Gao Xingjian and Transmedia Aesthetics PDF Download

Author: Mabel Lee
Publisher: Cambria Sinophone World
ISBN: 9781604979466
Category : Language Arts & Disciplines
Languages : en
Pages : 362

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Author: Shuangyi Li
Publisher: Springer Nature
ISBN: 9811655626
Category : Literary Criticism
Languages : en
Pages : 263

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This book examines the works of four contemporary first-generation Chinese migrant writer-artists in France: François CHENG, GAO Xingjian, DAI Sijie, and SHAN Sa. They were all born in China, moved to France in their adulthood to pursue their literary and artistic ambitions, and have enjoyed the highest French and Western institutional recognitions, from the Grand Prix de la Francophonie to the Nobel Prize in Literature. They have established themselves not only as writers, but also as translators, calligraphers, painters, playwrights, and filmmakers mainly in their host country. French has become their dominant—but not only—language of literary creation (except for Gao); yet, linguistic idioms, poetic imagery, and classical thought from Chinese cultural heritage permeate their French texts and visual artworks, reflecting a strong translingual and transmedial sensibility. The book provides not only distinctive literary and artistic examples beyond existing studies of intercultural encounter, French postcolonial, and Chinese diasporic enquiries; more importantly, it formulates a theoretical model that captures the creative dynamics between the French/francophone and Chinese/sinophone spaces of articulation, thereby contributing to contemporary debates about literary and artistic production, interpretation, and circulation in the global development of comparative/world literature, as well as intermediality studies.

Author: Xingjian Gao
Publisher:
ISBN: 9781621966548
Category : Chinese literature
Languages : en
Pages : 0

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"In Calling for a New Renaissance, Nobel laureate Gao Xingjian summarizes his primary concerns of the past decade or so. He indicts the lingering impact of ideology on contemporary literature and art, and for this reason he calls for "a new Renaissance," a result of which would be "boundary-crossing creations" such as the three cine-poems that he has produced and describes in detail in his latest book. Of importance in this book, and not documented elsewhere, are his insights into how despite receiving his education in the People's Republic of China, Gao succeeded in educating himself in both Chinese and world literatures because of his love of reading and his disciplined approach to reading. This book also includes fifty images selected by Gao, a large number of which are his favorite paintings"--

Author: Snite Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 146

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Author: Li-hua Ying
Publisher: Rowman & Littlefield
ISBN: 1538130068
Category : Literary Collections
Languages : en
Pages : 825

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Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.

Author: Letizia Fusini
Publisher: BRILL
ISBN: 9004423389
Category : Drama
Languages : en
Pages : 253

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In Dionysus on the Other Shore, Letizia Fusini re-examines Gao Xingjian’s post-1987 theatre as a form of tragedy.

Author: Fiona Sze-Lorrain
Publisher:
ISBN: 9789810592073
Category : Art in motion pictures
Languages : en
Pages : 205

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Author: Todd S. Ing
Publisher: World Scientific
ISBN: 9814704628
Category : Albert Lasker Awards
Languages : en
Pages : 420

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Book Description
"At the turn of the 20th century, the Boxer Uprising marked the culmination of a violent and tragic chapter in Chinese history. Out of the ashes of this calamity, scholarships funded by Boxer Indemnity and many others fostered some of the greatest minds in the Chinese modern era. This book celebrates notable luminary scholars of Chinese descent, with a special focus on 1 Wolf Prize, 4 Lasker, and 11 Nobel laureates spanning a wide range of disciplines in both literature and science. We visit the struggles of pioneers Tsung-Dao Lee and Chen-Ning Yang as the first Chinese Nobel prize recipients for characterizing fundamental laws in elementary-particle physics. Their pioneering works have paved the way for many to follow. We chronicle the careers of more recent recipients, including Mo Yan and his celebration of peasant life in China through the lens of hallucinatory realism. We delve into the lives of these Laureates, witness the obstacles that they overcame, and testify to their lasting contributions to humankind. In recounting the intellectual struggles and triumphs of these pioneers of Chinese heritage, we hope to inspire the next generation of scholars in literature and science worldwide in the hope that they too might become laureates one day"--Publisher's website.

Author: Catherine Lila Chou
Publisher: Cambria Press
ISBN:
Category : Political Science
Languages : en
Pages : 203

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This book is in the Cambria Sinophone World Series, headed by Victor H. Mair (University of Pennsylvania). In the early 1990s, the people of Taiwan gained the right to vote for their executive and legislature. In building a democratic society, they transformed how they saw themselves and their homeland. The outcome of democratization was nothing less than revolutionary, producing a new, de facto nation and people that can be justly called "Taiwanese." Yet this revolution remains unfinished and incomplete. In an era of increasing US-China rivalry, the People's Republic of China (PRC) claims sovereignty over Taiwan and insists that "reunification" is the historic mission of all peoples on both sides of the Taiwan Strait. The PRC threatens war with and over the island, inviting a crisis that would engulf the region and beyond. Common ideas about Taiwan-that it "split with China in 1949" or "sees itself as the true China"-fail to explain why the Taiwanese withstand pressure from the PRC to relinquish their democratic self-governance. Revolutionary Taiwan sheds light on this. Each chapter shows how democratization in Taiwan constituted a revolution, changing not just the form of government but also how Taiwanese people conceptualized the island, coming to see it a complete nation unto itself. At the same time, however, Beijing has blocked the "normal" endpoint of this revolution: an open declaration of statehood and welcome into the global community. Revolutionary Taiwan: Making Nationhood in a Changing World Order brings the Taiwan story to a general audience. It will appeal to students and readers interested in international relations, contemporary geopolitics, and East Asian Studies. Informed by years of academic research and life in Taiwan, this book provides an entry point to a remarkable place and people.

Author: Wah Guan Lim
Publisher: Cornell University Press
ISBN: 1501774409
Category : History
Languages : en
Pages : 269

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Book Description
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.