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Author: Publisher: Penn State Press ISBN: 9780271038346 Category : Art Languages : en Pages : 170
Book Description
This concise book presents the fascinating history of the creation of the Musee d'Orsay and the battles among the prominent politicians, curators, and historians over the architecture, collections, and concept of the museum.
Author: Publisher: Penn State Press ISBN: 9780271038346 Category : Art Languages : en Pages : 170
Book Description
This concise book presents the fascinating history of the creation of the Musee d'Orsay and the battles among the prominent politicians, curators, and historians over the architecture, collections, and concept of the museum.
Author: Jan Cigliano Hartman Publisher: Chronicle Books ISBN: 1648960863 Category : Architecture Languages : en Pages : 338
Book Description
A visual and global chronicle of the triumphs, challenges, and impact of over 100 women in architecture, from early practitioners to contemporary leaders. Marion Mahony Griffin passed the architectural licensure exam in 1898 and created exquisite drawings that buoyed the reputation of Frank Lloyd Wright. Her story is one of the many told in The Women Who Changed Architecture, which sets the record straight on the transformative impact women have made on architecture. With in-depth profiles and stunning images, this is the most comprehensive look at women in architecture around the world, from the nineteenth century to today. Discover contemporary leaders, like MacArthur Fellow Jeanne Gang, spearheading sustainable design initiatives, reimagining cities as equitable spaces, and directing architecture schools. An essential read for architecture students, architects, and anyone interested in how buildings are created and the history behind them.
Author: Enrico Massetti Publisher: Enrico Massetti Publishing ISBN: 1312799110 Category : Travel Languages : en Pages : 79
Book Description
To most Italians, Milan is the unofficial capital of Italy and arguably the most interesting city in the country, where old and new meet in an ever changing relationship. An engaging mix. Milan cannot claim the opulent and breathtaking beauty of Rome nor the Renaissance glories of Florence but Milan has its own charms – and certainly enough to keep you entertained for a weekend. In fact, Milan is, arguably, the most interesting city in Italy, where old and new meet in an ever changing relationship. Milan is both elegant and vulgar, technology-driven and full of old world charm, money-obsessed and genteel, brassy and inviting. Milan is a curious, engaging mix. To most Italians, Milan is the unofficial capital of the country. Milan is Italy’s powerhouse, where money is made. Money brings people, people create vibe and energy: Milan is the place where “things happen”. Milan is internationally famous for its fashion and design, of course. But there is much more to see and enjoy in this industrious, hard working city. Here are a few personal suggestions – places I like, not necessarily the most celebrated. This is a guide to Milan, for a visit lasting two, three or more days. There are extensive descriptions and photos of the attractions: museums, churches, nightlife and other attractions. There are descriptions on how to get to Milan, on driving and parking in the city, useful info to stay there. There are reviews of several restaurants. The guide is divided in sections covering single days or half days, so you can combine several sections depending on the length of your stay and your preference of what o see.
Author: Terry Kirk Publisher: Princeton Architectural Press ISBN: 9781568984360 Category : Architecture Languages : en Pages : 288
Book Description
“Modern Italy”may sound like an oxymoron. For Western civilization,Italian culture represents the classical past and the continuity of canonical tradition,while modernity is understood in contrary terms of rupture and rapid innovation. Charting the evolution of a culture renowned for its historical past into the 10 modern era challenges our understanding of both the resilience of tradition and the elasticity of modernity. We have a tendency when imagining Italy to look to a rather distant and definitely premodern setting. The ancient forum, medieval cloisters,baroque piazzas,and papal palaces constitute our ideal itinerary of Italian civilization. The Campo of Siena,Saint Peter’s,all of Venice and San Gimignano satisfy us with their seemingly unbroken panoramas onto historical moments untouched by time;but elsewhere modern intrusions alter and obstruct the view to the landscapes of our expectations. As seasonal tourist or seasoned historian,we edit the encroachments time and change have wrought on our image of Italy. The learning of history is always a complex task,one that in the Italian environment is complicated by the changes wrought everywhere over the past 250 years. Culture on the peninsula continues to evolve with characteristic vibrancy. Italy is not a museum. To think of it as such—as a disorganized yet phenomenally rich museum unchanging in its exhibits—is to misunderstand the nature of the Italian cultural condition and the writing of history itself.
Author: Johannes Willem Bertens Publisher: John Benjamins Publishing ISBN: 9789027234452 Category : Art Languages : en Pages : 622
Book Description
Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism.
Author: Marella Caracciolo Chia Publisher: Rizzoli International Publications ISBN: 084783610X Category : House & Home Languages : en Pages : 274
Book Description
For more than 135 years, Bonacina has made rattan furniture famous and desirable through its presence in the most sophisticated residences worldwide. This book chronicles the firm’s long history of collaborating with renowned furniture designers and decorators of note. Emblematic of Italian excellence since its founding in 1889, Bonacina is a family-owned design brand that has defined a unique and timeless style, embodying an artistic sensibility, attention to detail, and the superior workmanship of rattan—a natural raw material that grows in the Far East. The story begins in remote lands where the natural material grows before traveling to Italy and then, in the hands of some of the best interior designers, to stylish residences, gardens, hotels, and restaurants around the world. Collaborations have always been a part of the company’s focus, keeping an age-old material current. Design masters of their times—including Gae Aulenti, Mattia Bonetti, Federico Forquet, Piero Lissoni, Renzo Mongiardino, and Gio Ponti—have worked with Bonacina in creating both traditional and forward-thinking models. The history of the company unfolds in this book with archival images, newly commissioned photographs of superb interiors, and commentaries from people who live with Bonacina furnishings and who use them in their interior-design practices.
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Author: Gianfranco Cresciani
Author: Massimo Vignelli
Author: Jan Cigliano Hartman
Author: Enrico Massetti
Author: Josephine Crawley Quinn
Author: Gaetana Marrone
Author: Terry Kirk
Author: Johannes Willem Bertens
Author: Marella Caracciolo Chia