Gorboduc; Or, Ferrex and Porrex: by Thomas Sackville and Thomas Norton; Edited by Irby B. Cauthen Jr PDF Download

Author: Thomas Sackville Earl of Dorset
Publisher:
ISBN: 9780713155778
Category :
Languages : en
Pages : 88

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Author: Thomas Norton
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

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Author: Naomi Conn Liebler
Publisher: Bloomsbury Publishing
ISBN: 1350155012
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
In this volume, 8 lively, original essays by eminent scholars trace the kaleidoscopically shifting dramatic forms, performance contexts, and social implications of tragedy throughout the period and across geographic, political, and social references. They attend not only to the familiar cultural lenses of English and mainstream Continental dramas but also to less familiar European exempla from Croatia and Hungary. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

Author: Julie Rivkin
Publisher: John Wiley & Sons
ISBN: 1118718380
Category : Literary Criticism
Languages : en
Pages : 1652

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Book Description
The new edition of this bestselling literary theory anthology has been thoroughly updated to include influential texts from innovative new areas, including disability studies, eco-criticism, and ethics. Covers all the major schools and methods that make up the dynamic field of literary theory, from Formalism to Postcolonialism Expanded to include work from Stuart Hall, Sara Ahmed, and Lauren Berlant. Pedagogically enhanced with detailed editorial introductions and a comprehensive glossary of terms

Author: Michael Saenger
Publisher: Routledge
ISBN: 1351892541
Category : Literary Criticism
Languages : en
Pages : 292

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An investigation into the ways in which early modern books were advertised, this study argues that those means of advertisement both record and help to shape social interactions between people and books. These interactions are not only fascinating in themselves, but also demonstrably linked to larger social phenomena, such as human commodification, the development of English nationalism, the increasingly unruly proliferation of literacy, and changing conceptions of literature. Within the context of recent developments of new textualism and new economic criticism, Saenger's approach makes use of formalist strategies of genre recognition as well as new historicist connections between social history and art. In this study Saenger illustrates his general account of the formal properties of front matter-titles and subtitles, prefatory epistles, and commendatory verses-with engaging readings of specific examples, including Feltham's Resolves, A Myrrovre for Magistrates, and Sidney's Arcadia. He explores the several ways in which paratextual authors sought to involve the reader in various active roles vis à vis the main text, whether those books were prose fiction or translated continental sermons. Some particular attention is devoted to printed drama, both because dramatic texts present printers with a unique set of challenges and because those texts have often been misread in recent criticism. This book offers a much-needed analysis of profound transformations-not only to the book trade as an industry, but also to the very concepts of reading and authorship-in an age which saw the relatively brief coincidence of ancient marketing strategies and systems and the burgeoning market of the mechanically reproduced text.

Author: Goran Stanivukovic
Publisher: Edinburgh University Press
ISBN: 1474419577
Category : Literary Criticism
Languages : en
Pages : 241

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A survey of modern cinematic and televisual responses to the concept of the golden age.

Author: Helen Hackett
Publisher: Bloomsbury Publishing
ISBN: 0857733028
Category : History
Languages : en
Pages : 256

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Book Description
Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.

Author: K. Botelho
Publisher: Springer
ISBN: 0230102077
Category : Social Science
Languages : en
Pages : 208

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Renaissance Earwitnesses examines how maintaining masculinity on the early modern stage is intimately tied to 'earwitnessing,' or a sense of 'judicious listening' in his reading of plays by Marlowe, Shakespeare, Cary, and Jonson.

Author: Frederic B. Tromly
Publisher: University of Toronto Press
ISBN: 0802099610
Category : Literary Criticism
Languages : en
Pages : 377

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Book Description
Introduction : interpreting Shakespeare's sons : ambivalence, rescue, and revenge -- Paternal authority and filial autonomy in Shakespeare's England -- Henry VI, part one : prototypical beginnings : the two John Talbots -- Richard II : patrilineal inheritance and the generation gap -- Henry IV, part one : Deep defiance and the rebel prince -- Henry IV, part two : the prince becomes the king, with a note on Henry V -- Hamlet : notes from the underground : paternal and filial subterfuge -- King Lear : the usurpation of fathers, and of fathers and sons -- Macbeth and the late plays : the disappearance of ambivalent sons -- Biographical coda : William Shakespeare, son of John Shakespeare -- Appendix 1 : Shakespearean fathers and sons in Edward III -- Appendix 2 : Thomas Plume's anecdote : the merry-cheeked, jest-cracking John Shakespeare, Sir John Mennes, and Sir John Falstaff

Author: David Ian Galbraith
Publisher: University of Toronto Press
ISBN: 9780802044518
Category : Literary Criticism
Languages : en
Pages : 260

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Book Description
Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical and contemporary predecessors with implications for understanding the English Renaissance.