Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 1930841523
Category : Music
Languages : en
Pages : 43
Book Description
A comprehensive guide to Verdi's DON CARLO, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.
Verdi's Don Carlo (Opera Journeys Mini Guide Series)
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 1930841523
Category : Music
Languages : en
Pages : 43
Book Description
A comprehensive guide to Verdi's DON CARLO, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.
Publisher: Opera Journeys Publishing
ISBN: 1930841523
Category : Music
Languages : en
Pages : 43
Book Description
A comprehensive guide to Verdi's DON CARLO, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.
Don Carlos
Author: Giuseppe Verdi
Publisher: Alma Classics
ISBN:
Category : Operas
Languages : en
Pages : 164
Book Description
This guide contains the text of the opera, with English translations. It also presents the evidence that "Don Carlos" was an extraordinary achievement in melding two opposing visions of opera: the spectacular public aspect of the French tradition with the dramatic concision of the Italian. And because of the variety of versions which Verdi sanctioned, this debate is open-ended.
Publisher: Alma Classics
ISBN:
Category : Operas
Languages : en
Pages : 164
Book Description
This guide contains the text of the opera, with English translations. It also presents the evidence that "Don Carlos" was an extraordinary achievement in melding two opposing visions of opera: the spectacular public aspect of the French tradition with the dramatic concision of the Italian. And because of the variety of versions which Verdi sanctioned, this debate is open-ended.
Don Carlos
Author: Giuseppe Verdi
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 64
Book Description
Giuseppe Verdi Don Carlo
Giuseppe Verdi DON CARLOS Opera Study Guide with Libretto
Author: Burton D. Fisher
Publisher: Opera Classics Library Series
ISBN: 9780984559916
Category :
Languages : en
Pages : 308
Book Description
A comprehensive new Study Guide for Giuseppe Verdi's DON CARLOS, featuring Principal Characters in the Opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a new Libretto translation with French to English in side-by-side format, and Burton D. Fisher's insightful and in depth Commentary and Analysis.
Publisher: Opera Classics Library Series
ISBN: 9780984559916
Category :
Languages : en
Pages : 308
Book Description
A comprehensive new Study Guide for Giuseppe Verdi's DON CARLOS, featuring Principal Characters in the Opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a new Libretto translation with French to English in side-by-side format, and Burton D. Fisher's insightful and in depth Commentary and Analysis.
Don Carlo
Author: Giuseppe Verdi
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 66
Book Description
Don Carlo
Author: Opera Australia
Publisher:
ISBN:
Category : Theatre programs
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Theatre programs
Languages : en
Pages : 44
Book Description
The Force of Destiny
Author: Nicholas John
Publisher:
ISBN: 9780714540078
Category :
Languages : it
Pages : 116
Book Description
Publisher:
ISBN: 9780714540078
Category :
Languages : it
Pages : 116
Book Description
Don Carlo by Giuseppe Verdi
Author: Opera Company of Philadelphia
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Verdi in Victorian London
Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.