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Author: Efrén Cuevas Publisher: Columbia University Press ISBN: 0231551576 Category : Performing Arts Languages : en Pages : 187
Book Description
Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.
Author: Efrén Cuevas Publisher: Columbia University Press ISBN: 0231551576 Category : Performing Arts Languages : en Pages : 187
Book Description
Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.
Author: Edward M. Clift Publisher: ISBN: 9781783205554 Category : Cities and towns in motion pictures Languages : en Pages : 226
Book Description
"Filming the city" brings together the work of film-makers, architects, designers, video artists, and media specialists to provide three distinct prisms through which to examine the medium of film in the context of the city. The book presents commentaries on particular films and their social and urban relevance, offering contemporary criticisms of both film and urbanism from conflicting perspectives, and documenting examples of how to actively use the medium of film in the design of our cities, spaces and buildings. Bringing a diverse set of contributors to the collection, editors Edward M. Clift, Mirko Guaralda and Ari Mattes offer readers a new approach to understanding the complex, multi-layered interaction of urban design and film."--Page 4 of cover.
Author: Bettina Bildhauer Publisher: Reaktion Books ISBN: 1861899270 Category : Art Languages : en Pages : 266
Book Description
In this groundbreaking account of film history, Bettina Bildhauer shows how from the earliest silent films to recent blockbusters, medieval topics and plots have played an important but overlooked role in the development of cinema. Filming the Middle Ages is the first book to define medieval films as a group and trace their history from silent film in Weimar Germany to Hollywood and then to recent European co-productions. Bildhauer provides incisive new interpretations of classics like Murnau’s Faust and Eisenstein’s Alexander Nevsky, and she rediscovers some forgotten works like Douglas Sirk’s Sign of the Pagan and Asta Nielsen’s Hamlet. As Bildhauer explains, both art house films like The Seventh Seal and The Passion of Joan of Arc and popular films like Beowulf or The Da Vinci Code cleverly use the Middle Ages to challenge modern ideas of historical progress, to find alternatives to a print-dominated culture, and even to question what makes us human. Filming the Middle Ages pays special attention to medieval animated and detective films and provactively demonstrates that the invention of cinema itself is considered a return to the Middle Ages by many film theorists and film makers. Filming the Middle Ages is ideal reading for medievalists with a stake in the contemporary and film scholars with an interest in the distant past.
Author: Darren Wilson Publisher: Destiny Image Incorporated ISBN: 9780768437706 Category : Kingdom of God Languages : en Pages : 0
Book Description
Darren has amassed a treasure trove of some of the most unbelievable stories about God's goodness and power and unprecedented love for His children.
Author: Tabish Khair Publisher: Pan Macmillan ISBN: 0330539833 Category : Fiction Languages : en Pages : 420
Book Description
Set primarily in India and spanning the twentieth century, Filming tells a series of stories, including that of one-time prostitute Durga, who is persuaded to give away her young son, Ashok, and that of Saleem, the son of a prostitute and two-times star of the silver screen. As these stories intertwine and overlap, they combine to create a novel that is simultaneously about the small details and the bigger picture, weaving together major historical events – including Partition, the assassination of Gandhi, the rise of photography and the Bombay film industry, and the development of barbed wire – with the everyday moments that make up the fabric of our lives. ‘Its plot, like a Bollywood melodrama, teems with characters and incident’ Guardian ‘Elegantly structured and taut with understated passion, Filming is a brilliant recreation of the lost world of early cinema and the continuing tragedy of religious hatred . . . Its delights as well as its message should find admiring readers everywhere’ Independent ‘Absorbing . . . Filming is distinguished by its ambition, its structural inventiveness and its highly evocative prose’ TLS ‘Underpinning this intriguing novel is a concern for the truth . . . In keeping with Khair’s pertinent and thought-provoking musings on self-deception, its skill lies in making us question our assumptions about what we do and why we do it’ New Statesman
Author: Malcolm Turvey Publisher: MIT Press ISBN: 0262525119 Category : Art Languages : en Pages : 226
Book Description
"In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Léger, 1924), Entr'acte (Francis Picabia and René Clair, 1924), Un chien Andalou (Salvador Dali and Luis Buñuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur."
Author: Charles Michael Morfin Publisher: Arcadia Publishing ISBN: 1467131318 Category : History Languages : en Pages : 128
Book Description
Forged from glaciers and sacred to Native Americans, the mountains, boulders, and rocks of the Alabama Hills mirror landscapes found all over the world. A scenic three-hour drive from the Hollywood sign, this location would prove to serve as the place to make movies. Early Hollywood studios sent location scouts to the area after hearing stories shared by travelers, and the rest is movie history. Over 500 films have completed shooting here, including silents, A movies, B Westerns, serials, sci-fi, film noir, television shows, and commercials. Tom Mix, Errol Flynn, John Wayne, William Boyd, Clayton Moore, Lucille Ball, Roy Rogers, Natalie Wood, Humphrey Bogart, Steve McQueen, Russell Crowe, Jamie Foxx, and many more have all scrambled amongst the terrain in the Alabama Hills.
Author: Robert Martin Publisher: McGill-Queen's Press - MQUP ISBN: 9780886292317 Category : Law Languages : en Pages : 900
Book Description
This edition examines the Canadian Constitution and its effect on the principle of freedom of expression. The balance of the book directs attention to the laws that have been enacted that limit such freedom.
Author: Rachel Dwyer Publisher: Routledge ISBN: 1134380690 Category : Religion Languages : en Pages : 347
Book Description
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
Author: Efrén Cuevas
Author: Efrén Cuevas
Author: Edward M. Clift
Author: Bettina Bildhauer
Author: Darren Wilson
Author: Tabish Khair
Author: Malcolm Turvey
Author: Charles Michael Morfin
Author: Geoffrey H. Malins
Author: Robert Martin
Author: Rachel Dwyer