include John A. Bertolini, Fred D. Crawford, R. F. Dietrich, T. F. Evans, A. M. Gibbs, Leon H. Hugo, Christopher Newton, Sally Peters, John R. Pfeiffer, Evert Sprinchorn, and Stanley Weintraub.

Author: Michael Patterson
Publisher: Bloomsbury Publishing
ISBN: 147425991X
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.

Author: L. W. Conolly
Publisher: Springer Nature
ISBN: 3031042417
Category : Performing Arts
Languages : en
Pages : 506

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Book Description
Bernard Shaw on the American Stage is the first comprehensive study of the production of Bernard Shaw’s plays in America. During his lifetime (1856-1950), Shaw was America’s most popular living playwright; productions of his plays were outnumbered only by Shakespeare. Forty-four of Shaw’s plays were staged in America before his death, eight more posthumously. Eleven of the productions were world premieres. Bernard Shaw on the American Stage tells the story of the fifty-two premieres, which, apart from a few fragments, is his total dramatic oeuvre. The book also includes, again for the first time, production data and concise overviews of dozens of the most notable American revivals of the plays, from the 1890s to the beginning of the 2020 pandemic. Illustrations—production photographs, programmes, theatre buildings, playbills, actors’ studio portraits— inform the study throughout.