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Author: Lynn Ellen Patyk Publisher: Bloomsbury Publishing USA ISBN: Category : Biography & Autobiography Languages : en Pages : 241
Book Description
Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.
Author: Lynn Ellen Patyk Publisher: Bloomsbury Publishing USA ISBN: Category : Literary Criticism Languages : en Pages : 241
Book Description
Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.
Author: Lynn Ellen Patyk Publisher: Bloomsbury Publishing USA ISBN: Category : Biography & Autobiography Languages : en Pages : 241
Book Description
Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.
Author: Fyodor Dostoevsky Publisher: Prabhat Prakashan ISBN: Category : Fiction Languages : en Pages : 574
Book Description
A few words about Dostoevsky himself may help the English reader to understand his work. Dostoevsky was the son of a doctor. His parents were very hard-working and deeply religious people, but so poor that they lived with their five children in only two rooms. The father and mother spent their evenings in reading aloud to their children, generally from books of a serious character. Though always sickly and delicate Dostoevsky came out third in the final examination of the Petersburg school of Engineering. There he had already begun his first work, “Poor Folk.” This story was published by the poet Nekrassov in his review and was received with acclamations. The shy, unknown youth found himself instantly something of a celebrity. A brilliant and successful career seemed to open before him, but those hopes were soon dashed. In 1849 he was arrested.
Author: Fyodor Dostoevsky Publisher: Lindhardt og Ringhof ISBN: 8726501260 Category : Fiction Languages : en Pages : 26
Book Description
‘Novel in Nine Letters’ is an incredibly inventive short story by Dostoevsky about a comical miscommunication between two friends. The story unfolds through letters as we learn that Ivan is unsuccessfully trying to collect money that he loaned to Pyotr. A comedy of errors ensues as neither man understands the other and Ivan becomes paranoid that Pyotr is avoiding him. Their world becomes a labyrinth as they attempt to connect but consistently fail due to unfortunate mishaps until a shocking final letter reveals what their previous correspondence could not. This story, which is one of Dostoevsky’s earliest, shows why he would become one of the most celebrated Russian writers of all time. It creatively blends farce and social commentary and has two compelling characters that readers can root for and against. ‘Novel in Nine Letters’ is as relevant in the social media age as when it was written, and its satirical nature makes it a perfect read for fans of ‘A Confederacy of Dunces’. Fyodor Dostoevsky (1821-1881) was a famous Russian writer of novels, short stories, and essays. A connoisseur of the troubled human psyche and the relationships between the individuals, Dostoevsky’s oeuvre covers a large area of subjects: politics, religion, social issues, philosophy, and the uncharted realms of the psychological. He is most famous for the novels ‘Crime and Punishment’, ‘The Idiot’, and ‘The Brothers Karamazov’. James Joyce described Dostoevsky as the creator of ‘modern prose’ and his literary legacy is influential to this day as Dostoevsky’s work has been adapted for many movies including ‘The Double’ starring Jesse Eisenberg.
Author: Fyodor Dostoyevsky Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 97
Book Description
Stavrogin's Confession and The Plan of The Life of a Great Sinner is a novel by Fyodor Dostoevsky. This societal and political satire tells the story of a fictitious city plunging into chaos as it becomes the crucial point of an attempted revolution.
Author: Fyodor Dostoevsky Publisher: Vintage ISBN: 0307434869 Category : Fiction Languages : en Pages : 768
Book Description
Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.
Author: Fyodor Dostoevsky Publisher: ISBN: Category : Languages : en Pages : 32
Book Description
The Dream of a Ridiculous Man" is a short story by Fyodor Dostoevsky written in 1877. It chronicles the experiences of a man who decides that there is nothing of any value in the world. Slipping into nihilism with the "terrible anguish" he is determined to commit suicide.
Author: Fyodor Dostoevsky Publisher: Read Books Ltd ISBN: 1528786343 Category : Fiction Languages : en Pages : 42
Book Description
Mr. Prokharchin" is a 1846 short story written by Fyodor Dostoyevsky and first published in the “Annals of the Fatherland”. Based on actual events, it follows the life of the miserly protagonist Mr. Prokharchin, who leads a poor life and draws pity from all around him. However, upon his death, his landlady and other tenants are shocked to discover a vast wealth hidden within his mattress. Fyodor Mikhailovich Dostoevsky (1821 – 1881) was a Russian novelist, essayist, short story writer, journalist, and philosopher. His literature often examines human psychology during the turbulent social, spiritual and political atmosphere of 19th-century Russia, and he is considered one of the greatest psychologists in world literature. A prolific writer, he produced 11 novels, three novellas, 17 short stories, and numerous other works. Other notable works by this author include: “Crime and Punishment” (1866), “Notes from the Underground” (1864), and “The Idiot” (1869).
Author: Fyodor Dostoevsky Publisher: Lindhardt og Ringhof ISBN: 8726502240 Category : Fiction Languages : en Pages : 34
Book Description
‘The Grand Inquisitor’ is a short story that appears in one of Dostoevsky’s most famous works, ‘The Brothers Karamazov’, but it is often read independently due to its standalone story and literary significance. In the tale, Jesus comes to Seville during the Spanish Inquisition and performs miracles but is soon arrested and sentenced to be burned. The Grand Inquisitor informs Jesus that the church no longer needs him as they are stronger under the direction of Satan. ‘The Grand Inquisitor’ is incredibly interesting and compelling for its philosophical discussion about religion and the human condition. The main debate put forth in the poem is whether freedom or security is more important to mankind, as an all-powerful church can provide safety but requires its followers to abandon their free will. This tale remains remarkably influential among philosophers, political thinkers, and novelists from Friedrich Nietzsche and Noam Chomsky to David Foster Wallace and beyond. Dostoevsky’s writing is both inventive and provocative in this timeless story as the reader is free to come to their own conclusions. ‘The Grand Inquisitor’ should be read by anyone interested in philosophy or politics. Fyodor Dostoevsky (1821-1881) was a famous Russian writer of novels, short stories, and essays. A connoisseur of the troubled human psyche and the relationships between the individuals, Dostoevsky’s oeuvre covers a large area of subjects: politics, religion, social issues, philosophy, and the uncharted realms of the psychological. He is most famous for the novels ‘Crime and Punishment’, ‘The Idiot’, and ‘The Brothers Karamazov’. James Joyce described Dostoevsky as the creator of ‘modern prose’ and his literary legacy is influential to this day as Dostoevsky’s work has been adapted for many movies including ‘The Double’ starring Jesse Eisenberg.
Author: Greta Matzner-Gore Publisher: Northwestern University Press ISBN: 9780810141971 Category : Literary Criticism Languages : en Pages : 0
Book Description
Three questions of novelistic form preoccupied Fyodor Dostoevsky throughout his career: how to build suspense, how to end a narrative effectively, and how to distribute attention among major and minor characters. For Dostoevsky, these were much more than practical questions about novelistic craft; they were ethical questions as well. Dostoevsky and the Ethics of Narrative Form traces Dostoevsky’s indefatigable investigations into the ethical implications of his own formal choices. Drawing on his drafts, notebooks, and writings on aesthetics, Greta Matzner-Gore argues that Dostoevsky wove the moral and formal questions that obsessed him into the fabric of his last three novels: Demons, The Adolescent, and The Brothers Karamazov. In so doing, he anticipated some of the most pressing debates taking place in the study of narrative ethics today.
Author: Lynn Ellen Patyk
Author: Lynn Ellen Patyk
Author: Lynn Ellen Patyk
Author: Fyodor Dostoevsky
Author: Fyodor Dostoevsky
Author: Fyodor Dostoyevsky
Author: Fyodor Dostoevsky
Author: Fyodor Dostoevsky
Author: Fyodor Dostoevsky
Author: Fyodor Dostoevsky
Author: Greta Matzner-Gore