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Author: Richard Powers Publisher: Macmillan ISBN: 0374199485 Category : Fiction Languages : en Pages : 341
Book Description
After four novels and several years of living abroad, the fictional protagonist of Galatea 2.2 - Richard Powers - returns to the United States as Humanist-in-Residence at the enormous Center for the Study of Advanced Sciences. There he falls afoul of Philip Lentz, an outspoken cognitive neurologist intent upon modeling the human brain by means of computer-based neural networks. Lentz involves Powers in an outlandish and irresistible project: to train a neural net on a canonical list of Great Books until the machine becomes capable of passing a comprehensive exam in English literature. Through repeated tutorials, the device grows gradually more worldly, until it demands to know its own name, sex, race, and reason for existing. Powers drills it in Chaucer and Austen and James, a crash course that elicits a violent reconsideration of his own literary vocation, his decade-long, failed relationship with a former pupil, and his growing obsession with the twenty-two-year-old master's candidate against whom his cybernetic Helen is slated to compete.
Author: Richard Powers Publisher: Macmillan ISBN: 0374199485 Category : Fiction Languages : en Pages : 341
Book Description
After four novels and several years of living abroad, the fictional protagonist of Galatea 2.2 - Richard Powers - returns to the United States as Humanist-in-Residence at the enormous Center for the Study of Advanced Sciences. There he falls afoul of Philip Lentz, an outspoken cognitive neurologist intent upon modeling the human brain by means of computer-based neural networks. Lentz involves Powers in an outlandish and irresistible project: to train a neural net on a canonical list of Great Books until the machine becomes capable of passing a comprehensive exam in English literature. Through repeated tutorials, the device grows gradually more worldly, until it demands to know its own name, sex, race, and reason for existing. Powers drills it in Chaucer and Austen and James, a crash course that elicits a violent reconsideration of his own literary vocation, his decade-long, failed relationship with a former pupil, and his growing obsession with the twenty-two-year-old master's candidate against whom his cybernetic Helen is slated to compete.
Author: Richard Powers Publisher: Macmillan ISBN: 9780312423131 Category : Fiction Languages : en Pages : 340
Book Description
"Dazzling...a cerebral thriller that's both intellectually engaging and emotionally compelling, a lively tour de force."—Michiko Kakutani, The New York Times After four novels and several years living abroad, the fictional protagonist of Galatea 2.2—Richard Powers—returns to the United States as Humanist-in-Residence at the enormous Center for the Study of Advanced Sciences. There he runs afoul of Philip Lentz, an outspoken cognitive neurologist intent upon modeling the human brain by means of computer-based neural networks. Lentz involves Powers in an outlandish and irresistible project: to train a neural net on a canonical list of Great Books. Through repeated tutorials, the device grows gradually more worldly, until it demands to know its own name, sex, race, and reason for existing.
Author: John Lyly Publisher: Manchester University Press ISBN: 9780719030956 Category : Drama Languages : en Pages : 306
Book Description
"Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas (the golden touch and the ass's ears) in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court."--BOOK JACKET.
Author: Felipe Valencia Publisher: U of Nebraska Press ISBN: 1496227670 Category : Literary Criticism Languages : en Pages : 392
Book Description
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
Author: James M. Cain Publisher: Open Road Media ISBN: 1504094670 Category : Fiction Languages : en Pages : 166
Book Description
A down-on-his-luck boxing trainer finds a woman worth fighting for in this “assured” novel by an MWA Grand Master Award winner (Kirkus Reviews). It took some doing, but Duke Webster is out of prison. Val Valenty arranged the parole, and now the onetime prizefighter and boxing coach is his puppet, breaking his back on Valenty’s farm in exchange for a pittance. But Valenty is about to find out that boxing men never take orders without a scrap. The trouble begins when Webster meets Valenty’s wife. A barrel-shaped woman whose extreme weight makes her old before her time, Holly stays fat on Valenty’s cooking—meat, potatoes, and endless gravy. Webster puts her on a diet, slimming her down the way he would train an over-the-hill pro in search of a comeback. But as her waistline shrinks and her beauty emerges, Valenty gets jealous—putting them on course for a bloody confrontation where only the hungry will survive. This gritty, surprising tale comes from the acclaimed author of Double Indemnity and Mildred Pierce—a writer with “an empathy for losers and society’s lost souls” (Quad-City Times). Praise for James M. Cain’s fiction “Cain is one novelist who has something to teach just about any writer, and delight just about any reader.” —Anne Rice, #1 New York Times–bestselling author of Interview with a Vampire “Entertaining and cleverly plotted.” —The New York Times
Author: Lloyd's Register Foundation Publisher: Lloyd's Register ISBN: Category : History Languages : en Pages : 1560
Book Description
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
Author: Cathy L. Jrade Publisher: Yale University Press ISBN: 0300167741 Category : Biography & Autobiography Languages : en Pages : 288
Book Description
"Delmira Agustini (1886-1914) has been acclaimed as one of the foremost modernistas and the first major woman poet of twentieth-century Spanish America. Critics and the reading public alike were immediately taken by the originality and power of her verse, especially the aggressively sexualized perspective never before found in texts written by Spanish American women. Agustini sought, like the men around her, to free herself and her writing from traditional sexual limitations. Even more daringly, she responded to their language with her own feminized discourse, developing an innovative way of expressing her sexual and artistic expressions." -- Book jacket.
Author: Richard Powers
Author: Richard Powers
Author: Richard Powers
Author: John Lyly
Author: 
Author: Felipe Valencia
Author: Royal Entomological Society of London
Author: James M. Cain
Author: JOHN R. EASTMAN
Author: Lloyd's Register Foundation
Author: Cathy L. Jrade