Author: Laura R. Kremmel
Publisher: University of Wales Press
ISBN: 1786838508
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.
Romantic Medicine and the Gothic Imagination
Author: Laura R. Kremmel
Publisher: University of Wales Press
ISBN: 1786838508
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.
Publisher: University of Wales Press
ISBN: 1786838508
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.
Romantic Gothic
Author: Angela Wright
Publisher: Edinburgh University Press
ISBN: 074869675X
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Publisher: Edinburgh University Press
ISBN: 074869675X
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Romanticism and the Gothic
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
American Gothic Art and Architecture in the Age of Romantic Literature
Author: Kerry Dean Carso
Publisher: University of Wales Press
ISBN: 1783161612
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott’s romances better after viewing Scott’s Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities. Contents Introduction Chapter One. Gothic Monticello: Thomas Jefferson’s Garden Narratives Chapter Two. ‘Banditti Mania’: The Gothic Haunting of Washington Allston Chapter Three. ‘Arranging the Trap Doors’: The Gothic Revival Castles of Alexander Jackson Davis Chapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington Irving Chapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of Painting Chapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest’s Fonthill Castle Conclusion. ‘Clap It Into a Romance:’ Nathaniel Hawthorne’s Gothic Houses
Publisher: University of Wales Press
ISBN: 1783161612
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott’s romances better after viewing Scott’s Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities. Contents Introduction Chapter One. Gothic Monticello: Thomas Jefferson’s Garden Narratives Chapter Two. ‘Banditti Mania’: The Gothic Haunting of Washington Allston Chapter Three. ‘Arranging the Trap Doors’: The Gothic Revival Castles of Alexander Jackson Davis Chapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington Irving Chapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of Painting Chapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest’s Fonthill Castle Conclusion. ‘Clap It Into a Romance:’ Nathaniel Hawthorne’s Gothic Houses
The Gothic Family Romance
Author: Margot Gayle Backus
Publisher: Post-Contemporary Intervention
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.
Publisher: Post-Contemporary Intervention
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.
Gothic Bodies
Author: Steven Bruhm
Publisher: University of Pennsylvania Press
ISBN: 0812206738
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.
Publisher: University of Pennsylvania Press
ISBN: 0812206738
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.
The Romance of the Forest
Melmoth the Wanderer
Author: Charles Maturin
Publisher: Graphic Arts Books
ISBN: 1513287842
Category : Fiction
Languages : en
Pages : 463
Book Description
Melmoth the Wanderer (1820) is a novel by Charles Maturin. Written toward the end of Maturin’s life, Melmoth the Wanderer was the author’s fifth and most successful novel. Inspired by the story of the Wandering Jew and the Faustian legend, the novel is a powerful Gothic romance divided into nested stories, each one delving deeper into the mystery of Melmoth’s life. Often interpreted for its criticisms of 19th century Britain and the Catholic Church, Melmoth the Wanderer is considered one of the greatest novels of the Romantic era. Following a lead from a story told at his uncle’s funeral, John Melmoth, a student from Dublin, begins an obsessive search into his family’s mysterious past. Little is known about the man called “Melmoth the Traveller.” A portrait dated 1646 suggests that he has been dead for over a century. Despite this, he discovers a manuscript from a stranger named Stanton who claims to have seen Melmoth on several occasions over the past few decades. John tracks him down and finds him at a mental institution, where he was placed when his obsession with Melmoth was deemed insanity. Disturbed, John burns the portrait and attempts to put his questions behind him. Soon, he begins having visions of his own. Melmoth the Wanderer is a story of mystery and terror that engages with timeless themes of faith, fantasy, and the thin line between dreams and life. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Maturin’s Melmoth the Wanderer is a classic of Irish literature reimagined for modern readers.
Publisher: Graphic Arts Books
ISBN: 1513287842
Category : Fiction
Languages : en
Pages : 463
Book Description
Melmoth the Wanderer (1820) is a novel by Charles Maturin. Written toward the end of Maturin’s life, Melmoth the Wanderer was the author’s fifth and most successful novel. Inspired by the story of the Wandering Jew and the Faustian legend, the novel is a powerful Gothic romance divided into nested stories, each one delving deeper into the mystery of Melmoth’s life. Often interpreted for its criticisms of 19th century Britain and the Catholic Church, Melmoth the Wanderer is considered one of the greatest novels of the Romantic era. Following a lead from a story told at his uncle’s funeral, John Melmoth, a student from Dublin, begins an obsessive search into his family’s mysterious past. Little is known about the man called “Melmoth the Traveller.” A portrait dated 1646 suggests that he has been dead for over a century. Despite this, he discovers a manuscript from a stranger named Stanton who claims to have seen Melmoth on several occasions over the past few decades. John tracks him down and finds him at a mental institution, where he was placed when his obsession with Melmoth was deemed insanity. Disturbed, John burns the portrait and attempts to put his questions behind him. Soon, he begins having visions of his own. Melmoth the Wanderer is a story of mystery and terror that engages with timeless themes of faith, fantasy, and the thin line between dreams and life. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Maturin’s Melmoth the Wanderer is a classic of Irish literature reimagined for modern readers.
The Gothic Novel and the Stage
Author: Francesca Saggini
Publisher: Routledge
ISBN: 1317319508
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Publisher: Routledge
ISBN: 1317319508
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
God and the Gothic
Author: Alison Milbank
Publisher:
ISBN: 0198824467
Category : Literary Criticism
Languages : en
Pages : 365
Book Description
Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
Publisher:
ISBN: 0198824467
Category : Literary Criticism
Languages : en
Pages : 365
Book Description
Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.