George Morland, 1763-1804 PDF Download

Author: George Morland
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 56

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Author: Ralph Richardson
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 198

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Author: Ralph Richardson
Publisher: Sagwan Press
ISBN: 9781376783490
Category : Art
Languages : en
Pages : 192

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Ralph Richardson
Publisher: Forgotten Books
ISBN: 9781330189733
Category : Art
Languages : en
Pages : 195

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Excerpt from George Morland, Painter, London (1763-1804) If the celebrity of a man at his death may be gauged by the number of biographies of him which then make their appearance, George Morland must have died famous. No fewer than four 'Lives' of the artist appeared shortly after his death, written respectively by William Collins (1805), F. W. Blagdon (1806), J. Hassell (1806), and George Dawe, R.A.(1807). All four may be consulted in the British Museum, but will with difficulty be met with elsewhere. In these circumstances, a new biography seems at least permissible, more particularly as George Morland still remains a famous man and numbers a greater multitude of admirers than ever. His pictures somehow appeal to the English people as no others do - perhaps because he was so thorough an Englishman himself, and because he painted English subjects in a way no man ever did before or has done since. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Sir Walter Gilbey
Publisher:
ISBN:
Category : Landscape painters
Languages : en
Pages : 524

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Author: Jacob Simon
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 234

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Published to accompany exhibition held at the National Portrait Gallery, London, 8/11/96 - 9/2/97.

Author: George Dawe
Publisher:
ISBN:
Category : Engraving, English
Languages : en
Pages : 438

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Author: Harry John Wilmot-Buxton
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 256

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Author: George Charles Williamson
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 370

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Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240

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Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.