French Eighteenth-century Painters PDF Download

Author: Edmond de Goncourt
Publisher:
ISBN: 9780801492181
Category : Painters
Languages : en
Pages : 418

View

Book Description
Donated: Margaret A. Bailey Art Collection.

Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN:
Category : Painting
Languages : en
Pages : 556

View

Book Description
"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.

Author: Philip Conisbee
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 328

View

Book Description
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture

Author: Perrin Stein
Publisher: Yale University Press
ISBN: 0300197004
Category : Art
Languages : en
Pages : 247

View

Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

Author: Thomas E. Crow
Publisher: Yale University Press
ISBN: 9780300037647
Category : Art
Languages : en
Pages : 300

View

Book Description
Written at the height of the Harlem Renaissance, this is the story of Angela Murray, a young black girl from Philadelphia who discovers she can pass for white.

Author: Joseph Baillio
Publisher: Metropolitan Museum of Art
ISBN: 1588395812
Category : History
Languages : en
Pages : 292

View

Book Description
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.

Author: Dr Christoph Vogtherr
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472449215
Category : Art
Languages : en
Pages : 201

View

Book Description
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such scholars will welcome this collection of essays by internationally recognized experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery.

Author: John Finlay
Publisher: Routledge
ISBN: 1315467356
Category : Art
Languages : en
Pages : 227

View

Book Description
This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of "China." The central figure in this story is Henri-Léonard Bertin (1720–1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history.

Author: Yuriko Jackall
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222342
Category : Art
Languages : en
Pages : 0

View

Book Description
"The exhibition is organized by the National Gallery of Art, Washington."

Author: Albert Boime
Publisher:
ISBN: 9780300244458
Category : Academic art, French
Languages : en
Pages : 330

View

Book Description
"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.