Dictionary of Anonymous and Pseudonymous English Literature: D-G PDF Download

Author: Samuel Halkett
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 436

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Author: Samuel Halkett
Publisher:
ISBN:
Category :
Languages : en
Pages : 460

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Author: Kate Davies
Publisher: Routledge
ISBN: 1000749312
Category : Literary Criticism
Languages : en
Pages : 390

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Charlotte Turner Smith held a central position during the formative years of the British Romantic period. Smith's work includes eleven novels and two fictional adaptations from the French. This edition reveals the extent to which Smith's work in this form constitutes as significant an achievement as her poetry.

Author: Stuart Curran
Publisher: Taylor & Francis
ISBN: 1000743950
Category : Literary Criticism
Languages : en
Pages : 2378

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Charlotte Turner Smith held a central position during the formative years of the British Romantic period. Smith's work includes eleven novels and two fictional adaptations from the French. This edition reveals the extent to which Smith's work in this form constitutes as significant an achievement as her poetry.

Author: Jeffry W. Johnston
Publisher: Simon and Schuster
ISBN: 1416924868
Category : Juvenile Fiction
Languages : en
Pages : 212

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Chase wishes he could remember the events of his accident, but when the memories begin to come back in his dreams, Chase must face the reality of his past and finally deal with the part he played in the tragic event.

Author: Peter N. Miller
Publisher: Cornell University Press
ISBN: 1501708236
Category : History
Languages : en
Pages : 441

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Weaving together literary and scholarly insights, History and Its Objects will prove indispensable reading for historians and cultural historians, as well as anthropologists and archeologists worldwide. — Nathan Schlanger, École nationale des chartes, Paris Cultural history is increasingly informed by the history of material culture—the ways in which individuals or entire societies create and relate to objects both mundane and extraordinary—rather than on textual evidence alone. Books such as The Hare with Amber Eyes and A History of the World in 100 Objects indicate the growing popularity of this way of understanding the past. In History and Its Objects, Peter N. Miller uncovers the forgotten origins of our fascination with exploring the past through its artifacts by highlighting the role of antiquarianism—a pursuit ignored and derided by modem academic history—in grasping the significance of material culture. From the efforts of Renaissance antiquarians, who reconstructed life in the ancient world from coins, inscriptions, seals, and other detritus, to amateur historians in the nineteenth century working within burgeoning national traditions, Miller connects collecting—whether by individuals or institutions—to the professionalization of the historical profession, one which came to regard its progenitors with skepticism and disdain. The struggle to articulate the value of objects as historical evidence, then, lies at the heart both of academic history-writing and of the popular engagement with things. Ultimately, this book demonstrates that our current preoccupation with objects is far from novel and reflects a human need to reexperience the past as a physical presence.

Author: Lisa Coughlin McGarry
Publisher:
ISBN: 9780761837503
Category : Women and literature
Languages : en
Pages : 0

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This work explores a central question of the human condition: how do we find meaning in human experience? Virginia Woolf's novels give us insight into the Modernist's response, one that reacts to the devastation of war, advances in the sciences, and a deeper understanding of human consciousness. Orts, Scraps, and Fragments contends that the social constructs of religion, marriage, and communication fail to provide the meaning and interpersonal connection that society invests in them. Instead, Woolf's characters struggle within these constructs and ultimately find themselves disillusioned, unfulfilled, and isolated. Through a close reading, Dr. McGarry analyzes the ways in which characters, such as Clarissa Dalloway, Mrs. Ramsay, Giles and Isa Oliver, and Jacob Flanders, attempt to work through the realization that meaning is elusive. However, Woolf's few artistic characters have the ability to transcend this darkness. Through their struggle for creative expression, they glimpse, if only briefly, a larger, unifying meaning. For Lily Briscoe, Miss LaTrobe, and Bernard this momentary hint of universal meaning provides sufficient motivation to continue the artistic process and life itself. For Woolf art, not imposed social constructs, sustains life.

Author: Robert Harbison
Publisher: Reaktion Books
ISBN: 1780234767
Category : Architecture
Languages : en
Pages : 274

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Book Description
What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anything whole? Harbison guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work. Likewise he examines the visual arts, from Schwitters’ collages to Ruskin’s drawings, as well as cinematic works from Sergei Eisenstein to Julien Temple, never shying from more deliberate creators of ruin, from Gordon Matta-Clark to countless graffiti artists. From ancient to modern times and across every imaginable form of art, Harbison takes a poetic look at how ruins have offered us a way of understanding history and how they have enabled us to create the new.

Author: John Argubright
Publisher: John Argubright
ISBN: 0979214815
Category : History
Languages : en
Pages : 114

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Seeking Truth? One of the first questions people have is, “Can I really trust the Bible? This book answers the question with proofs compiled from ancient history and archaeology revealing it’s accuracy. Evidences for Pontius Pilate, Tiberius Caesar, Quirinius, Sergius Paulus, King Herod, the high priest Annas, The Flood, The Tower of Babel, The Ark of the Covenant, the prophet Jeremiah’s enemy, King Cyrus, King Jehu, King Uzziah, Manasseh, King Ahaz and many others.

Author: John Romer
Publisher: Macmillan
ISBN: 1466849592
Category : History
Languages : en
Pages : 690

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"Another solid work of history from an author and historian who truly grasps the mysteries of ancient Egypt." - Kirkus Reviews Drawing on a lifetime of research, John Romer chronicles the history of Ancient Egypt from the building of the Great Pyramid through the rise and fall of the Middle Kingdom: a peak of Pharaonic culture and the period when writing first flourished. Through extensive research over many decades of work, reveals how the grand narratives of 19th and 20th century Egyptologists have misled us by portraying a culture of cruel monarchs and chronic war. Instead, based in part on discoveries of the past two decades, this extraordinary account shows what we can really learn from the remaining architecture, objects, and writing: a history based on physical reality.