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Author: Norman Hollyn Publisher: Peachpit Press ISBN: 032170293X Category : Computers Languages : en Pages : 314
Book Description
The assistant film editor has many more responsibilities than simply helping to edit the picture. He or she must work with all the numerous members of the filmmaking team, juggle the demands of copious amounts of footage from various sources, keep notes during the shoot’s dailies screenings, process sound, oversee the creation of optical effects and integrate them in the editor’s workflow, and many more detail-oriented, simultaneous tasks that require skills on a technical and organizational level. Widely regarded as THE guide for helping you get through it all, Norman Hollyn, editing whiz and longtime instructor, is the ultimate master at making the process fun while making you a pro. In this fourth edition, he continues in the celebrated style of his previous editions with a hands-on approach, assuming the role of an assistant editor to describe the myriad workflows involved. Not only will you learn everything you need to know about how the editing process works, but you’ll gain the wisdom that normally only comes with on-the-job experience, putting you way ahead in your career and making you a better, more efficient editor. In The Film Editing Room Handbook, you’ll learn: Everything the assistant editor needs to know on the job—from pre-production to the shoot, to editing and adding visual effects and sound, to the mix and color finishing. How to work in a variety of scenarios, whether it is a feature, television, commercial, musical, or web-based project. Best practices for organizing and optimizing your systems and files, useful to editors working on any nonlinear editing platform. How to find a job in this competitive market and put together an attractive résumé that proves you’ve got the skills to succeed. Praise for The Film Editing Room Handbook, Fourth Edition "The Film Editing Room Handbook systematically explains everything you need to know about the editing process, exactly as it exists in the making of major motion pictures. Complicated technical concepts are made totally clear and easily understandable in this absolutely essential book for all assistant editors, indie filmmakers, and those who aspire to break into the industry.” – Mark Goldblatt, A.C.E., editor of The Terminator, Starship Troopers, and True Lies “ This is a wonderful book that explains the complexities of the editing room assistant's job with clarity and wit.” – Alan Heim, A.C.E, Oscar-winning editor and former president of American Cinema Editors “ The Assistant Editor is the unsung hero of the editing room, tip-toeing around land mines to keep everything running smoothly in a job where all the important rules are unwritten. Until now. Norman Hollyn does an excellent job explaining the process of editing, the role of the assistant editor, and clearly labeling where all the booby traps are buried.” – Larry Jordan, producer, director, editor, and Apple-certified trainer “ This book is an excellent introduction to editing in the real world. Norman Hollyn not only tells you what is necessary, he tells you what is efficient. He knows how important that can be because he’s been there.” – Burton J. Sears, film instructor at Savannah College of Art and Design, editor of Virtuosity, Jacob’s Ladder, and Henry and June
Author: Norman Hollyn Publisher: Peachpit Press ISBN: 032170293X Category : Computers Languages : en Pages : 314
Book Description
The assistant film editor has many more responsibilities than simply helping to edit the picture. He or she must work with all the numerous members of the filmmaking team, juggle the demands of copious amounts of footage from various sources, keep notes during the shoot’s dailies screenings, process sound, oversee the creation of optical effects and integrate them in the editor’s workflow, and many more detail-oriented, simultaneous tasks that require skills on a technical and organizational level. Widely regarded as THE guide for helping you get through it all, Norman Hollyn, editing whiz and longtime instructor, is the ultimate master at making the process fun while making you a pro. In this fourth edition, he continues in the celebrated style of his previous editions with a hands-on approach, assuming the role of an assistant editor to describe the myriad workflows involved. Not only will you learn everything you need to know about how the editing process works, but you’ll gain the wisdom that normally only comes with on-the-job experience, putting you way ahead in your career and making you a better, more efficient editor. In The Film Editing Room Handbook, you’ll learn: Everything the assistant editor needs to know on the job—from pre-production to the shoot, to editing and adding visual effects and sound, to the mix and color finishing. How to work in a variety of scenarios, whether it is a feature, television, commercial, musical, or web-based project. Best practices for organizing and optimizing your systems and files, useful to editors working on any nonlinear editing platform. How to find a job in this competitive market and put together an attractive résumé that proves you’ve got the skills to succeed. Praise for The Film Editing Room Handbook, Fourth Edition "The Film Editing Room Handbook systematically explains everything you need to know about the editing process, exactly as it exists in the making of major motion pictures. Complicated technical concepts are made totally clear and easily understandable in this absolutely essential book for all assistant editors, indie filmmakers, and those who aspire to break into the industry.” – Mark Goldblatt, A.C.E., editor of The Terminator, Starship Troopers, and True Lies “ This is a wonderful book that explains the complexities of the editing room assistant's job with clarity and wit.” – Alan Heim, A.C.E, Oscar-winning editor and former president of American Cinema Editors “ The Assistant Editor is the unsung hero of the editing room, tip-toeing around land mines to keep everything running smoothly in a job where all the important rules are unwritten. Until now. Norman Hollyn does an excellent job explaining the process of editing, the role of the assistant editor, and clearly labeling where all the booby traps are buried.” – Larry Jordan, producer, director, editor, and Apple-certified trainer “ This book is an excellent introduction to editing in the real world. Norman Hollyn not only tells you what is necessary, he tells you what is efficient. He knows how important that can be because he’s been there.” – Burton J. Sears, film instructor at Savannah College of Art and Design, editor of Virtuosity, Jacob’s Ladder, and Henry and June
Author: Tony Solomons Publisher: ISBN: Category : Computers Languages : en Pages : 264
Book Description
A guide to running a digital film cutting room, giving a comprehensive look at editing on today's hottest and most widely used editing system. Coverage includes telecine and the 3-2 pulldown process, media management and shared storage, configuring a feature project, digitizing, editing, cut lists a
Author: Norman Hollyn Publisher: Peachpit Press ISBN: 032170293X Category : Computers Languages : en Pages : 728
Book Description
The assistant film editor has many more responsibilities than simply helping to edit the picture. He or she must work with all the numerous members of the filmmaking team, juggle the demands of copious amounts of footage from various sources, keep notes during the shoot’s dailies screenings, process sound, oversee the creation of optical effects and integrate them in the editor’s workflow, and many more detail-oriented, simultaneous tasks that require skills on a technical and organizational level. Widely regarded as THE guide for helping you get through it all, Norman Hollyn, editing whiz and longtime instructor, is the ultimate master at making the process fun while making you a pro. In this fourth edition, he continues in the celebrated style of his previous editions with a hands-on approach, assuming the role of an assistant editor to describe the myriad workflows involved. Not only will you learn everything you need to know about how the editing process works, but you’ll gain the wisdom that normally only comes with on-the-job experience, putting you way ahead in your career and making you a better, more efficient editor. In The Film Editing Room Handbook, you’ll learn: Everything the assistant editor needs to know on the job—from pre-production to the shoot, to editing and adding visual effects and sound, to the mix and color finishing. How to work in a variety of scenarios, whether it is a feature, television, commercial, musical, or web-based project. Best practices for organizing and optimizing your systems and files, useful to editors working on any nonlinear editing platform. How to find a job in this competitive market and put together an attractive résumé that proves you’ve got the skills to succeed. Praise for The Film Editing Room Handbook, Fourth Edition "The Film Editing Room Handbook systematically explains everything you need to know about the editing process, exactly as it exists in the making of major motion pictures. Complicated technical concepts are made totally clear and easily understandable in this absolutely essential book for all assistant editors, indie filmmakers, and those who aspire to break into the industry.” – Mark Goldblatt, A.C.E., editor of The Terminator, Starship Troopers, and True Lies “ This is a wonderful book that explains the complexities of the editing room assistant's job with clarity and wit.” – Alan Heim, A.C.E, Oscar-winning editor and former president of American Cinema Editors “ The Assistant Editor is the unsung hero of the editing room, tip-toeing around land mines to keep everything running smoothly in a job where all the important rules are unwritten. Until now. Norman Hollyn does an excellent job explaining the process of editing, the role of the assistant editor, and clearly labeling where all the booby traps are buried.” – Larry Jordan, producer, director, editor, and Apple-certified trainer “ This book is an excellent introduction to editing in the real world. Norman Hollyn not only tells you what is necessary, he tells you what is efficient. He knows how important that can be because he’s been there.” – Burton J. Sears, film instructor at Savannah College of Art and Design, editor of Virtuosity, Jacob’s Ladder, and Henry and June
Author: Norman Hollyn Publisher: New Riders ISBN: 0132704919 Category : Computers Languages : en Pages : 665
Book Description
In this groundbreaking book Norman Hollyn outlines his 'Lean Forward Moment Method' of storytelling that applies to all aspects of the film-making process and media production. Whether you are an editor, producer, director, cinematographer or visual effects pro, this book will provide the essential techniques you need to create engaging content that emotionally connects with your audience. The core storytelling techniques in this book, apply equally to all levels and types of film and media projects: feature films, television documentaries, fiction, web-based video games, commercials, event films and much more. As an Associate Professor at the School of Cinematic Arts at USC and having worked on movie projects with such Hollywood greats at Alan J Pakula, Sidney Lumet and Francis Ford Coppola, Norman Hollyn is uniquely qualified to provide you with the conceptual and practical tools to tell your story effectively. After the initial formative chapters, Norman examines the filmmaking process in its three main areas - preproduction, production and postproduction. Within each area he describes how the Lean Forward method can help with every step of the creative process (setup, scene description, the script, production design, direction, cinematography, editing, opticals and special effects, music and sound). He then brings together the concepts he discusses by providing real world examples from a drama, an action film, a documentary and a commercial. "Norman Hollyn uses the ancient magic of alchemy to reveal the art of making a great film. Writing an outstanding primer on filmmaking, he provides an historical perspective from several iconic movies, revealing the innermost secrets of successful filmmakers. If you want to construct a film, you need this book!" - MARTIN COHEN, President of Post Production, Paramount Pictures. "Norman Hollyn's The Lean Forward Moment speaks volumes about the art and craft of filmmaking. His elegant explanations of editorial choices and creative decisions tell the full story. It is a serious work and it will be a resource for every emerging filmmaker" - IAN CALDERON, Director of Digital Initiatives, Sundance Institute. "Only a film editor, with a career of experience in the cockpit of the cutting room, could so clearly and completely explain how some storytelling efforts succeed and others fail. Fortunately, Norman Hollyn is such an editor, and he has given us the gift of explanation in the richly illustrated The Lean Forward Moment." - BILL KINDER, Editorial and Post Production Director.
Author: Paul Hirsch Publisher: Chicago Review Press ISBN: 9781641605243 Category : Art Languages : en Pages : 369
Book Description
A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas's Star Wars and The Empire Strikes Back, Brian De Palma's Carrie and Mission: Impossible, Herbert Ross's Footloose and Steel Magnolias, John Hughes's Ferris Bueller's Day Off and Planes, Trains & Automobiles, Joel Schumacher's Falling Down, and Taylor Hackford's Ray. Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema's most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars. Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.
Author: Alexis Van Hurkman Publisher: Pearson Education ISBN: 0321929667 Category : Computers Languages : en Pages : 673
Book Description
The 'Color Correction Handbook' covers a wide variety of techniques that can be used by colourists, no matter what system they're using. From the most basic methods for evaluating and correcting an overall image, to the most advanced targeted corrections and creative stylizations typically employed, this book covers it all.
Author: Lori Coleman Publisher: CRC Press ISBN: 1317567765 Category : Performing Arts Languages : en Pages : 382
Book Description
First published in 2010. Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books. Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respected film and video editor. Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings, assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book. The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.
Author: Richard Harrington Publisher: Peachpit Press ISBN: 0132736160 Category : Computers Languages : en Pages : 885
Book Description
If you’re an experienced editor who wants to get up-to-speed on Premiere Pro, then look no further than this fast-paced but thorough introduction to Adobe’s flagship editing program. Enjoy the ride as three experienced editors take you step-by-step through the entire editing process in Premiere Pro, from file creation all the way through output. Along the way you’ll learn the ins-and-outs of (or “to do things such as”) file management, essential and intermediate editing techniques, color correction, audio mixing and repairing, titling and effects, and delivering your video onto tape, the web, and mobile devices. You’ll learn to work within the Adobe ecosystem as well, getting up to speed quickly on time saving tools such as Dynamic Link, Adobe Story, and more. As you work through sections, you’ll find references to engaging videos that accompany the book, giving you a visual and audio frame of reference and solidifying your knowledge of the program. Within a weekend, you’ll learn everything you need to know to use Premiere Pro confidently for your own projects. In this no-fluff guide to Premiere Pro, you’ll learn to • Quickly organize your existing Final Cut or Avid projects, or create new projects to use right away in Premiere Pro • Understand how to use Premiere Pro with other Adobe software • Edit your footage the way you like but with tips and techniques from authors with tons of experience in all the editing programs and who speak your language. • Put your skills to work immediately by using the accompanying lesson files to work through the steps in the book • Improve your knowledge through video tutorials, handy quick reference guides, and keyboard shortcut sheets made available on the book’s companion media. All of Peachpit's eBooks contain the same content as the print edition. You will find a link in the last few pages of your eBook that directs you to the media files. Helpful tips: If you are able to search the book, search for "Where are the lesson files?" ¿ Go to the very last page of the book and scroll backwards. You will need a web-enabled device or computer in order to access the media files that accompany this ebook. Entering the URL supplied into a computer with web access will allow you to get to the files. Depending on your device, it is possible that your display settings will cut off part of the URL. To make sure this is not the case, try reducing your font size and turning your device to a landscape view. This should cause the full URL to appear. Please note that some lesson and video files are very large due to their high quality. High-speed internet connections are recommended for best results in downloading these files.
Author: John Purcell Publisher: Taylor & Francis ISBN: 1135040605 Category : Performing Arts Languages : en Pages : 448
Book Description
Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider’s analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don’t allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell’s all-inclusive guide to this essential yet invisible art.
Author: Edward Dmytryk Publisher: Routledge ISBN: 0429000774 Category : Art Languages : en Pages : 156
Book Description
In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing. Using examples and anecdotes from almost five decades in the film industry, Dmytryk offers a masterclass in film and video editing. Written in an informal, "how-to-do-it" style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, and exercises.
Author: Norman Hollyn
Author: Norman Hollyn
Author: Tony Solomons
Author: Norman Hollyn
Author: Norman Hollyn
Author: Paul Hirsch
Author: Alexis Van Hurkman
Author: Lori Coleman
Author: Richard Harrington
Author: John Purcell
Author: Edward Dmytryk