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Author: Tinani van Niekerk Publisher: GRIN Verlag ISBN: 3638733270 Category : Literary Criticism Languages : en Pages : 25
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Revenge in the Renaissance, language: English, abstract: Sinister, unearthly, sometimes even all-knowing: Ghosts and metaphysical entities accompany stories, legends and and superstitious tales throughout the centuries. They are doomed as evil and satanic, or used to illustrate morality by “settling” their earthly bussiness with human evil-doers. They might even be good, yet can never completely to be trusted. Their connection with the dead makes them attractive as characters with powers above the human boundries. In the Elizabethan drama as in contrast to modern dramas, supernatural events and entities such as ghosts, apparitions, dreams and visions play a major and sometimes even crucial role in the plot. In this paper I would like to take a closer look at the Elizabethan fascination with the “unseen”, how authors implemented it into their plays and what roles these ghosts and dreams played. Introductory I will look at the general view of the unnatrural from the Renaissance perspective. In order to stay within the proper range of this paper I have chosen a selection of four tragedies written by four different playwrights. In each of the plays, a ghostly character appears, mostly in dreamlike visions. I would like to discuss the scenes in which these characters appear and compare the characters with another in the conclusion of the paper.
Author: Tinani van Niekerk Publisher: GRIN Verlag ISBN: 3638733270 Category : Literary Criticism Languages : en Pages : 25
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Revenge in the Renaissance, language: English, abstract: Sinister, unearthly, sometimes even all-knowing: Ghosts and metaphysical entities accompany stories, legends and and superstitious tales throughout the centuries. They are doomed as evil and satanic, or used to illustrate morality by “settling” their earthly bussiness with human evil-doers. They might even be good, yet can never completely to be trusted. Their connection with the dead makes them attractive as characters with powers above the human boundries. In the Elizabethan drama as in contrast to modern dramas, supernatural events and entities such as ghosts, apparitions, dreams and visions play a major and sometimes even crucial role in the plot. In this paper I would like to take a closer look at the Elizabethan fascination with the “unseen”, how authors implemented it into their plays and what roles these ghosts and dreams played. Introductory I will look at the general view of the unnatrural from the Renaissance perspective. In order to stay within the proper range of this paper I have chosen a selection of four tragedies written by four different playwrights. In each of the plays, a ghostly character appears, mostly in dreamlike visions. I would like to discuss the scenes in which these characters appear and compare the characters with another in the conclusion of the paper.
Author: Tinani Van Niekerk Publisher: GRIN Verlag ISBN: 3638733319 Category : Language Arts & Disciplines Languages : en Pages : 53
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Bonn (Institut f r Anglistik, Amerikanistik und Keltologie), course: Revenge in the Renaissance, 9 entries in the bibliography, language: English, abstract: Sinister, unearthly, sometimes even all-knowing: Ghosts and metaphysical entities accompany stories, legends and and superstitious tales throughout the centuries. They are doomed as evil and satanic, or used to illustrate morality by "settling" their earthly bussiness with human evil-doers. They might even be good, yet can never completely to be trusted. Their connection with the dead makes them attractive as characters with powers above the human boundries. In the Elizabethan drama as in contrast to modern dramas, supernatural events and entities such as ghosts, apparitions, dreams and visions play a major and sometimes even crucial role in the plot. In this paper I would like to take a closer look at the Elizabethan fascination with the "unseen", how authors implemented it into their plays and what roles these ghosts and dreams played. Introductory I will look at the general view of the unnatrural from the Renaissance perspective. In order to stay within the proper range of this paper I have chosen a selection of four tragedies written by four different playwrights. In each of the plays, a ghostly character appears, mostly in dreamlike visions. I would like to discuss the scenes in which these characters appear and compare the characters with another in the conclusion of the paper.
Author: Imke Pannen Publisher: V&R unipress GmbH ISBN: 389971640X Category : Drama Languages : en Pages : 340
Book Description
Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.
Author: Patrick Kragelund Publisher: Oxford University Press ISBN: 0198718292 Category : Drama Languages : en Pages : 492
Book Description
Roman Historical Drama is the first comprehensive interpretation of ancient historical drama in relation to the Octavia, revealing how the play mirrors the genre's traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage.
Author: Wendy Griswold Publisher: University of Chicago Press ISBN: 9780226309231 Category : History Languages : en Pages : 328
Book Description
Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.
Author: Sarah E. Johnson Publisher: Routledge ISBN: 1317050657 Category : Literary Criticism Languages : en Pages : 198
Book Description
Though the gender-coded soul-body dynamic lies at the root of many negative and disempowering depictions of women, Sarah Johnson here argues that it also functions as an effective tool for redefining gender expectations. Building on past criticism that has concentrated on the debilitating cultural association of women with the body, she investigates dramatic uses of the soul-body dynamic that challenge the patriarchal subordination of women. Focusing on two tragedies, two comedies, and a small selection of masques, from approximately 1592-1614, Johnson develops a case for the importance of drama to scholarly considerations of the soul-body dynamic, which habitually turn to devotional works, sermons, and philosophical and religious treatises to elucidate this relationship. Johnson structures her discussion around four theatrical relationships, each of which is a gendered relationship analogous to the central soul-body dynamic: puppeteer and puppet, tamer and tamed, ghost and haunted, and observer and spectacle. Through its thorough and nuanced readings, this study redefines one of the period’s most pervasive analogies for conceptualizing women and their relations to men as more complex and shifting than criticism has previously assumed. It also opens a new interpretive framework for reading representations of women, adding to the ongoing feminist re-evaluation of the kinds of power women might actually wield despite the patriarchal strictures of their culture.
Author: Leeds Barroll Publisher: Fairleigh Dickinson Univ Press ISBN: 0838639992 Category : Literary Collections Languages : en Pages : 334
Book Description
Shakespeare Studies, edited by Leeds Barroll, a Scholar in Residence at the Folger Shakespeare Library, is an international volume published every year in hardcover, containing essays and studies by critics and cultural historians from both hemispheres. It includes substantial reviews of significant books and essays dealing with the cultural history of early modern England, as well as the place of Shakespeare's productions--and those of his contemporaries--within it. Volume XXXI presents a new feature, the first in an annual series of articles on "Early Modern Drama around the World." Specialists in each national drama being presented in other areas of the globe during the time of Shakespeare will discuss the state of scholarly study in each area. In this volume Grant Shen discusses late Ming drama in China, and Richard Pym writes on drama in Golden Age Spain. Full-length articles by Gustave Ungerer, Patricia Parker, Thomas Moisan, and Jennifer Lewin deal with The Merchant of Venice, Hamlet, Much Ado about Nothing, and Shakespeare's final plays. These are supplemented by review-articles by Raphael Falco and David Harris Sacks: "Is the Renaissance an Aesthetic Category?" and "Imagination in History." Volume XXXI also includes twenty-one reviews of books written by distinguished scholars on topics such as witchcraft, vagrancy, public devotion in early modern England, as well as on editions of the collected works of Elizabeth I.
Author: Maurizio Ascari Publisher: Springer ISBN: 0230234534 Category : Fiction Languages : en Pages : 236
Book Description
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
Author: Tinani van Niekerk
Author: Tinani van Niekerk
Author: Tinani Van Niekerk
Author: Imke Pannen
Author: Patrick Kragelund
Author: Patrick Kragelund
Author: Wendy Griswold
Author: Sarah E. Johnson
Author: Derek Traversi
Author: Leeds Barroll
Author: Maurizio Ascari