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Author: Honore De Balzac Publisher: BoD – Books on Demand ISBN: 9361156527 Category : Fiction Languages : en Pages : 60
Book Description
"Gambara" by Honore de Balzac is a compelling novella that delves into the psyche of the eponymous protagonist, the proficient however tragic Italian composer Paolo Gambara. Set in the vibrant creative and cultural milieu of nineteenth-century Paris, the narrative explores the thin line among genius and insanity. Gambara, once a celebrated composer, is now residing in obscurity and poverty. His existence takes a dramatic turn when he becomes infatuated with a beautiful singer, Marianna, and pours all his innovative power into composing an opera in her honor. However, Gambara's grand creative aims are marred with the aid of his deteriorating mental kingdom. As the novella unfolds, Balzac skillfully weaves a narrative that intertwines the nation-states of song, love, and insanity. The character of Gambara will become a symbol of the tortured artist, grappling with the complexities of notion and the harsh realities of existence. The tale is a poignant exploration of the adverse electricity of unrequited love and the exceptional line among innovative brilliance and the descent into madness. "Gambara" stands as a testament to Balzac's capability to dissect the human situation and the tumultuous intersection of artistic passion and personal tragedy.
Author: Honore De Balzac Publisher: BoD – Books on Demand ISBN: 9361156527 Category : Fiction Languages : en Pages : 60
Book Description
"Gambara" by Honore de Balzac is a compelling novella that delves into the psyche of the eponymous protagonist, the proficient however tragic Italian composer Paolo Gambara. Set in the vibrant creative and cultural milieu of nineteenth-century Paris, the narrative explores the thin line among genius and insanity. Gambara, once a celebrated composer, is now residing in obscurity and poverty. His existence takes a dramatic turn when he becomes infatuated with a beautiful singer, Marianna, and pours all his innovative power into composing an opera in her honor. However, Gambara's grand creative aims are marred with the aid of his deteriorating mental kingdom. As the novella unfolds, Balzac skillfully weaves a narrative that intertwines the nation-states of song, love, and insanity. The character of Gambara will become a symbol of the tortured artist, grappling with the complexities of notion and the harsh realities of existence. The tale is a poignant exploration of the adverse electricity of unrequited love and the exceptional line among innovative brilliance and the descent into madness. "Gambara" stands as a testament to Balzac's capability to dissect the human situation and the tumultuous intersection of artistic passion and personal tragedy.
Author: Katherine A. McIver Publisher: Routledge ISBN: 1351871706 Category : Art Languages : en Pages : 301
Book Description
Expanding interdisciplinary investigations into gender and material culture, Katherine A. McIver here adds a new dimension to Renaissance patronage studies by considering domestic art - the decoration of the domestic interior - as opposed to patronage of the fine arts (painting, sculpture and architecture). Taking a multidimensional approach, McIver looks at women as collectors of precious material goods, as organizers of the early modern home, and as decorators of its interior. By analyzing the inventories of women's possessions, McIver considers the wide range of domestic objects that women owned, such as painted and inlaid chests, painted wall panels, tapestries, fine fabrics for wall and bed hangings, and elaborate jewelry (pendant earrings, brooches, garlands for the hair, necklaces and rings) as well as personal devotional objects. Considering all forms of patronage opportunities open to women, she evaluates their role in commissioning and utilizing works of art and architecture as a means of negotiating power in the court setting, in the process offering fresh insights into their lives, limitations, and the possibilities open to them as patrons. Using her subjects' financial records to track their sources of income and the circumstances under which it was spent, McIver thereby also provides insights into issues of Renaissance women's economic rights and responsibilities. The primary focus on the lives and patronage patterns of three relatively unknown women, Laura Pallavicina-Sanvitale, Giacoma Pallavicina and Camilla Pallavicina, provides a new model for understanding what women bought, displayed, collected and commissioned. By moving beyond the traditional artistic centers of Florence, Venice and Rome, analyzing instead women's artistic patronage in the feudal courts around Parma and Piacenza during the sixteenth century, McIver nuances our understanding of women's position and power both in and out of the home. Carefully integrating extensive archival
Author: Katharina M. Wilson Publisher: University of Georgia Press ISBN: 9780820308654 Category : Literary Criticism Languages : en Pages : 692
Book Description
The dawn of humanism in the Renaissance presented privileged women with great opportunities for personal and intellectual growth. Sexual and social roles still determined the extent to which a woman could pursue education and intellectual accomplishment, but it was possible through the composition of poetry or prose to temporarily offset hierarchies of gender, to become equal to men in the act of creation. Edited by Katharina M. Wilson, this anthology introduces the works of twenty-five women writers of the Renaissance and Reformation, among them Marie Dentière, a Swiss evangelical reformer whose writings were so successful they were banned during her lifetime; Gaspara Stampa, a cultivated courtesan of Venetian aristocratic circles who wrote lyric poetry that has earned her comparisons to Michelangelo and Tasso; Hélisenne de Crenne, a French aristocrat who embodied the true spirit of the Renaissance feminist, writing both as novelist and as champion of her sex; Helene Kottanner, Austrian chambermaid to Queen Elizabeth of Hungary whose memoirs recall her daring theft of the Holy Crown of Saint Stephen for her esteemed mistress; and Lady Mary Sidney Wroth, the first Englishwoman known to write a full-length work of fiction and compose a significant body of secular poetry. Offering a seldom seen counterpoint to literature written by men, Women Writers of the Renaissance and Reformation presents prose and poetry that have never before appeared in English, as well as writings that have rarely been available to the nonspecialist. The women whose writings are included here are united by a keen awareness of the social limitations placed upon their creative potential, of the strained relationship between their gender and their work. This concern invests their writings with a distinctive voice--one that carries the echoes of a male aesthetic while boldly declaring battle against it.
Author: Gabriela Cruz Publisher: Oxford University Press, USA ISBN: 0190915056 Category : Music Languages : en Pages : 313
Book Description
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
Author: Honore De Balzac
Author: Honore De Balzac
Author: Honoré de Balzac
Author: Honoré de Balzac
Author: Honoré de Balzac
Author: Honoré de Balzac
Author: Katherine A. McIver
Author: Honoré de Balzac
Author: Honoré de Balzac
Author: Katharina M. Wilson
Author: Gabriela Cruz