Author: Monica E. McTighe
Publisher: UPNE
ISBN: 1611682517
Category : Photography
Languages : en
Pages : 266
Book Description
While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.
Framed Spaces
Author: Monica E. McTighe
Publisher: UPNE
ISBN: 1611682517
Category : Photography
Languages : en
Pages : 266
Book Description
While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.
Publisher: UPNE
ISBN: 1611682517
Category : Photography
Languages : en
Pages : 266
Book Description
While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.
Space Framed
Author: Hugh Campbell
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222731
Category : Architectural photography
Languages : en
Pages : 0
Book Description
While much has been written about how photography serves architecture, this book looks at how fine-art photographers frame constructed space? from cities to single anonymous rooms. It analyses various techniques used and reveals resonances and rhythms found in the photographs as they occur at different scales, times and settings. Photographs become vehicles for thinking about the co-existence between individuals and social groups and their surroundings spaces and settings in the city and the landscape. By considering questions of technique and practice on the one hand, and the formal and aesthetic qualities of photographs on the other, the book opens up new ways of looking at and thinking about architecture and how we relate to our environment.
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222731
Category : Architectural photography
Languages : en
Pages : 0
Book Description
While much has been written about how photography serves architecture, this book looks at how fine-art photographers frame constructed space? from cities to single anonymous rooms. It analyses various techniques used and reveals resonances and rhythms found in the photographs as they occur at different scales, times and settings. Photographs become vehicles for thinking about the co-existence between individuals and social groups and their surroundings spaces and settings in the city and the landscape. By considering questions of technique and practice on the one hand, and the formal and aesthetic qualities of photographs on the other, the book opens up new ways of looking at and thinking about architecture and how we relate to our environment.
Frame and Generic Space
Author: Bernard Leupen
Publisher: 010 Publishers
ISBN: 9789064505980
Category : Architecture
Languages : en
Pages : 268
Book Description
The average lifespan of a house is somewhere around 100 years. During that time it will see many mutations in household composition and related spatial rituals. Designers are therefore faced with the task of giving form to something that is constantly subject to change. Many studies into flexibility focus on the changeable, on movable partitions and variation in the internal layout. The present study takes not the changeable but the permanent as its departure-point. The permanent--i.e. the more durable component of the house or building--constitutes the frame within which change can take place, while the frame defines the generic space, the space in which change can occur.
Publisher: 010 Publishers
ISBN: 9789064505980
Category : Architecture
Languages : en
Pages : 268
Book Description
The average lifespan of a house is somewhere around 100 years. During that time it will see many mutations in household composition and related spatial rituals. Designers are therefore faced with the task of giving form to something that is constantly subject to change. Many studies into flexibility focus on the changeable, on movable partitions and variation in the internal layout. The present study takes not the changeable but the permanent as its departure-point. The permanent--i.e. the more durable component of the house or building--constitutes the frame within which change can take place, while the frame defines the generic space, the space in which change can occur.
Space Framed
Author: Richard Gluckman
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 256
Book Description
From one of his earliest projects for Heiner Friedrich and Philippa de Menil, founders of the Dia Art Foundation in New York, Richard Gluckman has closely aligned his work with the world of art and artists. Over the past twenty years, Gluckman has created distinctive spaces for numerous art galleries and museums and developed installations with such notable contemporary artists as Dan Flavin, Richard Serra, Jenny Holzer, and Walter de Maria. But Gluckman's vision extends beyond art world commissions to include residential, commercial, and public projects. Deeply informed by the minimalist and site-specific artists Gluckman has encountered throughout his career, his work displays a consistent restraint that, as Gluckman himself writes, "allows for more emphasis on the basic architectural components: structure, scale, proportion, material, and light." The result is an architecture of powerful simplicity that has been applied to a wide variety of projects throughout the world. Space Framed: Richard Gluckman Architect presents thirty-eight buildings and projects with carefully composed photographs and detailed presentation drawings. Featured projects include various buildings for the Dia Center for the Arts in New York, the Andy Warhol Museum in Pittsburgh, the renovation and addition to the Whitney Museum of American Art in New York, the Fort Worth Modern Art Museum Competition, the Deutsche Guggenheim Berlin, and the Museo Picasso in Malaga, Spain. In addition to generous illustrations and an introduction by the architect, Space Framed features an insightful essay by noted critic Hal Foster.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 256
Book Description
From one of his earliest projects for Heiner Friedrich and Philippa de Menil, founders of the Dia Art Foundation in New York, Richard Gluckman has closely aligned his work with the world of art and artists. Over the past twenty years, Gluckman has created distinctive spaces for numerous art galleries and museums and developed installations with such notable contemporary artists as Dan Flavin, Richard Serra, Jenny Holzer, and Walter de Maria. But Gluckman's vision extends beyond art world commissions to include residential, commercial, and public projects. Deeply informed by the minimalist and site-specific artists Gluckman has encountered throughout his career, his work displays a consistent restraint that, as Gluckman himself writes, "allows for more emphasis on the basic architectural components: structure, scale, proportion, material, and light." The result is an architecture of powerful simplicity that has been applied to a wide variety of projects throughout the world. Space Framed: Richard Gluckman Architect presents thirty-eight buildings and projects with carefully composed photographs and detailed presentation drawings. Featured projects include various buildings for the Dia Center for the Arts in New York, the Andy Warhol Museum in Pittsburgh, the renovation and addition to the Whitney Museum of American Art in New York, the Fort Worth Modern Art Museum Competition, the Deutsche Guggenheim Berlin, and the Museo Picasso in Malaga, Spain. In addition to generous illustrations and an introduction by the architect, Space Framed features an insightful essay by noted critic Hal Foster.
The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Gender, Space, and the Gaze in Post-Haussmann Visual Culture
Author: Temma Balducci
Publisher: Taylor & Francis
ISBN: 1351819844
Category : Architecture
Languages : en
Pages : 251
Book Description
Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire’s "The Painter of Modern Life" (1863), that have shaped scholarship on this period.
Publisher: Taylor & Francis
ISBN: 1351819844
Category : Architecture
Languages : en
Pages : 251
Book Description
Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire’s "The Painter of Modern Life" (1863), that have shaped scholarship on this period.
The Subjective Self
Author: Harwood Fisher
Publisher: U of Nebraska Press
ISBN: 9780803220102
Category : Philosophy
Languages : en
Pages : 520
Book Description
For all their strides in understanding how we create and think about cultures, psychologists, linguists, and logicians have had difficulty explaining how we conceive our selves?how the self can, in fact, be both the object and the subjective originator of its surroundings. Harwood Fisher's purpose in this far-reaching, interdisciplinary book is to depict the subjective self in its true complex duality. In The Subjective Self, Fisher argues that the key to depicting both aspects of the self simultaneously and thus modeling it more holistically than before is to visualize the self in a logical space. From an origin point inside this space, the self tries out metaphors and launches categories to logically order what it wants, sees, and encounters. This is a creative cognitive process, "metaphoric framing," by which the self invents new forms and depicts new organizations of its experiences, impressions, and information. It is also a generative linguistic process, "bracketing," by which the self can step outside its own expressed thoughts, gain new levels of awareness, re-position itself as an agent responsible for its ideas and statements, and, in short, empower its own identity. The framing sets in motion versatile mental categories?forms that are projected into mental space, where they become objectified. The bracketing sets in motion the logical bounds of the "I," stabilizing the individual's identity and giving thrust to the subjective self's dynamic causal role. In elaborating this theory, Fisher extends the ideas of Kurt Lewin, Jean Piaget, and C. S. Peirce, among others. By drawing on each of these thinkers, he is able to bring their common themes of perspective and construction together in his portrait of the self as a creative iconic space.
Publisher: U of Nebraska Press
ISBN: 9780803220102
Category : Philosophy
Languages : en
Pages : 520
Book Description
For all their strides in understanding how we create and think about cultures, psychologists, linguists, and logicians have had difficulty explaining how we conceive our selves?how the self can, in fact, be both the object and the subjective originator of its surroundings. Harwood Fisher's purpose in this far-reaching, interdisciplinary book is to depict the subjective self in its true complex duality. In The Subjective Self, Fisher argues that the key to depicting both aspects of the self simultaneously and thus modeling it more holistically than before is to visualize the self in a logical space. From an origin point inside this space, the self tries out metaphors and launches categories to logically order what it wants, sees, and encounters. This is a creative cognitive process, "metaphoric framing," by which the self invents new forms and depicts new organizations of its experiences, impressions, and information. It is also a generative linguistic process, "bracketing," by which the self can step outside its own expressed thoughts, gain new levels of awareness, re-position itself as an agent responsible for its ideas and statements, and, in short, empower its own identity. The framing sets in motion versatile mental categories?forms that are projected into mental space, where they become objectified. The bracketing sets in motion the logical bounds of the "I," stabilizing the individual's identity and giving thrust to the subjective self's dynamic causal role. In elaborating this theory, Fisher extends the ideas of Kurt Lewin, Jean Piaget, and C. S. Peirce, among others. By drawing on each of these thinkers, he is able to bring their common themes of perspective and construction together in his portrait of the self as a creative iconic space.
A Journey Through Other Spaces
Author: Tadeusz Kantor
Publisher: Univ of California Press
ISBN: 9780520914391
Category : Art
Languages : en
Pages : 460
Book Description
Polish director Tadeusz Kantor, who died in 1990 at the age of 75, is widely recognized as one of the most important theatre artists of this century. Critics have ranked him with such influential directors as Stanislavsky, Meyerhold, Brecht, and Grotowski. Known in the United States primarily for his visually stunning productions, he is also highly regarded throughout Europe for his theoretically adventurous writings. Michal Kobialka, whom Kantor authorized to translate his work, provides us with the first collection of Kantor's essays in English, together with his analysis of the corpus of Kantor's work, both written and staged.
Publisher: Univ of California Press
ISBN: 9780520914391
Category : Art
Languages : en
Pages : 460
Book Description
Polish director Tadeusz Kantor, who died in 1990 at the age of 75, is widely recognized as one of the most important theatre artists of this century. Critics have ranked him with such influential directors as Stanislavsky, Meyerhold, Brecht, and Grotowski. Known in the United States primarily for his visually stunning productions, he is also highly regarded throughout Europe for his theoretically adventurous writings. Michal Kobialka, whom Kantor authorized to translate his work, provides us with the first collection of Kantor's essays in English, together with his analysis of the corpus of Kantor's work, both written and staged.
Framed Ink 2
Author: Marcos Mateu-Mestre
Publisher:
ISBN: 9781624650536
Category :
Languages : en
Pages : 128
Book Description
The highly anticipated follow-up to Framed Ink from Marcos Mateu-Mestre, Framed Ink 2 provides insight into another compositional tool that Marcos uses every day to create his amazing artwork--the energy within the working frame. In each piece of art, regardless of its format, one must consider essential factors such as the push-pull, tension-relaxation, pressure-release, balance and imbalance that happen inside the working area to support our storytelling. All of these factors apply in any aspect ratio, whether it be horizontal, vertical or square, each a format to consider when working in the movie, gaming, animation and graphic novel industries, which in our day and age can be presented through a variety of outlets such as a movie theater, home theater, social media and a number of personal devices. Marcos encourages and educates us on how not to be limited by the format but to embrace and rise to the challenge of designing for each format. A perfect accompaniment to his prior releases Framed Ink, Framed Perspective Vol. 1 and Vol. 2 and Framed Drawing Techniques, this book will take a reader's knowledge base to the next level and allow them to build on their expertise as an effective visual storyteller.
Publisher:
ISBN: 9781624650536
Category :
Languages : en
Pages : 128
Book Description
The highly anticipated follow-up to Framed Ink from Marcos Mateu-Mestre, Framed Ink 2 provides insight into another compositional tool that Marcos uses every day to create his amazing artwork--the energy within the working frame. In each piece of art, regardless of its format, one must consider essential factors such as the push-pull, tension-relaxation, pressure-release, balance and imbalance that happen inside the working area to support our storytelling. All of these factors apply in any aspect ratio, whether it be horizontal, vertical or square, each a format to consider when working in the movie, gaming, animation and graphic novel industries, which in our day and age can be presented through a variety of outlets such as a movie theater, home theater, social media and a number of personal devices. Marcos encourages and educates us on how not to be limited by the format but to embrace and rise to the challenge of designing for each format. A perfect accompaniment to his prior releases Framed Ink, Framed Perspective Vol. 1 and Vol. 2 and Framed Drawing Techniques, this book will take a reader's knowledge base to the next level and allow them to build on their expertise as an effective visual storyteller.
Situating Sexualities
Author: Fran Martin
Publisher: Hong Kong University Press
ISBN: 9789622096196
Category : Social Science
Languages : en
Pages : 384
Book Description
This is the first book in English to analyse the stunning rise to prominence of cultures of dissident sexuality in Taiwan during the 1990s. Positioned at the crossroads of queer theory and postcolonial cultural studies, this book intervenes in current debates on sexuality and globalization to argue that the current emergence of public, dissident sexualities in non-Western locations like Taiwan cannot be reduced to the effects of homogenizing 'Westernization'. Instead, Situating Sexualities approaches the queer sexualities represented in recent Taiwanese fiction, film and public culture as dynamic formations that combine local knowledge with globalizing discourses on gay and lesbian identity to produce sexualities that are multiple, shifting and inherently hybrid. Equally, the book pushes out the limits of 'queer' to challenge the Eurocentrism of much queer theory to date. Consistently critical of essentializing accounts of 'Chinese' culture, the book nevertheless highlights some of the important ways in which Taiwanese formations of dissident sexuality differ from the familiar Euro-American formations.
Publisher: Hong Kong University Press
ISBN: 9789622096196
Category : Social Science
Languages : en
Pages : 384
Book Description
This is the first book in English to analyse the stunning rise to prominence of cultures of dissident sexuality in Taiwan during the 1990s. Positioned at the crossroads of queer theory and postcolonial cultural studies, this book intervenes in current debates on sexuality and globalization to argue that the current emergence of public, dissident sexualities in non-Western locations like Taiwan cannot be reduced to the effects of homogenizing 'Westernization'. Instead, Situating Sexualities approaches the queer sexualities represented in recent Taiwanese fiction, film and public culture as dynamic formations that combine local knowledge with globalizing discourses on gay and lesbian identity to produce sexualities that are multiple, shifting and inherently hybrid. Equally, the book pushes out the limits of 'queer' to challenge the Eurocentrism of much queer theory to date. Consistently critical of essentializing accounts of 'Chinese' culture, the book nevertheless highlights some of the important ways in which Taiwanese formations of dissident sexuality differ from the familiar Euro-American formations.