François-Joseph Fétis musicographe PDF Download

Author: Rémy Campos
Publisher: Librairie Droz
ISBN: 9782600017053
Category : Music critics
Languages : fr
Pages : 831

View

Book Description

Author: Thomas Christensen
Publisher: University of Chicago Press
ISBN: 022662692X
Category : Music
Languages : en
Pages : 376

View

Book Description
Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.

Author: Alexandra Kieffer
Publisher: Oxford University Press
ISBN: 0190847255
Category : Music
Languages : en
Pages : 336

View

Book Description
Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impressionist painting and Symbolist poetry, Debussy's Critics demonstrates that a preoccupation with the specifically sonic materiality of Debussy's music, informed by late nineteenth-century scientific discourses on affect, perception, and cognition, was central to this music's historical intervention. Foregrounding the dynamic exchange between sounds and ideas, this book reveals the disorienting and bewildering experience of listening to Debussy's music, which compelled its early audiences to reimagine the most fundamental premises of the European art-music tradition.

Author: Deutsches Historisches Institut Paris
Publisher: Thorbecke
ISBN: 3799581502
Category : History
Languages : en
Pages : 603

View

Book Description
Der Band enthält 36 Beiträge in deutscher, französischer und englischer Sprache. Die Themenvielfalt reicht von der Fredegarchronik des 7. Jahrhunderts und dem Fortleben des römischen Rechts im frühen Mittelalter, den Anfängen diplomatischer Beziehungen und dem Hundertjährigen Krieg über die deutsch-französischen Beziehungen des 17. Jahrhunderts, die Eidleistung französischer Bischöfe unter Ludwig XIV. und die Bibliotheksgeschichte der Frühen Neuzeit bis zum Pariser Musikleben während der Julimonarchie, den Vegetarismus am Vorabend des Ersten Weltkriegs und die aktuelle Genderdebatte in Afrika. Mit der Geschichte des Körpers und seiner politischen Rolle am frühmodernen Hof sowie der Bürokratisierung afrikanischer Gesellschaften befassen sich die Beiträge zweier "Ateliers".

Author: Paul Watt
Publisher: Oxford University Press
ISBN: 0197500684
Category : Music
Languages : en
Pages : 720

View

Book Description
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Author: Christelle Cazaux
Publisher: Schwabe Verlag (Basel)
ISBN: 379654973X
Category : Music
Languages : en
Pages : 442

View

Book Description
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.

Author: Jonathan Impett
Publisher: Leuven University Press
ISBN: 9462700907
Category : Music
Languages : en
Pages : 317

View

Book Description
The Orpheus Institute celebrates 20 years of artistic research in music Artistic research has come of age, and with it the Orpheus Institute. Founded twenty years ago, the Institute’s purpose from the start has been to pursue research through the practice of musicians. The Orpheus Institute is of the same generation as the field it was established to explore. Like many young adults, artistic research and its structures are still constructing their identity within a wider world. How have they developed? How will they mature? How can they negotiate relationships with institutions, disciplines, and bodies of theory and yet retain the essence of their work—the critical perspective of the artist? In the last two decades there have been major changes in the dynamics and structures of culture, its institutions and constituencies. How can artistic research maintain a productive dialectic between its potential status as a discipline and its core as radical practice? These and related questions are the threads woven through this collection of essays and assessments by present and past members of the Orpheus community—researchers, scholars, administrators, advisors. Together and separately they weave a tapestry of past accomplishments, current research, and future perspectives. They celebrate the twentieth anniversary of Orpheus not with congratulations but with challenges and questions—a job for research, a job for the Institute, a job for the future. The wide range of contributors to this volume includes practitioner-researchers, theorists, and academic leaders from institutions at the forefront of artistic research in music. Contributors Tom Beghin (Orpheus Institute, Ghent), Paulo de Assis (Orpheus Institute, Ghent), Leonella Grasso Caprioli (Conservatorio di Vicenza), Jonathan Impett (Orpheus Institute, Ghent), Esa Kirkkopelto (University of the Arts, Helsinki), Kari Kurkela (University of the Arts, Helsinki), Susan Melrose (Middlesex University, London), Stefan Östersjö (Orpheus Institute, Ghent), Gertrud Sandqvist (Malmö Art Academy), Huib Schippers, Vanessa Tomlinson, Paul Draper (Queensland Conservatorium Research Centre, Griffith University), Luk Vaes (Orpheus Institute, Ghent), Janneke Wesseling/ Kitty Zijlmans (Leiden University)

Author: John Neubauer
Publisher: BRILL
ISBN: 9004343369
Category : History
Languages : en
Pages : 304

View

Book Description
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.

Author: Malik Sharif
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125605
Category : Music
Languages : en
Pages : 297

View

Book Description
The US American musicologist, composer, philosopher, inventor, and political activist Charles Seeger (1886–1979) is a key figure in the development of twentieth-century musicology. "Speech about Music" is an in-depth study of his philosophical theory of musicology – his meta-musicology. Seeger developed this body of theory in numerous publications over the course of more than sixty years, yet he never realized his dream of creating a comprehensive "Principia Musicologica". Detailed historical reconstruction and comparative analysis of Seeger's meta-musicology makes "Speech about Music" an important contribution to the study of the history of musicology. By approaching Seeger's theory as an arsenal of ideas in the discussion of twenty-first century meta-musicological issues, the book is also a critical examination of the pertinence of Seeger's ideas.

Author: Melanie Wald-Fuhrmann
Publisher: Bärenreiter-Verlag
ISBN: 3761871961
Category : Music
Languages : de
Pages : 240

View

Book Description
Seit wann gibt es Musikwissenschaft als akademische Disziplin in Ländern wie Italien, Schweden, Chile oder Südkorea? Welche Fachkonzeptionen wurden dort jeweils zugrunde gelegt? Welche nationalen oder gesellschaftspolitischen Motivationen waren dabei ausschlaggebend? In 12 Beiträgen arbeiten internationale Forscherinnen und Forscher erstmals vergleichend die Etablierung der Musikwissenschaft in zahlreichen Ländern Europas, Amerikas und Asiens vom ausgehenden 19. Jahrhundert bis in die jüngere Vergangenheit auf. Personelle, institutionelle und inhaltlich-methodische Aspekte kommen dabei ebenso zur Sprache wie die Frage, welche Bedeutung das Fach für national(istisch)e und kulturpolitische Diskurse hatte. Die Beiträge sind auf deutsch bzw. englisch verfasst und haben jeweils ein Abstract in beiden Sprachen.