Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 546
Book Description
The Connoisseur
The Burlington Magazine for Connoisseurs
The Connoisseur
Arts & Decoration
The American Hebrew
The Lure of the Antique
Author: Walter Alden Dyer
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 530
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 530
Book Description
Apollo
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Includes section "Book reviews."
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Includes section "Book reviews."
The International Studio
The Burlington Magazine
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 594
Book Description
Silver in England
Author: Philippa Glanville
Publisher: Routledge
ISBN: 1136611630
Category : Business & Economics
Languages : en
Pages : 391
Book Description
First Published in 2005. Silver is unique among the decorative arts in that its raw material is both inherently valuable and infinitely reusable. Its ownership has been a social bench-mark and its form has exercised the skills of sculptors, designers, chasers and engravers, but ultimately it could be, and normally was, melted down and refashioned quite without sentiment. Because of this constant recycling, the survival of any individual object is quite random and unrelated to its uniqueness or otherwise in its period. Hitherto plate historians have focused on individual objects almost to the exclusion of the context - social or economic - from which they came but now that context is seen as crucial in understanding historic plate. So in the first section of this book each chapter considers contemporary attitudes and usage.
Publisher: Routledge
ISBN: 1136611630
Category : Business & Economics
Languages : en
Pages : 391
Book Description
First Published in 2005. Silver is unique among the decorative arts in that its raw material is both inherently valuable and infinitely reusable. Its ownership has been a social bench-mark and its form has exercised the skills of sculptors, designers, chasers and engravers, but ultimately it could be, and normally was, melted down and refashioned quite without sentiment. Because of this constant recycling, the survival of any individual object is quite random and unrelated to its uniqueness or otherwise in its period. Hitherto plate historians have focused on individual objects almost to the exclusion of the context - social or economic - from which they came but now that context is seen as crucial in understanding historic plate. So in the first section of this book each chapter considers contemporary attitudes and usage.