Author: Janet Burnett Grossman
Publisher: Getty Publications
ISBN: 0892366125
Category : Art
Languages : en
Pages : 174
Book Description
"This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, the sculptures typically show the deceased either alone or surrounded by family. Ranging from depictions of seated mothers and modest maidens to nude boys and armed warriors, this collection offers new insight into Greek art and society that will undoubtedly pique the interest of both scholars and the general public."--BOOK JACKET.
Greek Funerary Sculpture
Author: Janet Burnett Grossman
Publisher: Getty Publications
ISBN: 0892366125
Category : Art
Languages : en
Pages : 174
Book Description
"This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, the sculptures typically show the deceased either alone or surrounded by family. Ranging from depictions of seated mothers and modest maidens to nude boys and armed warriors, this collection offers new insight into Greek art and society that will undoubtedly pique the interest of both scholars and the general public."--BOOK JACKET.
Publisher: Getty Publications
ISBN: 0892366125
Category : Art
Languages : en
Pages : 174
Book Description
"This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, the sculptures typically show the deceased either alone or surrounded by family. Ranging from depictions of seated mothers and modest maidens to nude boys and armed warriors, this collection offers new insight into Greek art and society that will undoubtedly pique the interest of both scholars and the general public."--BOOK JACKET.
Late Antique Egyptian Funerary Sculpture
Author: Thelma K. Thomas
Publisher: Princeton University Press
ISBN: 9780691034683
Category : Art
Languages : en
Pages : 252
Book Description
Some of these sculptures were made for grand monumental tombs and commissioned by an urban, land-owning class with strong Hellenistic roots; others were made for smaller and less imposing monuments and commissioned by distinctly different clienteles from monasteries and towns, as well as by different socio-economic classes within the cities.".
Publisher: Princeton University Press
ISBN: 9780691034683
Category : Art
Languages : en
Pages : 252
Book Description
Some of these sculptures were made for grand monumental tombs and commissioned by an urban, land-owning class with strong Hellenistic roots; others were made for smaller and less imposing monuments and commissioned by distinctly different clienteles from monasteries and towns, as well as by different socio-economic classes within the cities.".
Roman Funerary Sculpture
Author: Guntram Koch
Publisher: Getty Publications
ISBN: 0892360852
Category : Art
Languages : en
Pages : 142
Book Description
During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Publisher: Getty Publications
ISBN: 0892360852
Category : Art
Languages : en
Pages : 142
Book Description
During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Funerary Sculpture
Author: Janet Burnett Grossman
Publisher:
ISBN: 9780876612354
Category : Agora (Athens, Greece)
Languages : en
Pages : 0
Book Description
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Publisher:
ISBN: 9780876612354
Category : Agora (Athens, Greece)
Languages : en
Pages : 0
Book Description
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Funerary Sculpture
Author: Janet Burnett Grossman
Publisher: American School of Classical Studies at Athens
ISBN: 1621390144
Category : Art
Languages : en
Pages : 409
Book Description
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Publisher: American School of Classical Studies at Athens
ISBN: 1621390144
Category : Art
Languages : en
Pages : 409
Book Description
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Theater of the Dead
Author: Jeehee Hong
Publisher: University of Hawaii Press
ISBN: 082485540X
Category : History
Languages : en
Pages : 249
Book Description
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb images shed light on complex intersections of the visual, mortuary, and everyday worlds of China at the dawn of the second millennium. Assembling recent archaeological evidence and previously overlooked historical sources, Hong explores new elements in the cultural and religious lives of middle-period Chinese. Rather than treat theatrical tomb images as visual documents of early theater, she calls attention to two largely ignored and interlinked aspects: their complex visual forms and their symbolic roles in the mortuary context in which they were created and used. She introduces carefully selected examples that show visual and conceptual novelty in engendering and engaging dimensions of space within and beyond the tomb in specifically theatrical terms. These reveal surprising insights into the intricate relationship between the living and the dead. The overarching sense of theatricality conveys a densely socialized vision of death. Unlike earlier modes of representation in funerary art, which favored cosmological or ritual motifs and maintained a clear dichotomy between the two worlds, these visual practices show a growing interest in conceptualizing the sphere of the dead within the existing social framework. By materializing a “social turn,” this remarkable phenomenon constitutes a tangible symptom of middle-period Chinese attempting to socialize the sacred realm. Theater of the Dead is an original work that will contribute to bridging core issues in visual culture, history, religion, and drama and theater studies.
Publisher: University of Hawaii Press
ISBN: 082485540X
Category : History
Languages : en
Pages : 249
Book Description
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb images shed light on complex intersections of the visual, mortuary, and everyday worlds of China at the dawn of the second millennium. Assembling recent archaeological evidence and previously overlooked historical sources, Hong explores new elements in the cultural and religious lives of middle-period Chinese. Rather than treat theatrical tomb images as visual documents of early theater, she calls attention to two largely ignored and interlinked aspects: their complex visual forms and their symbolic roles in the mortuary context in which they were created and used. She introduces carefully selected examples that show visual and conceptual novelty in engendering and engaging dimensions of space within and beyond the tomb in specifically theatrical terms. These reveal surprising insights into the intricate relationship between the living and the dead. The overarching sense of theatricality conveys a densely socialized vision of death. Unlike earlier modes of representation in funerary art, which favored cosmological or ritual motifs and maintained a clear dichotomy between the two worlds, these visual practices show a growing interest in conceptualizing the sphere of the dead within the existing social framework. By materializing a “social turn,” this remarkable phenomenon constitutes a tangible symptom of middle-period Chinese attempting to socialize the sacred realm. Theater of the Dead is an original work that will contribute to bridging core issues in visual culture, history, religion, and drama and theater studies.
Ancient Greek Art and European Funerary Art
Author: Evangelia Georgitsoyanni
Publisher: Cambridge Scholars Publishing
ISBN: 1527543765
Category : Art
Languages : en
Pages : 470
Book Description
This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.
Publisher: Cambridge Scholars Publishing
ISBN: 1527543765
Category : Art
Languages : en
Pages : 470
Book Description
This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.
The Oxford Handbook of Roman Sculpture
Author: Elise A. Friedland
Publisher: Oxford University Press, USA
ISBN: 0199921822
Category : Art
Languages : en
Pages : 737
Book Description
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Publisher: Oxford University Press, USA
ISBN: 0199921822
Category : Art
Languages : en
Pages : 737
Book Description
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Death and the Emperor
Author: Penelope J. E. Davies
Publisher: University of Texas Press
ISBN: 9780292702752
Category : Social Science
Languages : en
Pages : 292
Book Description
"Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor." ?Times Literary Supplement "This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics." ?Bryn Mawr Classical Review "Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community." ?American Journal of Archaeology
Publisher: University of Texas Press
ISBN: 9780292702752
Category : Social Science
Languages : en
Pages : 292
Book Description
"Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor." ?Times Literary Supplement "This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics." ?Bryn Mawr Classical Review "Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community." ?American Journal of Archaeology
Crispina and Her Sisters
Author: Christine Schenk
Publisher: Fortress Press
ISBN: 1506411894
Category : Religion
Languages : en
Pages : 479
Book Description
Cripina and Her Sisters explores visual imagery found on burial artifacts of prominent early Christian women. It carefully situates the tomb art within the cultural context of customary Roman commemorations of the dead and provides an in-depth review of women‘s history in the first four centuries of Christianity. From this, a fascinating picture emerges of women‘s authority in the early church--a picture either not readily available or recognized, or even sadly distorted in the written history.
Publisher: Fortress Press
ISBN: 1506411894
Category : Religion
Languages : en
Pages : 479
Book Description
Cripina and Her Sisters explores visual imagery found on burial artifacts of prominent early Christian women. It carefully situates the tomb art within the cultural context of customary Roman commemorations of the dead and provides an in-depth review of women‘s history in the first four centuries of Christianity. From this, a fascinating picture emerges of women‘s authority in the early church--a picture either not readily available or recognized, or even sadly distorted in the written history.