Money and Materiality in the Golden Age of Graphic Satire PDF Download

Author: Vincent Carretta
Publisher: University of Georgia Press
ISBN: 0820331244
Category : History
Languages : en
Pages : 414

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Book Description
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.

Author: Amanda Lahikainen
Publisher: Rutgers University Press
ISBN: 1644532700
Category : Art
Languages : en
Pages : 242

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Book Description
This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire ​altogether.

Author: Tamara L. Hunt
Publisher: Taylor & Francis
ISBN: 1351945653
Category : Art
Languages : en
Pages : 467

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Book Description
Defining John Bull demonstrates that caricature played a vital role in the redefinition of what it meant to be British. The public's increasing interest in political controversies meant that satirists turned their attention to individuals and the issues involved. This long reign was marked by political crises, both foreign and domestic and caricaturists responded with an outpouring of work that led the era to be called the 'golden age' of caricature. These multitudinous prints, produced in response to public demands and sensitive to public attitudes, indicate the redefinition of existing ideals.

Author: John Strachan
Publisher: Taylor & Francis
ISBN: 1000743918
Category : Literary Criticism
Languages : en
Pages : 2177

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Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

Author: John Strachan
Publisher: Routledge
ISBN: 1000712990
Category : Literary Criticism
Languages : en
Pages : 353

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Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

Author: Amanda Hiner
Publisher: Cambridge University Press
ISBN: 1108837360
Category : Literary Criticism
Languages : en
Pages : 319

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Book Description
Featuring cutting-edge essays by leading scholars, this collection formulates a new feminist theory of eighteenth-century women's satire.

Author: Andy Borowitz
Publisher: Simon and Schuster
ISBN: 1439129495
Category : Humor
Languages : en
Pages : 116

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Book Description
Prepare to be shocked. From the man The Wall Street Journal hailed as a "Swiftean satirist" comes the most shocking book ever written! The Borowitz Report: The Big Book of Shockers, by award-winning fake journalist Andy Borowitz, contains page after page of "news stories" too hot, too controversial, too -- yes, shocking -- for the mainstream press to handle. Sample the groundbreaking reporting from the news organization whose motto is "Give us thirty minutes -- we'll waste it."

Author: Claire Wood
Publisher: Edinburgh University Press
ISBN: 1474441653
Category :
Languages : en
Pages : 572

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Book Description
The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.

Author: Shoshana-Rose Marzel
Publisher: Bloomsbury Publishing
ISBN: 147255809X
Category : History
Languages : en
Pages : 261

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Book Description
Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to wear trousers, dress can symbolize ideological orthodoxy as well as revolt. With contributions from a wide range of international scholars, this book presents the first scholarly analysis of dress and ideology through accessible case studies. Chapters are organized thematically and explore dress in relation to topics including nation, identity, religion, politics and utopias, across an impressive chronological reach from antiquity to the present day. Dress & Ideology will appeal to students and scholars of fashion, history, sociology, cultural studies, politics and gender studies.

Author: Alan Brooke
Publisher: Pen and Sword History
ISBN: 1399084682
Category : History
Languages : en
Pages : 275

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Book Description
The Making of London explores the rich history of the Metropolis from the Roman settlement established 2,000 years ago in the area that came to be known as the 'Square Mile' and traces the process whereby it eventually emerged as the world's greatest city. London became the capital and seat of government of Britain, a center of culture, entertainment and retailing, a major port and industrial center and world leader in international trade, commerce and finance. The focus is largely on central London but necessarily brings in other nearby districts when events involved interaction with these. While examining a selection of major historical events, consideration is also given to some of the more unusual and quirky aspects that have contributed to making London the diverse and fascinating place it remains today. A largely chronological approach is taken which emphasizes how the lives of the ordinary people were shaped by the events they witnessed such as invasions, riots and rebellions, fires, smogs, wars, epidemics and pandemics. The story embraces the apparent glamour of areas such as Mayfair and the West End but does not neglect districts stalked by crime, poverty and despair. London has always been a place of paradoxes where flaunted wealth has existed alongside appalling social deprivation. The juxtaposition of extravagance and poverty, of high culture with the lowest of low life is a recurrent theme in London's history. The Making of London will interest newcomers wishing to know about London's past but even those familiar with its history are likely to find something new in its pages.