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Author: Mary Ellen Snodgrass Publisher: Rowman & Littlefield ISBN: 153810976X Category : Art Languages : en Pages : 373
Book Description
While often less celebrated than their male counterparts, women have been vital contributors to the arts for centuries. Works by women of the frontier represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression by women of this time period is as impressive as the women themselves. In Frontier Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression from the beginning of the Federalist era to the end of the 19th century. Focusing particularly on Western artistic style, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, such as: Folk music, frontier theatrics, and dancing Quilting, stitchery, and beadwork Sculpture and adobe construction Writing, translations, and storytelling Individual talents highlighted in this volume include basketry by Nellie Charlie, acting by Blanche Bates, costuming by Annie Oakley, diary entries from Emily French, translations by Sacajawea, flag designs by Nancy Kelsey, photography by Jennie Ross Cobb, and singing by Lotta Crabtree. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as applique, libretto, grapevine, farce, coil pots, and quilling. With its informative entries and extensive examinations of artistic talent, Frontier Women and Their Art is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.
Author: Mary Ellen Snodgrass Publisher: Rowman & Littlefield ISBN: 153810976X Category : Art Languages : en Pages : 373
Book Description
While often less celebrated than their male counterparts, women have been vital contributors to the arts for centuries. Works by women of the frontier represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression by women of this time period is as impressive as the women themselves. In Frontier Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression from the beginning of the Federalist era to the end of the 19th century. Focusing particularly on Western artistic style, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, such as: Folk music, frontier theatrics, and dancing Quilting, stitchery, and beadwork Sculpture and adobe construction Writing, translations, and storytelling Individual talents highlighted in this volume include basketry by Nellie Charlie, acting by Blanche Bates, costuming by Annie Oakley, diary entries from Emily French, translations by Sacajawea, flag designs by Nancy Kelsey, photography by Jennie Ross Cobb, and singing by Lotta Crabtree. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as applique, libretto, grapevine, farce, coil pots, and quilling. With its informative entries and extensive examinations of artistic talent, Frontier Women and Their Art is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.
Author: Simon J. Bronner Publisher: Univ. Press of Mississippi ISBN: 1496822668 Category : Social Science Languages : en Pages : 370
Book Description
Winner of the 2020 Chicago Folklore Prize CHOICE Outstanding Academic Title for 2020 Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore: Essays toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior. Thinking with practice, particularly in a digital world, forces redefinitions of folklore and a reorientation toward interpreting everyday life. More than performance or enactment in social theory, practice connects localized culture with the vernacular idea that “this is the way we do things around here.” Practice refers to the way those things are analyzed as part of, rather than apart from, theory, thus inviting the study of studying. “The way we do things” invokes the social basis of “doing” in practice as cultural and instrumental. Building on previous studies of tradition in relation to creativity, Bronner presents an overview of practice theory and the ways it might be used in folklore and folklife studies. Demonstrating the application of this theory in folkloristic studies, Bronner offers four provocative case studies of psychocultural meanings that arise from traditional frames of action and address issues of our times: referring to the boogieman; connecting “wild child” beliefs to school shootings; deciphering the offensive chants of sports fans; and explicating male bravado in bawdy singing. Turning his analysis to the analysts of tradition, Bronner uses practice theory to evaluate the agenda of folklorists in shaping perceptions of tradition-centered “folk societies” such as the Amish. He further unpacks the culturally based rationale of public folklore programming. He interprets the evolving idea of folk museums in a digital world and assesses how the folklorists' terms and actions affect how people think about tradition.
Author: Robert Ormsby Publisher: Taylor & Francis ISBN: 0429619081 Category : Drama Languages : en Pages : 322
Book Description
Shakespeare and Tourism provides a dialogical mapping of Shakespeare studies and touristic theory through a collection of essays by scholars on a wide range of material. This volume examines how Shakespeare tourism has evolved since its inception, and how the phenomenon has been influenced and redefined by performance studies, the prevalence of the World Wide Web, developments in technology, and the globalization of Shakespearean performance. Current scholarship recognizes Shakespearean tourism as a thriving international industry, the result of centuries of efforts to attribute meanings associated with the playwright’s biography and literary prestige to sites for artistic pilgrimage and the consumption of cultural heritage. Through bringing Shakespeare and tourism studies into more explicit contact, this collection provides readers with a broad base for comparisons across time and location, and thereby encourages a thorough reconsideration of how we understand both fields.
Author: Betsy Block Publisher: Algonquin Books ISBN: 1565125703 Category : Family & Relationships Languages : en Pages : 273
Book Description
Shares the story of how a determined mother changed her family's eating habits despite picky children, a finicky husband, busy schedules, snack machines, and permissive grandparents.
Author: Gladys Ijeoma Akunna Publisher: LifeRich Publishing ISBN: 1489726969 Category : Fiction Languages : en Pages : 112
Book Description
Singing the Blues is a story of undying courage and hope. It tells of the ultimate redemption of African-Americans, a people displaced from their homes and cultures, yet connected to their broader family through an indomitable spirit. Intended for collective, creative psychotherapy, it illustrates the courage to look inward and confront hidden terrors, while seeking honest answers to questions on the complexity of race, identity, gender, slavery, oppression, justice and, ultimately, redemption. The collective spirit of African-Americans--their history and spirituality, education and miseducation, art and activism, innovation and invention, culture and beauty--is rolled into one spell-binding story. Our protagonist, Jemima Player, an African-American woman who found her authentic self, walks a winding journey toward her best self. Having grown up poor and without a father, Jemima had a friend in her sickly, adoring mother, Jena, enjoyed companionship and loyalty with friends and mentors, and found a loving, passionate relationship with her husband. As her wondrous life unfolds, would this be enough to fulfill her dream of a great America?
Author: Fiona Ritchie Publisher: UNC Press Books ISBN: 1469666278 Category : Music Languages : en Pages : 577
Book Description
From the seventeenth through the nineteenth centuries, a steady stream of Scots migrated to Ulster and eventually onward across the Atlantic to resettle in the United States. Many of these Scots-Irish immigrants made their way into the mountains of the southern Appalachian region. They brought with them a wealth of traditional ballads and tunes from the British Isles and Ireland, a carrying stream that merged with sounds and songs of English, German, Welsh, African American, French, and Cherokee origin. Their enduring legacy of music flows today from Appalachia back to Ireland and Scotland and around the globe. Ritchie and Orr guide readers on a musical voyage across oceans, linking people and songs through centuries of adaptation and change.
Author: Paul Conkin Publisher: University Press of Kentucky ISBN: 0813173159 Category : History Languages : en Pages : 243
Book Description
At a time when food is becoming increasingly scarce in many parts of the world and food prices are skyrocketing, no industry is more important than agriculture. Humans have been farming for thousands of years, and yet agriculture has undergone more fundamental changes in the past 80 years than in the previous several centuries. In 1900, 30 million American farmers tilled the soil or tended livestock; today there are fewer than 4.5 million farmers who feed a population four times larger than it was at the beginning of the century. Fifty years ago, the planet could not have sustained a population of 6.5 billion; now, commercial and industrial agriculture ensure that millions will not die from starvation. Farmers are able to feed an exponentially growing planet because the greatest industrial revolution in history has occurred in agriculture since 1929, with U.S. farmers leading the way. Productivity on American farms has increased tenfold, even as most small farmers and tenants have been forced to find other work. Today, only 300,000 farms produce approximately ninety percent of the total output, and overproduction, largely subsidized by government programs and policies, has become the hallmark of modern agriculture. A Revolution Down on the Farm: The Transformation of American Agriculture since 1929 charts the profound changes in farming that have occurred during author Paul K. Conkin’s lifetime. His personal experiences growing up on a small Tennessee farm complement compelling statistical data as he explores America’s vast agricultural transformation and considers its social, political, and economic consequences. He examines the history of American agriculture, showing how New Deal innovations evolved into convoluted commodity programs following World War II. Conkin assesses the skills, new technologies, and government policies that helped transform farming in America and suggests how new legislation might affect farming in decades to come. Although the increased production and mechanization of farming has been an economic success story for Americans, the costs are becoming increasingly apparent. Small farmers are put out of business when they cannot compete with giant, non-diversified corporate farms. Caged chickens and hogs in factory-like facilities or confined dairy cattle require massive amounts of chemicals and hormones ultimately ingested by consumers. Fertilizers, new organic chemicals, manure disposal, and genetically modified seeds have introduced environmental problems that are still being discovered. A Revolution Down on the Farm concludes with an evaluation of farming in the twenty-first century and a distinctive meditation on alternatives to our present large scale, mechanized, subsidized, and fossil fuel and chemically dependent system.
Author: Chinazor Onianwah Publisher: Chinazor Onianwah ISBN: Category : Biography & Autobiography Languages : en Pages : 397
Book Description
With vivid illustrations and abrasive insight, Chinazor Onianwah gathers strewn skeletal remains of Africa’s history, fleshes it out and breadths air into it in typical griot style; this is the Africa that comes alive in this narrative, "It Takes A Village to Name a Child, Celebrating the bestowment of Ancestry, Faith, Identity and Legacy of African roots of Biblical Hebrews." In this narrative, which intertwines history, archeological data and mythology, he compels his readers to re-evaluate stereotypes and what it means to be African. Not only would any reader – African or non-African – be amazed at what they never knew that they never knew of Africa; they may find it endearing to be African. After all, it was barely 60,000 years ago that we all came out of Africa. Painstakingly, Chinazor employs his wealth of experience as a news reporter/researcher to connect dots of historical events since the beginning of time through Biblical "Genesis" to the present day to render a befitting portraiture of Africa. And in so doing, answered frequently asked questions: Why a naming ceremony is essential for an African child Why the African is the forbearer of Biblical Hebrews. How the Ashkenazim (European Jews) usurped Hebraism and the Holy Land Are blacks less intelligent than whites? What is in a name like Barack Hussein Obama? Why Africa is so rich yet so poor Excerpt: On October 14, 2007, a few months after Barack Obama announced his candidacy in the US Democratic presidential race, a biographical article appeared in Britain’s Sunday Times Magazine about Dr. James Watson, the American molecular biologist, who is best known as the co-discoverer of the structure of DNA. It said he was "inherently gloomy about the prospect of Africa as all our social policies are based on the fact that their intelligence is the same as ours — whereas all the testing says not really." In what appears to be a response to racists who hold similar views as Dr. James Watson, in a paper titled "Did they or didn’t they invent it? Iron in Sub-Saharan Africa," Stanley B. Alpern wrote, "The idea that sub-Saharan Africans independently invented iron is more than a century old. It goes back at least to a German scholar, Ludwig Beck, who published a five-volume history of iron between 1884 and 1903. In the first volume he wrote, "We see everywhere an original art of producing iron among the numerous native tribes of Africa, which is in its entire essence not imported but original and . . . must be very old." Around the same time some Egyptologists, notably the Frenchman Gaston Maspéro, concluded that ancient Egypt had learned its iron working from black Africans to the south. The German Felix von Luschan, better known among Africanists for his writings on the art of old Benin, also thought sub-Saharan Africans originated iron technology, as did the British metallurgist William Gowland..." The night Barack Obama stood to address the world on his victory as the first African American to win the US Presidency; he was standing against the backdrop of hundreds of years of a racist belief that blacks are inferior to whites. This notion of blacks as inferior to their white counterpart reached its apogee when European governments led by Great Britain embarked on a vigorous campaign to promote the virtues of colonialism by denigrating the natives of the colonies and claiming that the savages needed to be civilized by the ‘white man’. Public displays of indigenous people were held for scientific and leisure purposes. Between 1877 and 1912, approximately thirty “ethnological exhibitions” were presented at the Jardin zoologique d’acclimatation. “Negro villages” were major draws in the Paris’ 1878 and 1879 World’s Fair; the 1900 World’s Fair presented the famous diorama “living” in Madagascar. At the same time, the Colonial Exhibitions in Marseilles (1906 and 1922) and in Paris (1907 and 1931) displayed Africans in cages, often in stark nudity.
Author: National Endowment for the Humanities. Humanities Projects in Museums and Historical Organizations Publisher: ISBN: Category : Exhibitions Languages : en Pages : 76
Author: Joanne DiMaggio Publisher: Balboa Press ISBN: 1982243902 Category : Body, Mind & Spirit Languages : en Pages : 294
Book Description
What does it feel like to die? What does the afterlife look like? Who are the Council of Elders and how do they assist in planning your next life? Who are members of your soul family and what role did they play in your past lives as well as in your current life? What are the karmic issues and attributes you brought into this life? Using past-life regression to identify a significant former life, followed by an exploration of the afterlife to experience the pre-life planning session for this life, this book answers the most commonly asked questions about death and rebirth. Follow the karmic journey of 25 volunteers as they come to understand their soul’s purpose and their role in designing their present life. In thinking about your life, you will discover that you did, indeed, do it to yourself for the greatest reason of all—your soul’s growth.
Author: Mary Ellen Snodgrass
Author: Mary Ellen Snodgrass
Author: Simon J. Bronner
Author: Robert Ormsby
Author: Betsy Block
Author: Gladys Ijeoma Akunna
Author: Fiona Ritchie
Author: Paul Conkin
Author: Chinazor Onianwah
Author: National Endowment for the Humanities. Humanities Projects in Museums and Historical Organizations
Author: Joanne DiMaggio