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Author: Preston Sturges Publisher: ISBN: 9780520081260 Category : Performing Arts Languages : en Pages : 975
Book Description
"Henderson has a fine feel for the emotional implications of the slightest changes in the story lines or the scripts, and consequently, one has great confidence in the significances he attributes to the various stages of each film."--William Nestrick, University of California, Berkeley "Henderson has a fine feel for the emotional implications of the slightest changes in the story lines or the scripts, and consequently, one has great confidence in the significances he attributes to the various stages of each film."--William Nestrick, University of California, Berkeley
Author: Preston Sturges Publisher: ISBN: 9780520081260 Category : Performing Arts Languages : en Pages : 975
Book Description
"Henderson has a fine feel for the emotional implications of the slightest changes in the story lines or the scripts, and consequently, one has great confidence in the significances he attributes to the various stages of each film."--William Nestrick, University of California, Berkeley "Henderson has a fine feel for the emotional implications of the slightest changes in the story lines or the scripts, and consequently, one has great confidence in the significances he attributes to the various stages of each film."--William Nestrick, University of California, Berkeley
Author: Preston Sturges Publisher: Univ of California Press ISBN: 0520055640 Category : Motion picture plays Languages : en Pages : 856
Book Description
Five comic masterpieces by Preston Sturges, who has been called "Hollywood's greatest writer-director, with emphasis on the former." The scripts are drawn from the great period between 1939 and 1944, which Andrew Sarris called "one of the most brilliant and most bizarre bursts of creation in the history of cinema."
Author: Preston Sturges Publisher: Univ of California Press ISBN: 9780520210042 Category : Performing Arts Languages : en Pages : 508
Book Description
Preston Sturges (1898-1959) was a member of Hollywood's gifted royalty, producing a remarkable number of films. In this third volume of scripts by one of Hollywood's wisest and wittiest filmmakers, the focus is on screenplays written but not directed by Sturges. This volume will be the perfect accompaniment to the re-release of Sturges films on home video. 8 illustrations.
Author: Syd Field Publisher: Delta ISBN: 0307569527 Category : Performing Arts Languages : en Pages : 336
Book Description
Yes, you can write a great screenplay. Let Syd Field show you how. “I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura Esquivel Technology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves. Learn how: Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic. James Cameron, writer/director of Terminator 2: Judgement Day, created a sequel integrating spectacular special effects and a story line that transformed the Terminator, the quintessential killing machine, into a sympathetic character. This is how an action film is written. Ted Tally adapted Thomas Harris's chilling 350-page novel, The Silence of the Lambs, into a riveting 120-page script—a lesson in the art and craft of adapting novels into film. Michael Blake, author of Dances with Wolves, achieved every writer's dream as he translated his novel into an uncompromising film. Learn how he used transformation as a spiritual dynamic in this work of mythic sweep. Informative and utterly engrossing, Four Screenplays belongs in every writer's library, next to Syn Field's highly acclaimed companion volumes, Screenplay, The Screenwriter's Workbook, and Selling a Screenplay. “If I were writing screenplays . . . I would carry Syd Field around in my back pocket wherever I went.”—Steven Bochco, writer/producer/director, L.A. Law, Hill Street Blues
Author: Syd Field Publisher: M J F Books ISBN: 9781567312393 Category : Motion picture authorship Languages : en Pages : 0
Book Description
Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.
Author: Michael Hauge Publisher: Harper Collins ISBN: 0062725009 Category : Language Arts & Disciplines Languages : en Pages : 356
Book Description
Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.
Author: Blake Snyder Publisher: ISBN: 9781615931712 Category : Performing Arts Languages : en Pages : 0
Book Description
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
Author: Stuart Klawans Publisher: Columbia University Press ISBN: 023155690X Category : Performing Arts Languages : en Pages : 174
Book Description
In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948—The Great McGinty, The Lady Eve, Sullivan’s Travels, The Palm Beach Story, and The Miracle of Morgan’s Creek among them—all from screenplays he alone had written. Cynical and sophisticated, romantic and sexually frank, crazily breakneck and endlessly witty, his movies continue to influence filmmakers and remain popular to this day. Yet despite this acclaim, Sturges’s achievements remain underappreciated: he is too often categorized as a dialogue writer and plot engineer more than a director, or belittled as an irresponsible spinner of laughs. In Crooked, but Never Common, Stuart Klawans combines a critic’s insight and a fan’s enthusiasm to offer deeper ways to think about and enjoy Sturges’s work. He provides an in-depth appreciation of all ten of the writer-director’s major movies, presenting Sturges as a filmmaker whose work balanced slapstick and social critique, American and European traditions, and cynicism and affection for his characters. Tugging at loose threads—discontinuities, puzzles, and allusions that have dangled in plain sight—and putting the films into a broader cultural context, Klawans reveals structures, motives, and meanings underlying the uproarious pleasures of Sturges’s movies. In this new light, Sturges emerges at last as one of the truly great filmmakers—and funnier than ever.