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Author: Anatole France Publisher: ISBN: Category : French fiction Languages : en Pages : 258
Book Description
Jealousy, theater, joy, church, affairs, revenge, tragedy, stalking, suicide, and much more can be found herein! A young man is quite amourous toward a gregarious, young stage actress but she leads him on. He's also burdened with a solid competitor for her affections. The young man's emotional journey, tenoned with the shrewd and subtle humor of the work, will hold the reader's attention to the very end. --Patrick W. Crabtree at Amazon.com.
Author: Anatole France Publisher: ISBN: Category : French fiction Languages : en Pages : 258
Book Description
Jealousy, theater, joy, church, affairs, revenge, tragedy, stalking, suicide, and much more can be found herein! A young man is quite amourous toward a gregarious, young stage actress but she leads him on. He's also burdened with a solid competitor for her affections. The young man's emotional journey, tenoned with the shrewd and subtle humor of the work, will hold the reader's attention to the very end. --Patrick W. Crabtree at Amazon.com.
Author: Anatole France Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 145
Book Description
DigiCat Publishing presents to you this special edition of "A Mummer's Tale" by Anatole France. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Anne E. Duggan Ph.D. Publisher: Bloomsbury Publishing USA ISBN: Category : Social Science Languages : en Pages : 2815
Book Description
Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.
Author: Anatole France Publisher: Library of Alexandria ISBN: 1465604960 Category : Fiction Languages : en Pages : 478
Book Description
ÊIN his study M. Bergeret, professor of literature at the University, was preparing his lesson on the eighth book of the ®neidto the shrill mechanical accompaniment of the piano, on which, close by, his daughters were practising a difficult exercise. M. BergeretÕs room possessed only one window, but this was a large one, and filled up one whole side. It admitted, however, more draught than light, for the sashes were ill-fitting and the panes darkened by a high contiguous wall. M. BergeretÕs table, pushed close against this window, caught the dismal rays of niggard daylight that filtered through. As a matter of fact this study, where the professor polished and repolished his fine, scholarly phrases, was nothing more than a shapeless cranny, or rather a double recess, behind the framework of the main staircase which, spreading out most inconsiderately in a great curve towards the window, left only room on either side for two useless, churlish corners. Trammelled by this monstrous, green-papered paunch of masonry, M. Bergeret had with difficulty discovered in his cantankerous studyÑa geometrical abortion as well as an ¾sthetic abominationÑa scanty flat surface where he could stack his books along the deal shelves, upon which yellow rows of Teubner classics were plunged in never-lifted gloom. M. Bergeret himself used to sit squeezed close up against the window, writing in a cold, chilly style that owed much to the bleakness of the atmosphere in which he worked. Whenever he found his papers neither torn nor topsy-turvy and his pens not gaping cross-nibbed, he considered himself a lucky man! For such was the usual result of a visit to the study from Madame Bergeret or her daughters, where they came to write up the laundry list or the household accounts. Here, too, stood the dressmakerÕs dummy, on which Madame Bergeret used to drape the skirts she cut out at home. There, bolt upright, over against the learned editions of Catullus and Petronius, stood, like a symbol of the wedded state, this wicker-work woman. M. Bergeret was preparing his lesson on the eighth book of the ®neid, and he ought to have been devoting himself exclusively to the fascinating details of metre and language. In this task he would have found, if not joy, at any rate mental peace and the priceless balm of spiritual tranquillity. Instead, he had turned his thoughts in another direction: he was musing on the soul, the genius, the outward features of that classic world whose books he spent his life in studying. He had given himself up to the longing to behold with his own eyes those golden shores, that azure sea, those rose-hued mountains, those lovely meadows through which the poet leads his heroes. He was bemoaning himself bitterly that it had never been his lot to visit the shores where once Troy stood, to gaze on the landscape of Virgil, to breathe the air of Italy, of Greece and holy Asia, as Gaston Boissier and Gaston Deschamps had done. The melancholy aspect of his study overwhelmed him and great waves of misery submerged his mind. His sadness was, of course, the fruit of his own folly, for all our real sorrows come from within and are self-caused. We mistakenly believe that they come from outside, but we create them within ourselves from our own personality.
Author: Anatole France
Author: Anatole France
Author: Anatole France
Author: Anatole France![Folktales and Fairy Tales [4 volumes] PDF](https://books.google.com/books/content/images/frontcover/PEXPEAAAQBAJ?fife=w80-h100)
Author: Anne E. Duggan Ph.D.
Author: Anatole France
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Author: Edith Katharine Cumings
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Author: Anatole France