Four part consort music PDF Download

Author: William Byrd
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 58

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Book Description

Author: John Ward
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 152

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Book Description

Author: John Jenkins
Publisher: London : Published for the Royal Musical Association
ISBN:
Category : Chamber music
Languages : en
Pages : 216

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Book Description
Contains 32 "airs," 8 suites, 5 fantasias, and 12 assorted dances.

Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378

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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.

Author: Thomas Campion
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 60

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Book Description

Author: Rebecca Herissone
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568

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Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.

Author: Christopher R. Wilson
Publisher: A&C Black
ISBN: 1472557522
Category : Literary Criticism
Languages : en
Pages : 434

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Book Description
With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.

Author: John Mansfield Thomson
Publisher: Cambridge University Press
ISBN: 9780521358163
Category : Music
Languages : en
Pages : 268

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Book Description
The first book to offer a complete introduction to the recorder includes basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations which in themselves provide a history of the instrument.

Author: Julie Anne Sadie
Publisher: Univ of California Press
ISBN: 9780520214149
Category : Music
Languages : en
Pages : 596

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Book Description
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.

Author: Alan Howard
Publisher: Cambridge University Press
ISBN: 110700666X
Category : Music
Languages : en
Pages : 315

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Book Description
The first major study to propose an analytical approach to Purcell's music beginning from contemporary compositional aims and techniques.