Film Noir and the Arts of Lighting PDF Download

Author: Patrick Keating
Publisher:
ISBN: 9781978810266
Category :
Languages : en
Pages : 0

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Book Description
More than any other films from the classical era, the Hollywood film noir is known for its lighting. Film Noir and the Arts of Lighting offers a new account of this craft, grounded in a larger theory of cinematography as emotionally engaging storytelling. Featuring analyses of The Asphalt Jungle, Touch of Evil, and more.

Author: Patrick Keating
Publisher: Rutgers University Press
ISBN: 197881027X
Category : Performing Arts
Languages : en
Pages : 207

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Book Description
More than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the darkness. Each effect is rich in symbolism, evoking a world of danger and doppelgangers. But what happens if we set aside the symbolism? This book offers a new account of film noir lighting, grounded in a larger theory of Hollywood cinematography as emotionally engaging storytelling. Above all, noir lighting is dynamic, switching from darkness to brightness and back again as characters change, locations shift, and fates unfold. Richly illustrated, Film Noir and the Arts of Lighting features in-depth analyses of eleven classic movies: The Asphalt Jungle, Sorry, Wrong Number, Odds against Tomorrow, The Letter, I Wake Up Screaming, Phantom Lady, Strangers on a Train, Sweet Smell of Success, Gaslight, Secret beyond the Door, and Touch of Evil.

Author: Shawn Martinbrough
Publisher: Watson-Guptill
ISBN: 0823024067
Category : Art
Languages : en
Pages : 146

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Book Description
How to Draw Noir Comics: The Art and Technique of Visual Storytelling is an instructional book based on the cinematic, high contrast noir style of acclaimed comic book and graphic novel illustrator, Shawn Martinbrough. Martinbrough’s work has been published by DC Comics, Vertigo and Marvel Comics, illustrating stories ranging from Batman to the X-Men. This is his first book, released through Watson-Guptill Publications and The Nielsen Company. In How to Draw Noir Comics, Martinbrough shows how the expert use of the color black is critical for drawing noir comics. He demonstrates how to set a mood, design characters and locations, stage action and enhance drama, and discusses important topics like page layout, panel design, and cover design. How to Draw Noir Comics includes The Truce, an original graphic novel written and illustrated by Martinbrough which incorporates the many lessons addressed throughout the book, and has an introduction by critically-acclaimed novelist Greg Rucka, author of the graphic novel Whiteout, currently in production as a major motion picture.

Author: Alain Silver
Publisher: Applause Theatre and Cinema Books
ISBN: 9781495058974
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
A new anthology from Silver and Ursini, longtime expert commentators of the noir movement. This book focuses on the visual style of the classic period through essays that consider individual films, directors, stylistic elements, or subgroups of movies in the film noir style. There are updated versions of key articles and original essays from other experts in the field.

Author: Alain Silver
Publisher: Rowman & Littlefield
ISBN: 1493082302
Category : Performing Arts
Languages : en
Pages : 353

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Book Description
Despite a glut of black and white filters, the digital revolution in videography has all but abandoned the art, science, beauty, and power of cinematic lighting that literally illuminated the Golden Age of motion pictures. Film Noir Light and Shadow explores an era before CGI – a time when every photon mattered and the lighting of a set served a grander purpose than simply rendering its subjects visible. Edited by Alain Silver and James Ursini, the duo behind numerous critically acclaimed studies of other aspects of noir, this anthology presents a series of essays that examine the visual style of the filmmakers of cinema's classic period. Some focus on individual pictures or directors; others discuss elements of style or sub-groups of movies within the movement. All are sharply focused on what makes the noir phenomenon unique in American – and global – cinematic history. Aside from highlighting the innovative work of its editors and their late colleague Robert Porfirio, Film Noir Light and Shadow also shares its light with a bevy of contributors who have written and edited their own books on the subject – a list of luminaries that includes Sheri Chinen Biesen, Shannon Clute and Richard Edwards, Julie Grossman, Delphine Letort, Robert Miklitsch, R. Barton Palmer, Homer Pettey, Marlisa Santos, Imogen Sara Smith, and Tony Williams. As befits the topic, this volume is lavishly illustrated with 500 images that capture the richness and breadth of the classic period's imagery, making it an ideal companion for students of the genre, film historians, sprocket fiends, and the retrospectively inclined.

Author: John Alton
Publisher: Univ of California Press
ISBN: 0520355938
Category : Performing Arts
Languages : en
Pages : 248

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Book Description
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton’s often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself.

Author: Patrick Keating
Publisher: Columbia University Press
ISBN: 0231520204
Category : Performing Arts
Languages : en
Pages : 315

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Book Description
Lighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force. Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.

Author: Jennifer Fay
Publisher: Routledge
ISBN: 113526385X
Category : History
Languages : en
Pages : 303

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Book Description
The term "film noir" still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir’s emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America. The authors examine how film noir crosses national boundaries, speaks to diverse international audiences, and dramatizes local crimes and the crises of local spaces in the face of global phenomena like world-wide depression, war, political occupation, economic and cultural modernization, decolonization, and migration. This fresh study of film noir and global culture also discusses film noir’s heterogeneous style and revises important scholarly debates about this perpetually alluring genre.

Author: iMinds
Publisher: iMinds Pty Ltd
ISBN: 1921746173
Category : Performing Arts
Languages : en
Pages : 6

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Book Description
Learn about Film Noir with iMinds insightful knowledge series. If you're watching a movie where a world-weary detective is having trouble with a "dame" or a "broad", and cigarette smoke is wafting through the scene - you're probably appreciating a bit of "Film Noir". Film Noir literally means black film referring to both the look and the attitude of these movies. Classic Film Noir movies were produced between 1940 and 1958. This film making style emerged in the United States as the Second World War raged and the Great Depression was only recent history. iMinds brings targeted knowledge to you.

Author: Eddie Muller
Publisher: Harry N. Abrams
ISBN: 9781468307351
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Film noir is all about style, even more than it is about crime.