Author: Holly Shaffer
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320
Book Description
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.
Grafted Arts
Author: Holly Shaffer
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320
Book Description
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320
Book Description
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.
The Art of Grafted Song
Author: Yolanda Plumley
Publisher: Oxford University Press
ISBN: 0199915091
Category : Music
Languages : en
Pages : 485
Book Description
Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enrich their own works. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning "fixed forms" of this new tradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in which milieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in the collective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy. The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry in the late Middle Ages.
Publisher: Oxford University Press
ISBN: 0199915091
Category : Music
Languages : en
Pages : 485
Book Description
Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enrich their own works. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning "fixed forms" of this new tradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in which milieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in the collective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy. The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry in the late Middle Ages.
The Complete Dictionary of Arts and Sciences
Author: Temple Henry Croker
Publisher:
ISBN:
Category : Philology
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Philology
Languages : en
Pages : 780
Book Description
A new treatise on the art of grafting and inoculation ... The second edition
A Nasty Piece of Work
Author: Roger Law
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
This book tells the story of Roger Law's life as a caricaturist, revealing the artistry behind his often grotesque forms. As co-creator of the Spitting Image puppets, he did a great deal to broaden the appeal of caricature.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
This book tells the story of Roger Law's life as a caricaturist, revealing the artistry behind his often grotesque forms. As co-creator of the Spitting Image puppets, he did a great deal to broaden the appeal of caricature.
The Dictionary of Arts, Sciences and Manufactures ...
Author: James Smith (author of the Panorama of science and art.)
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 1726
Book Description
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 1726
Book Description
Hand-book of the Useful Arts
Author: Thomas Antisell
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 728
Book Description
A Dictionary of Arts and Sciences, Etc. [With Illustrations.]
Author: George Gregory (D.D., Rector of West Ham, Essex.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1122
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1122
Book Description
The Imperial Encyclopaedia; Or, Dictionary of the Sciences and Arts
Author: William Moore Johnson
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 838
Book Description
Grafted
Author: Tamotsu Yagi
Publisher:
ISBN: 9780985995843
Category : Art
Languages : en
Pages :
Book Description
Grafted documents, through stunning photography, the groundbreaking collaboration between Adam Silverman, a renowned LA-based ceramicist, and Kohei Oda, an award-winning Japanese "plant sculptor." Through two exhibitions, Silverman and Oda worked together to produce one hundred unique works combining Oda's grafted cacti with Silverman's textural ceramic pots to produce one-of-a-kind, out of this world artworks that cross boundaries. Beautifully photographed by Shuji Yoshida and Joshua White and edited and designed by Tamotsu Yagi, Grafted is a testament to the power of merging two powerful visions. As Glenn Adamson writes in his introduction: "Their collaboration is not just about a hundred plants in a hundred pots; it is further evidence that art at its best can move effortlessly across cultures, across media, and against expectation."
Publisher:
ISBN: 9780985995843
Category : Art
Languages : en
Pages :
Book Description
Grafted documents, through stunning photography, the groundbreaking collaboration between Adam Silverman, a renowned LA-based ceramicist, and Kohei Oda, an award-winning Japanese "plant sculptor." Through two exhibitions, Silverman and Oda worked together to produce one hundred unique works combining Oda's grafted cacti with Silverman's textural ceramic pots to produce one-of-a-kind, out of this world artworks that cross boundaries. Beautifully photographed by Shuji Yoshida and Joshua White and edited and designed by Tamotsu Yagi, Grafted is a testament to the power of merging two powerful visions. As Glenn Adamson writes in his introduction: "Their collaboration is not just about a hundred plants in a hundred pots; it is further evidence that art at its best can move effortlessly across cultures, across media, and against expectation."