Author: Stephan D. Lindeman Publisher: Taylor & Francis ISBN: 0415976197 Category : Music Languages : en Pages : 666
Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: David Daniels Publisher: Scarecrow Press ISBN: 0810856743 Category : Music Languages : en Pages : 634
Book Description
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Author: David Daniels Publisher: Rowman & Littlefield ISBN: 1442275219 Category : Music Languages : en Pages : 1464
Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author: James Galway Publisher: ISBN: 9781871082135 Category : Flute Languages : en Pages : 0
Book Description
Who better to write an authoritative yet fascinating introduction to flute-playing than James Galway whose glittering career extends from the principal flute in the Berlin Philharmonic to the top of the international pop charts? He starts with the history of the flute -- believed to be the first and in its simplest form, the most basic of man's many melodic instruments: only singers have less paraphernalia between them and their listeners. You just put your lips to the flute and blow. Galway entrances with his tale of the flute's evolution from the basic recorder to the complex, beautiful instrument we know today. The author's unique advice and experience is brought to bear on the problems and techniques of learning, practising and playing -- in solo, ensemble, at home, in concert and in the recording studio. The flautist will find the specific advice Galway gives invaluable, while the non-flute player will gain an insight into the way the lovely sounds of the flute are produced. Both will be enthralled by detailed analyses of the author's favourite pieces, while he gives due attention to the whole gamut of the flute repertoire.
Author: James Hepokoski Publisher: Oxford University Press ISBN: 0199890234 Category : Music Languages : en Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: HAL LEONARD CORP. Publisher: ISBN: 9781540001429 Category : Languages : en Pages : 40
Book Description
(Ensemble Collection). These arrangements of easy- to medium-level duets by 18th- to 20th-century masters are great for instruction and for fun because the pieces are short and easy to master. With works by Mozart, Bartok, Boismortier, Kabalevsky, Couperin, Glazunov, Schumann, Shostakovitch, Purcell, and Bach, it's a survey of music history for young students.
Author: Stephan D. Lindeman
Author: David Daniels
Author: David Daniels
Author: Wolfgang Amadeus Mozart
Author: James Galway
Author: James Hepokoski
Author: Rodgers and Hammerstein Archives of Recorded Sound
Author: HAL LEONARD CORP.
Author: Nicolas Slonimsky
Author: Michel Debost