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Author: Martin Thiele Publisher: GRIN Verlag ISBN: 3640335104 Category : Performing Arts Languages : en Pages : 53
Book Description
Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.
Author: Martin Thiele Publisher: GRIN Verlag ISBN: 3640335104 Category : Performing Arts Languages : en Pages : 53
Book Description
Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.
Author: Daniel Frampton Publisher: Wallflower Press ISBN: 9781904764847 Category : Performing Arts Languages : en Pages : 274
Book Description
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Author: Daniel Frampton Publisher: Columbia University Press ISBN: 1904764851 Category : Performing Arts Languages : en Pages : 266
Book Description
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Author: Jason Wood Publisher: Wallflower Press ISBN: 9781904764908 Category : Performing Arts Languages : en Pages : 262
Book Description
'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation.
Author: James Buhler Publisher: University of Illinois Press ISBN: 0252051866 Category : Performing Arts Languages : en Pages : 461
Book Description
Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell
Author: Felicity Colman Publisher: Berg ISBN: 1847887708 Category : Performing Arts Languages : en Pages : 392
Book Description
Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.
Author: Clive Myer Publisher: Columbia University Press ISBN: 023150456X Category : Performing Arts Languages : en Pages : 491
Book Description
Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.
Author: Anita Cloete Publisher: AFRICAN SUN MeDIA ISBN: 1928480209 Category : Social Science Languages : en Pages : 131
Book Description
The relationship between the media and religion in a contemporary world is not only obvious, but also complex. In a culture that increasingly focuses on visual media, film plays a salient role in forging notions of identity and creates a sense of community in younger generations. In this book, an interdisciplinary team of scholars delve deep into the relationship amongst younger individuals from different countries, universities and disciplines, as well the influence of film on their developing worldview. The publication ultimately portrays the media as an agent of cultural and religious change, underscoring the necessity of critical, contextual and interdisciplinary reflection on the interplay between the media and religion.
Author: José Manuel Martins Publisher: Cambridge Scholars Publishing ISBN: 1443879584 Category : Performing Arts Languages : en Pages : 315
Book Description
Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.
Author: Pepita Hesselberth Publisher: Bloomsbury Publishing USA ISBN: 1623566479 Category : Performing Arts Languages : en Pages : 228
Book Description
The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.
Author: Martin Thiele
Author: Martin Thiele
Author: Daniel Frampton
Author: Daniel Frampton
Author: Jason Wood
Author: James Buhler
Author: Felicity Colman
Author: Clive Myer
Author: Anita Cloete
Author: José Manuel Martins
Author: Pepita Hesselberth