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Author: Paul Keegan Publisher: W. W. Norton & Company ISBN: 0393540766 Category : Poetry Languages : en Pages : 400
Book Description
A luminous, "deliciously playful" (Rishi Dastidar, Guardian) anthology of poems and prose inspired by the weather. In three hundred varied entries, Gigantic Cinema narrates the weather of a single capricious day, from dawn through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night, and back to dawn again. It includes reactions both formal and fleeting—weather rhymes, journals and jottings, diaries and letters—to the imaginary and actual drama unfolding above our heads. Ranging from Homer’s winds and Ovid’s flood to Frank O’Hara’s sun, Pliny’s reportage on the eruption of Vesuvius to Elizabeth Bishop’s “Song for a Rainy Season,” Gigantic Cinema offers an expansive collection of writing inspired by the commotion of the elements. Rather than drawing attention to authors and titles, entries appear as a medley of voices; as editors Alice Oswald and Paul Keegan write in their stunning introduction, the excerpts ask to be read “with no hat, no coat, no preconceptions, encountering each voice abruptly, as an exclamation brought on by the weather.” Assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on the oldest conversation of all.
Author: Paul Keegan Publisher: W. W. Norton & Company ISBN: 0393540766 Category : Poetry Languages : en Pages : 400
Book Description
A luminous, "deliciously playful" (Rishi Dastidar, Guardian) anthology of poems and prose inspired by the weather. In three hundred varied entries, Gigantic Cinema narrates the weather of a single capricious day, from dawn through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night, and back to dawn again. It includes reactions both formal and fleeting—weather rhymes, journals and jottings, diaries and letters—to the imaginary and actual drama unfolding above our heads. Ranging from Homer’s winds and Ovid’s flood to Frank O’Hara’s sun, Pliny’s reportage on the eruption of Vesuvius to Elizabeth Bishop’s “Song for a Rainy Season,” Gigantic Cinema offers an expansive collection of writing inspired by the commotion of the elements. Rather than drawing attention to authors and titles, entries appear as a medley of voices; as editors Alice Oswald and Paul Keegan write in their stunning introduction, the excerpts ask to be read “with no hat, no coat, no preconceptions, encountering each voice abruptly, as an exclamation brought on by the weather.” Assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on the oldest conversation of all.
Author: Alice Oswald Publisher: Jonathan Cape ISBN: 9781787332652 Category : Languages : en Pages : 288
Book Description
'It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...' - Samuel Taylor Coleridge to William Sotheby, 27 September 1802 This anthology of poems and prose ranges from literary weather - Homer's winds, Ovid's flood - to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting - weather rhymes, journals and jottings, diaries and letters - to the drama unfolding above our heads. The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other's elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air's manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.
Author: Alexander Kluge Publisher: New Directions Publishing ISBN: 9780811217354 Category : Fiction Languages : en Pages : 130
Book Description
The thirty-eight tales of Cinema Stories combine fact and fiction, and they all revolve around movie-making. The book compresses a lifetime of feeling, thought, and practice: Kluge -- considered the father of New German Cinema -- is an inventive wellspring of narrative notions. "The power of his prose," as Small Press noted, "exudes the sort of pregnant richness one might find in the brief scenarios of unknown films." Cinema Stories is a treasure box of cinematic lore and movie magic by "Alexander Kluge, that most enlightened of writers" (W. G. Sebald). Alexander Kluge, born in Germany in 1932, is a world-famous author and filmmaker (his 23 films include Yesterday Girl, The Female Patriot, The Candidate), a lawyer, and a media magnate. He has won Germany\'s highest literary award, the Georg Büchner Prize.
Author: Barry Keith Grant Publisher: Rutgers University Press ISBN: 0813588820 Category : Art Languages : en Pages : 159
Book Description
Monster Cinema introduces readers to a vast menagerie of movie monsters, from gigantic beasts to microscopic parasites, from grotesque demons to normal-looking serial killers. Film expert Barry Keith Grant considers what each type of movie monster might reveal about how we regard the natural, the supernatural, and the human.
Author: Bryan Senn Publisher: McFarland ISBN: 1476619026 Category : Performing Arts Languages : en Pages : 699
Book Description
About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary.
Author: Richard Koszarski Publisher: Rutgers University Press ISBN: 9780813542935 Category : Motion picture industry Languages : en Pages : 592
Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Author: Don Graham Publisher: Macmillan + ORM ISBN: 1466867973 Category : Performing Arts Languages : en Pages : 408
Book Description
A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology. Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.
Author: Paul Keegan
Author: Paul Keegan
Author: Alice Oswald
Author: Alexander Kluge
Author: Barry Keith Grant
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Author: Bryan Senn
Author: Richard Koszarski
Author: Don Graham
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