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Author: Ritchie Devon Watson, Jr. Publisher: LSU Press ISBN: 0807180068 Category : History Languages : en Pages : 254
Book Description
Focusing on the crucial period of 1820 to 1860, Grand Emporium, Mercantile Monster examines the strong economic bonds between the antebellum plantation South and the burgeoning city of New York that resulted from the highly lucrative trade in cotton. In this richly detailed work of literary and cultural history, Ritchie Devon Watson Jr. charts how the partnership brought fantastic wealth to both the South and Gotham during the first half of the nineteenth century. That mutually beneficial alliance also cemented New York’s reputation as the northern metropolis most supportive of and hospitable to southerners. Both parties initially found the commercial and cultural entente advantageous, but their collaboration grew increasingly fraught by the 1840s as rising abolitionist sentiment in the North decried the system of chattel slavery that made possible the mass production of cotton. In an effort to stem the swelling tide of abolitionism, conservative southerners demanded absolute political fealty to their peculiar institution from the city that had profited most from the cotton trade. By 1861, reactionary circles in the South viewed New York’s failure to extend such unalloyed validation as the betrayal of an erstwhile ally that in the words of one polemicist deemed Gotham worthy of being “blotted from the list of cities.” Drawing on contemporary letters, diaries, fiction, and travel writings, Grand Emporium, Mercantile Monster provides the first detailed study of the complicated relationship between the antebellum South and New York City in the decades leading up to the Civil War.
Author: Ritchie Devon Watson, Jr. Publisher: LSU Press ISBN: 0807180068 Category : History Languages : en Pages : 254
Book Description
Focusing on the crucial period of 1820 to 1860, Grand Emporium, Mercantile Monster examines the strong economic bonds between the antebellum plantation South and the burgeoning city of New York that resulted from the highly lucrative trade in cotton. In this richly detailed work of literary and cultural history, Ritchie Devon Watson Jr. charts how the partnership brought fantastic wealth to both the South and Gotham during the first half of the nineteenth century. That mutually beneficial alliance also cemented New York’s reputation as the northern metropolis most supportive of and hospitable to southerners. Both parties initially found the commercial and cultural entente advantageous, but their collaboration grew increasingly fraught by the 1840s as rising abolitionist sentiment in the North decried the system of chattel slavery that made possible the mass production of cotton. In an effort to stem the swelling tide of abolitionism, conservative southerners demanded absolute political fealty to their peculiar institution from the city that had profited most from the cotton trade. By 1861, reactionary circles in the South viewed New York’s failure to extend such unalloyed validation as the betrayal of an erstwhile ally that in the words of one polemicist deemed Gotham worthy of being “blotted from the list of cities.” Drawing on contemporary letters, diaries, fiction, and travel writings, Grand Emporium, Mercantile Monster provides the first detailed study of the complicated relationship between the antebellum South and New York City in the decades leading up to the Civil War.
Author: Patricia M. Gaitely Publisher: LSU Press ISBN: 0807164186 Category : Literary Criticism Languages : en Pages : 172
Book Description
James Lee Burke developed the character of Cajun detective Dave Robicheaux through twenty mystery novels published over three decades. Despite readers’ increasing interest in Detective Robicheaux, his habits and preferences originate from a culture still unfamiliar to many of the books’ fans. In Robicheaux’s Roots, Patricia M. Gaitely explores the music, food, language, and folklore of southwest Louisiana and illuminates the cultural sources that Burke incorporated into this gripping series. Part of Robicheaux’s appeal, Gaitely shows, rests in his connection to his hometown of New Iberia, with its faults, charm, and reliance on the old ways. Multiple cultural strands coexist in this region, including Creole and Cajun French dialect; African American folk sayings; swamp pop, zydeco, and blues music; and voodoo, Catholicism, evangelicalism, and faith healing. These aspects of Cajun life weave throughout Robicheaux’s world. The commingling of so many traditions provides multiple meanings for even the most common encounters—water can be both natural element and medium between living and dead; and gumbo, jambalaya, and crawfish may represent more than simply regional foods. Additionally, Gaitely demonstrates that beneath the pleasant veneer of southern hospitality, a persistent legacy of violence and vengeance leaves a lasting mark on the lives of Robicheaux and the other characters. Robicheaux’s Roots reveals how elements of south Louisiana’s culture signal a sense of belonging but also recall the area’s history of isolation. As a result, readers gain a deeper understanding of Robicheaux himself and an enhanced appreciation for Burke’s acclaimed series.
Author: David Madden Publisher: LSU Press ISBN: 9780807125922 Category : Literary Criticism Languages : en Pages : 216
Book Description
Robert Penn Warren was unique among twentieth-century American writers for having achieved excellence in a broad and assorted range of genres: poems, novels, plays, critical works, historical essays, personal essays, biography, and innovative textbooks. In this collection of essays, critics and poets -- among the finest Warren scholars -- assess Warren's legacy within his various genres and illuminate his centrality to twentieth-century American culture. Although Warren was best known for his novel All the King's Men, the fact that most of these essays focus on his poetry attests to the urgency these poets and scholars feel about the need to call attention to this relatively neglected aspect of his work. Although their approaches and themes are varied, the pieces in The Legacy of Robert Penn Warren are united in their assertion that the writer's true legacy is that he was, in a century of increasing specialization, a myriad-minded Renaissance man.
Author: Scott Romine Publisher: LSU Press ISBN: 9780807140444 Category : American fiction Languages : en Pages : 244
Book Description
The Narrative Forms of Southern Community contains close readings of five narratives - Augustus Baldwin Longstreet's Georgia Scenes, John Pendleton Kennedy's Swallow Barn, Thomas Nelson Page's In Ole Virginia, William Alexander Percy's Lanterns on the Levee, and William Faulkner's Light in August - that attempt to mediate or negotiate the social tensions inherent in the stratified world they represent."--BOOK JACKET.
Author: Kirstin L. Squint Publisher: LSU Press ISBN: 0807173517 Category : Literary Criticism Languages : en Pages : 327
Book Description
Swamp Souths: Literary and Cultural Ecologies expands the geographical scope of scholarship about southern swamps. Although the physical environments that form its central subjects are scattered throughout the southeastern United States—the Atchafalaya, the Okefenokee, the Mississippi River delta, the Everglades, and the Great Dismal Swamp—this evocative collection challenges fixed notions of place and foregrounds the ways in which ecosystems shape cultures and creations on both local and global scales. Across seventeen scholarly essays, along with a critical introduction and afterword, Swamp Souths introduces new frameworks for thinking about swamps in the South and beyond, with an emphasis on subjects including Indigenous studies, ecocriticism, intersectional feminism, and the tropical sublime. The volume analyzes canonical writers such as William Faulkner, Zora Neale Hurston, and Eudora Welty, but it also investigates contemporary literary works by Randall Kenan and Karen Russell, the films Beasts of the Southern Wild and My Louisiana Love, and music ranging from swamp rock and zydeco to Beyoncé’s visual album Lemonade. Navigating a complex assemblage of places and ecosystems, the contributors argue with passion and critical rigor for considering anew the literary and cultural work that swamps do. This dynamic collection of scholarship proves that swampy approaches to southern spaces possess increased relevance in an era of climate change and political crisis.
Author: Michał Choiński Publisher: LSU Press ISBN: 0807173797 Category : Literary Criticism Languages : en Pages : 221
Book Description
In Southern Hyperboles: Metafigurative Strategies of Narration, Michał Choiński confronts the often paradoxical and excessive elements of southern literature, focusing on dominant narrative modes and representation strategies in works produced from the early 1930s to the late 1950s. With renewed attention to renderings of the gothic and grotesque, Choiński argues that modernist literature from the U.S. South often deploys the trope of hyperbole, which escalates contrasts and disrupts the sense of the normal. By focusing on how writers processed the South via narratives of hyperbolic excess, Southern Hyperboles explores a mode of comprehension forged from the tensions of a segregated, patriarchal society driven by racial and social decorum. Moving chronologically, Choiński traces distinct manifestations of hyperbolic metalogic in the works of seven authors: Katherine Anne Porter, William Faulkner, Lillian Smith, Katherine Du Pre Lumpkin, Tennessee Williams, Flannery O’Connor, and Harper Lee. The mode of hyperbole identified by Choiński relies on a clash of opposites, along with the rapid intensification of disharmonious ideas pushed to extremes, leading to an ultimate break in established decorum. The shock produced by hyperbole generates a momentary state of confusion that soon dissipates, allowing recipients to reach a new understanding of their surrounding world. Melding an innovative use of rhetorical theory with fine-grained analysis of literary texts, Southern Hyperboles elucidates contradictory and interlocking issues related to memory, social trauma, grotesquerie, and troubled mythologies that permeate the U.S. South.
Author: Robert Jackson Publisher: LSU Press ISBN: 9780807130629 Category : Literary Criticism Languages : en Pages : 194
Book Description
Regionalism often evokes provinciality and an affiliation with minor literary genres, but Robert Jackson shows that region is an integral part of American identity, providing grounding for major independent voices. Jackson offers a new critical model of region that contributes to literary and cultural study across a wide range of topics. He addresses American literature since the Civil War with particular attention to Mark Twain, William Faulkner, Flannery O'Connor, and Toni Morrison. In advancing their own diverse aesthetic and social agendas -- reactionary and progressive, theological and secular, gender-based, race-based, and above all, dissident -- these writers, Jackson argues, articulate some of the most perceptive and innovative expressions of the American region in the literary history of the United States. According to Jackson, the region transcends both rigidly defined spatial categories -- the South of slavery, the North of freedom, the West of unlimited possibility -- and derivative cultural connotations of local color to reveal subtle and powerful insights. He provides a regional reading of Twain's greatest novel, The Adventures of Huckleberry Finn, and a meaningful new interpretation of the work and its place in the American canon. He explores Faulkner's obsession with regional identity and places the Mississippian's work in problematic relation to the Depression-era Nashville Agrarian movement. O'Connor, searching for a critical vocabulary to confront mainstream American literature, religion, and gender, transforms the region from a hothouse of sentimentality into a sharp, deadly weapon in her short fiction. Morrison's brilliant appropriation of region enables her to fashion an aesthetic that is both race-conscious and endowed with revisionist agency; through the region she imagines a new grounding for American identity. Jackson illuminates the importance of rethinking long-established assumptions and demonstrates the vast potential of the region in critical considerations of American literature and culture. Even as he devotes significant attention to realism, modernism, southern literature, and African American literature, he speaks to a wide range of fields in American Cultural studies.
Author: Tim A. Ryan Publisher: LSU Press ISBN: 0807160253 Category : Literary Criticism Languages : en Pages : 0
Book Description
During the 1920s and 1930s, Mississippi produced two of the most significant influences upon twentieth-century culture: the modernist fiction of William Faulkner and the recorded blues songs of African American musicians like Charley Patton, Geeshie Wiley, and Robert Johnson. In Yoknapatawpha Blues, the first book examining both Faulkner and the music of the south, Tim A. Ryan identifies provocative parallels of theme and subject in diverse regional genres and texts. Placing Faulkner's literary texts and prewar country blues song lyrics on equal footing, Ryan illuminates the meanings of both in new and unexpected ways. He provides close analysis of the Great Mississippi Flood of 1927 in Faulkner's "Old Man" and Patton's "High Water Everywhere"; racial violence in the story "That Evening Sun" and Wiley's "Last Kind Words Blues"; and male sexual dysfunction in Sanctuary and Johnson's "Dead Shrimp Blues." This interdisciplinary study reveals how the characters of Yoknapatawpha County and the protagonists in blues songs similarly strive to assert themselves in a threatening and oppressive world. By emphasizing the modernism found in blues music and the echoes of black vernacular culture in Faulkner's writing, Yoknapatawpha Blues links elucidates the impact of both Faulkner's fiction and roots music on the culture of the modern South, and of the nation.
Author: Zackary Vernon Publisher: LSU Press ISBN: 0807172103 Category : Literary Criticism Languages : en Pages : 333
Book Description
As the planet faces ever-worsening disruptions to global ecosystems—carbon and chemical emissions, depletions of the ozone layer, the loss of biodiversity, rising sea levels, air toxification, and worsening floods and droughts—scholars across academia must examine the cultural effects of this increasingly postnatural world. That task proves especially vital for southern studies, given how often the U.S. South serves as a site for large-scale damming initiatives like the TVA, disasters on the scale of Hurricane Katrina and the Deepwater Horizon spill, and the extraction of coal, oil, and natural gas. Ecocriticism and the Future of Southern Studies is the first book-length collection of scholarship that applies interdisciplinary environmental humanities research to cultural analyses of the U.S. South. Sixteen essays examine novels, nature writing, films, television, and music that address a broad range of ecological topics related to the region, including climate change, manmade and natural environments, the petroleum industry, food cultures, waterways, natural and human-induced disasters, waste management, and the Anthropocene. Edited by Zackary Vernon, this volume demonstrates how the greening of southern studies, in tandem with the southernization of environmental studies, can catalyze alternative ways of understanding the connections between regional and global cultures and landscapes. By addressing ecological issues central to life throughout the South, Ecocriticism and the Future of Southern Studies considers the confluence between region and environment, while also illustrating the growing need to see environmental issues as matters of social justice.
Author: Andrew Silver Publisher: LSU Press ISBN: 9780807130803 Category : Literary Criticism Languages : en Pages : 244
Book Description
In Minstrelsy and Murder, Andrew Silver locates the foundation of the South’s dark humor in the great and violent cultural upheavals of the nineteenth century. Examining the connection between comic victimization and real acts of aggression, Silver shows southern humor to be a product not of America’s wholeness and national unity but of its internal fears, divisiveness, and perpetual civil strife. He focuses on the work of southern writers Augustus B. Longstreet, George Washington Harris, Charles Chesnutt, and Mark Twain, exploring a strain of regional humor that runs counter to the more familiar American comic tradition. A profound distress about class emerges clearly in Silver’s reading of Longstreet’s Georgia sketches, just as Harris’s post–Civil War stories reveal an escalating anger toward Yankees, emancipated African Americans, and upstart women. Twain and Chesnutt, however, mark a turning point for southern humor, Silver argues. By resisting entrenched comic elements of racist acts of violence and instead using narratives that turn upon and expose the destructive power of racist typing, they created humor that both wounds and dares to speak of wounds. With engaging critical discussion of race, class, and gender, Silver investigates the cultural fears that southern popular comedy of the 1800s addresses—as well as the various forms and “voices” it employed: Yankee humor, minstrelsy, sentimental fiction, political broadsides, Ku Klux Klan sketches, frontier humor, and sadistic slapstick. He shows how southern humor, as the product of middle-class authors who were at once outraged and eminently practical, revolutionary and conformist, anti-authoritarian and craving the approval of authorities, evolved into a genre at war with itself, stifling laughter by unearthing the trauma at the core of the comic.
Author: Ritchie Devon Watson, Jr.
Author: Ritchie Devon Watson, Jr.
Author: Patricia M. Gaitely
Author: David Madden
Author: Scott Romine
Author: Kirstin L. Squint
Author: Michał Choiński
Author: Robert Jackson
Author: Tim A. Ryan
Author: Zackary Vernon
Author: Andrew Silver