Film as Revolutionary Weapon PDF Download

Author: Leon G. Campbell
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 28

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Author: James S. Williams
Publisher: Bloomsbury Publishing
ISBN: 1839026006
Category : Performing Arts
Languages : en
Pages : 114

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Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.

Author: Joseph G. Bilby
Publisher:
ISBN: 9781594162060
Category : Firearms
Languages : en
Pages : 0

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"Mr. Bilby takes us through Gettysburg, among other places, showing how the Spencer and Henry rifle played a decisive role." --The Wall Street Journal "A valuable study. . . . his research is balanced and thorough, his writing is lively and clear. . . . his approach gives the book broad appeal." --Journal of Military History "This is an outstanding book--accurate, judicious, highly readable." --North & South "A Revolution in Arms is written in such a good, readable way of a very important time in the history of firearms."--Rifle Magazine "Well written and researched. . . . certainly should be an addition to your library."--Civil War Times Historians often call the American Civil War the first modern war, pointing to the use of observation balloons, the telegraph, trains, mines, ironclad ships, and other innovations. Although recent scholarship has challenged some of these "firsts," the war did witness the introduction of the first repeating rifles. No other innovation of the turbulent 1860s would have a greater effect on the future of warfare. In A Revolution in Arms: A History of the First Repeating Rifles, historian Joseph G. Bilby unfolds the fascinating story of how two New England inventors, Benjamin Henry and Christopher Spencer, each combined generations of cartridge and rifle technology to develop reliable repeating rifles. In a stroke, the Henry rifle and Spencer rifle and carbine changed warfare forever, accelerating the abandonment of the formal battle line tactics of previous generations and when properly applied, repeating arms could alter the course of a battle. Although slow to enter service, the repeating rifle soon became a sought after weapon by both Union and Confederate troops. Oliver Winchester purchased the rights to the Henry and transformed it into "the gun that won the West." The Spencer, the most famous of all Civil War small arms, was the weapon of choice for Federal cavalrymen. The revolutionary technology represented by repeating arms used in the American Civil War, including self-contained metallic cartridges, large capacity magazines, and innovative cartridge feeding systems, was copied or adapted by arms manufacturers around the world, and these features remain with us today.

Author: Dietrich Scheunemann
Publisher: Camden House
ISBN: 9781571133502
Category : Art
Languages : en
Pages : 322

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Beginning with a fundamentally new interpretation of 'Dr. Caligari', and with fresh views of other expressionist classics, this book offers new perspectives on important alternative styles and genres that emerged in films by such eminent directors as Lubitsch, Fritz Lang and E.A. Dupont.

Author: S. Plate
Publisher: Springer
ISBN: 1137100346
Category : Social Science
Languages : en
Pages : 273

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Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.

Author: David Murphy
Publisher: James Currey Publishers
ISBN: 0852555555
Category : African fiction (French)
Languages : en
Pages : 289

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Sembene is one of the major figures of African literature, and also one of Africa's foremost film directors. This is the first study to give an overview of his work in fiction and on screen. This book examines Sembene Ousmane's radical reinterpretation of African history and culture, focusing on representations of the African city, animism, the role of women, colonialism and neo-colonialism. The author argues that Sembene 'imagines alternatives' to the dominant narratives of both Africa in general, and Senegal in particular. North America: Africa World Press

Author: Zuzana M. Pick
Publisher: University of Texas Press
ISBN: 0292721080
Category : Performing Arts
Languages : en
Pages : 264

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With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910-1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931-1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.

Author: Wimal Dissanayake
Publisher: Routledge
ISBN: 1134613237
Category : Performing Arts
Languages : en
Pages : 260

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This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others.

Author: Jonathan Kahana
Publisher: Oxford University Press
ISBN: 0190459328
Category : Art
Languages : en
Pages : 1057

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Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian.

Author: Laikwan Pang
Publisher: Springer
ISBN: 1137463570
Category : Literary Criticism
Languages : en
Pages : 284

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Bringing together the most recent research on the Cultural Revolution in China, musicologists, historians, literary scholars, and others discuss the music and its political implications. Combined, these chapters, paint a vibrant picture of the long-lasting impact that the musical revolution had on ordinary citizens, as well as political leaders.