Author: Roger Quilter
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 28
Book Description
Four Songs
Author: Roger Quilter
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 28
Book Description
Four Songs of Sorrow
Author: Roger Quilter
Publisher:
ISBN:
Category : Song cycles
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Song cycles
Languages : en
Pages : 28
Book Description
The Complete Poetry of Robert Herrick
Author: Robert Herrick
Publisher:
ISBN: 0199212856
Category : Literary Collections
Languages : en
Pages : 826
Book Description
Volume II breaks new ground by printing the fifty-nine surviving manuscript poems by which Herrick was known for most of his life. This volume provides the scores and notes on the nature of performance of all of his songs for which contemporary settings survive.
Publisher:
ISBN: 0199212856
Category : Literary Collections
Languages : en
Pages : 826
Book Description
Volume II breaks new ground by printing the fifty-nine surviving manuscript poems by which Herrick was known for most of his life. This volume provides the scores and notes on the nature of performance of all of his songs for which contemporary settings survive.
Chamber Music for Solo Voice and Instruments, 1960-1989
Author: Kenneth Sheldon Klaus
Publisher: Scarecrow Press
ISBN: 9780914913306
Category : Music
Languages : en
Pages : 244
Book Description
Lists some 700 published pieces of music for solo voice with small instrumental ensemble, written by more than 600 composers, between 1960 and 1989. The main section of the book is arranged by voice type and alphabetized by composer. Entries include information on difficulty, vocal range, language,
Publisher: Scarecrow Press
ISBN: 9780914913306
Category : Music
Languages : en
Pages : 244
Book Description
Lists some 700 published pieces of music for solo voice with small instrumental ensemble, written by more than 600 composers, between 1960 and 1989. The main section of the book is arranged by voice type and alphabetized by composer. Entries include information on difficulty, vocal range, language,
Street Songs
Author: Daniel Karlin
Publisher: Oxford University Press
ISBN: 0192510746
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries. Karlin begins with the London street-vendor's cry of 'Cherry-ripe!', as it occurs in poems from the sixteenth to the twentieth century: the 'Cries of London' (and Paris) exemplify the fascination of this urban art to writers of every period. Focusing on nineteenth and early twentieth century writers, the book traces the theme in works by William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. As well as street-cries, these writers incorporate ballads, folk songs, religious and political songs, and songs of their own invention into crucial scenes, and the singers themselves range from a one-legged beggar in Dublin to a famous painter in fifteenth-century Florence. The book concludes with the beautiful and unlikely 'song' of a knife-grinder's wheel. Throughout the book Karlin emphasizes the rich complexity of his subject. The street singer may be figured as an urban Orpheus, enchanting the crowd and possessed of magical powers of healing and redemption; but the barbaric din of the modern city is never far away, and the poet who identifies with Orpheus may also dread his fate. And the fugitive, transient nature of song offers writers a challenge to their more structured art. Overheard in fragments, teasing, ungraspable, the street song may be 'captured' by a literary work but is never, finally, tamed.
Publisher: Oxford University Press
ISBN: 0192510746
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries. Karlin begins with the London street-vendor's cry of 'Cherry-ripe!', as it occurs in poems from the sixteenth to the twentieth century: the 'Cries of London' (and Paris) exemplify the fascination of this urban art to writers of every period. Focusing on nineteenth and early twentieth century writers, the book traces the theme in works by William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. As well as street-cries, these writers incorporate ballads, folk songs, religious and political songs, and songs of their own invention into crucial scenes, and the singers themselves range from a one-legged beggar in Dublin to a famous painter in fifteenth-century Florence. The book concludes with the beautiful and unlikely 'song' of a knife-grinder's wheel. Throughout the book Karlin emphasizes the rich complexity of his subject. The street singer may be figured as an urban Orpheus, enchanting the crowd and possessed of magical powers of healing and redemption; but the barbaric din of the modern city is never far away, and the poet who identifies with Orpheus may also dread his fate. And the fugitive, transient nature of song offers writers a challenge to their more structured art. Overheard in fragments, teasing, ungraspable, the street song may be 'captured' by a literary work but is never, finally, tamed.
Musical News and Herald
The Musical Times and Singing-class Circular
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1032
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1032
Book Description
Composers in the Classroom
Author: James Michael Floyd
Publisher: Scarecrow Press
ISBN: 1461657644
Category : Biography & Autobiography
Languages : en
Pages : 357
Book Description
Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.
Publisher: Scarecrow Press
ISBN: 1461657644
Category : Biography & Autobiography
Languages : en
Pages : 357
Book Description
Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.
Roger Quilter
Author: Valerie Langfield
Publisher: Boydell & Brewer
ISBN: 0851158714
Category : Biography & Autobiography
Languages : en
Pages : 397
Book Description
In the remainder of the book, Valerie Langfield discusses and contextualises all his music: songs, chamber, orchestral and theatre music, and his light opera, Julia, performed at Covent Garden in 1936."--BOOK JACKET.
Publisher: Boydell & Brewer
ISBN: 0851158714
Category : Biography & Autobiography
Languages : en
Pages : 397
Book Description
In the remainder of the book, Valerie Langfield discusses and contextualises all his music: songs, chamber, orchestral and theatre music, and his light opera, Julia, performed at Covent Garden in 1936."--BOOK JACKET.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1504
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1504
Book Description