Author: Robert E. Watkins
Publisher: Bloomsbury Publishing
ISBN: 0857727370
Category : Performing Arts
Languages : en
Pages : 176
Book Description
Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life. This book examines five contemporary feature films that engage our deep attachments to two core political ideas freedom and vengeance asking: what do audiences learn about freedom and vengeance from film, and what are the political consequences of the reproduction or disruption of their meanings? Often, contemporary films represent the pursuit of freedom and revenge in a depoliticized way, erasing the precarious character of social life. Other films, however, foreground the negotiation of unchosen relations and circumstances in their drama. Films examined include Into the Wild, Mystic River, The Three Burials of Melquiades Estrada, Wendy and Lucy and Winter s Bone."
Freedom and Vengeance on Film
Author: Robert E. Watkins
Publisher: Bloomsbury Publishing
ISBN: 0857727370
Category : Performing Arts
Languages : en
Pages : 176
Book Description
Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life. This book examines five contemporary feature films that engage our deep attachments to two core political ideas freedom and vengeance asking: what do audiences learn about freedom and vengeance from film, and what are the political consequences of the reproduction or disruption of their meanings? Often, contemporary films represent the pursuit of freedom and revenge in a depoliticized way, erasing the precarious character of social life. Other films, however, foreground the negotiation of unchosen relations and circumstances in their drama. Films examined include Into the Wild, Mystic River, The Three Burials of Melquiades Estrada, Wendy and Lucy and Winter s Bone."
Publisher: Bloomsbury Publishing
ISBN: 0857727370
Category : Performing Arts
Languages : en
Pages : 176
Book Description
Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life. This book examines five contemporary feature films that engage our deep attachments to two core political ideas freedom and vengeance asking: what do audiences learn about freedom and vengeance from film, and what are the political consequences of the reproduction or disruption of their meanings? Often, contemporary films represent the pursuit of freedom and revenge in a depoliticized way, erasing the precarious character of social life. Other films, however, foreground the negotiation of unchosen relations and circumstances in their drama. Films examined include Into the Wild, Mystic River, The Three Burials of Melquiades Estrada, Wendy and Lucy and Winter s Bone."
Freedom of the Screen
Author: Laura Wittern-Keller
Publisher: University Press of Kentucky
ISBN: 0813172640
Category : Law
Languages : en
Pages : 370
Book Description
At the turn of the twentieth century, the proliferation of movies attracted not only the attention of audiences across America but also the apprehensive eyes of government officials and special interest groups concerned about the messages disseminated by the silver screen. Between 1907 and 1926, seven states—New York, Pennsylvania, Ohio, Virginia, Kansas, Maryland, and Massachusetts—and more than one hundred cities authorized censors to suppress all images and messages considered inappropriate for American audiences. Movie studios, hoping to avoid problems with state censors, worrying that censorship might be extended to the federal level, and facing increased pressure from religious groups, also jumped into the censoring business, restraining content through the adoption of the self-censoring Production Code, also known as the Hays code.But some industry outsiders, independent distributors who believed that movies deserved the free speech protections of the First Amendment, brought legal challenges to censorship at the state and local levels. Freedom of the Screen chronicles both the evolution of judicial attitudes toward film restriction and the plight of the individuals who fought for the right to deliver provocative and relevant movies to American audiences. The path to cinematic freedom was marked with both achievements and roadblocks, from the establishment of the Production Code Administration, which effectively eradicated political films after 1934, to the landmark cases over films such as The Miracle (1948), La ronde (1950), and Lady Chatterley’s Lover (1955) that paved the way for increased freedom of expression. As the fight against censorship progressed case by case through state courts and the U.S. Supreme Court, legal authorities and the public responded, growing increasingly sympathetic toward artistic freedom. Because a small, unorganized group of independent film distributors and exhibitors in mid-twentieth-century America fought back against what they believed was the unconstitutional prior restraint of motion pictures, film after 1965 was able to follow a new path, maturing into an artistic medium for the communication of ideas, however controversial. Government censors would no longer control the content of America’s movie screens. Laura Wittern-Keller’s use of previously unexplored archival material and interviews with key figures earned her the researcher of the year award from the New York State Board of Regents and the New York State Archives Partnership Trust. Her exhaustive work is the first to discuss more than five decades of film censorship battles that rose from state and local courtrooms to become issues of national debate and significance. A compendium of judicial action in the film industry, Freedom of the Screen is a tribute to those who fought for the constitutional right of free expression and paved the way for the variety of films that appear in cinemas today.
Publisher: University Press of Kentucky
ISBN: 0813172640
Category : Law
Languages : en
Pages : 370
Book Description
At the turn of the twentieth century, the proliferation of movies attracted not only the attention of audiences across America but also the apprehensive eyes of government officials and special interest groups concerned about the messages disseminated by the silver screen. Between 1907 and 1926, seven states—New York, Pennsylvania, Ohio, Virginia, Kansas, Maryland, and Massachusetts—and more than one hundred cities authorized censors to suppress all images and messages considered inappropriate for American audiences. Movie studios, hoping to avoid problems with state censors, worrying that censorship might be extended to the federal level, and facing increased pressure from religious groups, also jumped into the censoring business, restraining content through the adoption of the self-censoring Production Code, also known as the Hays code.But some industry outsiders, independent distributors who believed that movies deserved the free speech protections of the First Amendment, brought legal challenges to censorship at the state and local levels. Freedom of the Screen chronicles both the evolution of judicial attitudes toward film restriction and the plight of the individuals who fought for the right to deliver provocative and relevant movies to American audiences. The path to cinematic freedom was marked with both achievements and roadblocks, from the establishment of the Production Code Administration, which effectively eradicated political films after 1934, to the landmark cases over films such as The Miracle (1948), La ronde (1950), and Lady Chatterley’s Lover (1955) that paved the way for increased freedom of expression. As the fight against censorship progressed case by case through state courts and the U.S. Supreme Court, legal authorities and the public responded, growing increasingly sympathetic toward artistic freedom. Because a small, unorganized group of independent film distributors and exhibitors in mid-twentieth-century America fought back against what they believed was the unconstitutional prior restraint of motion pictures, film after 1965 was able to follow a new path, maturing into an artistic medium for the communication of ideas, however controversial. Government censors would no longer control the content of America’s movie screens. Laura Wittern-Keller’s use of previously unexplored archival material and interviews with key figures earned her the researcher of the year award from the New York State Board of Regents and the New York State Archives Partnership Trust. Her exhaustive work is the first to discuss more than five decades of film censorship battles that rose from state and local courtrooms to become issues of national debate and significance. A compendium of judicial action in the film industry, Freedom of the Screen is a tribute to those who fought for the constitutional right of free expression and paved the way for the variety of films that appear in cinemas today.
Freedom
Author: Nathan Law
Publisher: The Experiment
ISBN: 1615198903
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
A timely manifesto on freedom from Hong Kong’s leading pro-democracy activist Nathan Law, a Nobel Prize nominee Activist Nathan Law experienced firsthand the speed with which our freedom can be taken away. When sovereignty over Hong Kong was handed to China in 1997, Hong Kong was guaranteed freedom of the press, expression, and assembly. However, the Chinese Communist Party (CCP) has been chipping away at these rights and, since 2014, restricting free and fair elections. Law writes, “When governments control access to information and are able to define the narrative and dictate what we know, we lose more than our freedoms. We lose the ability to see the world for what it is. We lose our humanity.” In 2016, Law became the youngest-ever elected legislator in Hong Kong on a pro-democracy platform and was subsequently imprisoned for his role as a leader of the Umbrella Movement. He now lives in exile. An urgent rallying cry, Freedom warns of the dangers of authoritarianism and inspires us to protect democracy and freedom—or face losing them forever.
Publisher: The Experiment
ISBN: 1615198903
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
A timely manifesto on freedom from Hong Kong’s leading pro-democracy activist Nathan Law, a Nobel Prize nominee Activist Nathan Law experienced firsthand the speed with which our freedom can be taken away. When sovereignty over Hong Kong was handed to China in 1997, Hong Kong was guaranteed freedom of the press, expression, and assembly. However, the Chinese Communist Party (CCP) has been chipping away at these rights and, since 2014, restricting free and fair elections. Law writes, “When governments control access to information and are able to define the narrative and dictate what we know, we lose more than our freedoms. We lose the ability to see the world for what it is. We lose our humanity.” In 2016, Law became the youngest-ever elected legislator in Hong Kong on a pro-democracy platform and was subsequently imprisoned for his role as a leader of the Umbrella Movement. He now lives in exile. An urgent rallying cry, Freedom warns of the dangers of authoritarianism and inspires us to protect democracy and freedom—or face losing them forever.
African Freedom
Author: Phyllis Taoua
Publisher: Cambridge University Press
ISBN: 1108427413
Category : History
Languages : en
Pages : 335
Book Description
A comprehensive synthesis of the ideal of freedom in African culture from a pan-African perspective after independence.
Publisher: Cambridge University Press
ISBN: 1108427413
Category : History
Languages : en
Pages : 335
Book Description
A comprehensive synthesis of the ideal of freedom in African culture from a pan-African perspective after independence.
Freedom's Orator
Author: Robert Cohen
Publisher: Oxford University Press
ISBN: 0199720355
Category : History
Languages : en
Pages : 529
Book Description
Here is the first biography of Mario Savio, the brilliant leader of Berkeley's Free Speech Movement, the largest and most disruptive student rebellion in American history. Savio risked his life to register black voters in Mississippi in the Freedom Summer of 1964 and did more than anyone to bring daring forms of non-violent protest from the civil rights movement to the struggle for free speech and academic freedom on American campuses. Drawing upon previously unavailable Savio papers, as well as oral histories from friends and fellow movement leaders, Freedom's Orator illuminates Mario's egalitarian leadership style, his remarkable eloquence, and the many ways he embodied the youthful idealism of the 1960s. The book also narrates, for the first time, his second phase of activism against "Reaganite Imperialism" in Central America and the corporatization of higher education. Including a generous selection of Savio's speeches, Freedom's Orator speaks with special relevance to a new generation of activists and to all who cherish the '60s and democratic ideals for which Savio fought so selflessly.
Publisher: Oxford University Press
ISBN: 0199720355
Category : History
Languages : en
Pages : 529
Book Description
Here is the first biography of Mario Savio, the brilliant leader of Berkeley's Free Speech Movement, the largest and most disruptive student rebellion in American history. Savio risked his life to register black voters in Mississippi in the Freedom Summer of 1964 and did more than anyone to bring daring forms of non-violent protest from the civil rights movement to the struggle for free speech and academic freedom on American campuses. Drawing upon previously unavailable Savio papers, as well as oral histories from friends and fellow movement leaders, Freedom's Orator illuminates Mario's egalitarian leadership style, his remarkable eloquence, and the many ways he embodied the youthful idealism of the 1960s. The book also narrates, for the first time, his second phase of activism against "Reaganite Imperialism" in Central America and the corporatization of higher education. Including a generous selection of Savio's speeches, Freedom's Orator speaks with special relevance to a new generation of activists and to all who cherish the '60s and democratic ideals for which Savio fought so selflessly.
Freedom’s Ring
Author: Jacqueline Foertsch
Publisher: Rutgers University Press
ISBN: 1978822731
Category : History
Languages : en
Pages : 301
Book Description
Freedom’s Ring begins with the question of how the American ideal of freedom, which so effectively defends a conservative agenda today, from globally exploitative free trade to anti-French “freedom fries” during the War in Iraq, once bolstered the progressive causes of Freedom Summer, the Free Speech Movement, and more militant Black Power and Women’s Liberation movements with equal efficacy. Focused as it is on the faring of freedom throughout the liberation era, this book also explores attempts made by rights movements to achieve the often competitive or cross-canceling American ideal of equality–economic, professional, and otherwise. Although many struggled and died for it in the civil rights era, freedoms such as the vote, integrated bus rides, and sex without consequences via the Pill, are ultimately free–costing officialdom little if anything to fully implement—while equality with respect to jobs, salaries, education, housing, and health care, will forever be the much more expensive nut to crack. Freedom’s Ring regards the politics of freedom, and politics in general, as a low-cost substitute for and engrossing distraction from substantive economic problem-solving from the liberation era to the present day.
Publisher: Rutgers University Press
ISBN: 1978822731
Category : History
Languages : en
Pages : 301
Book Description
Freedom’s Ring begins with the question of how the American ideal of freedom, which so effectively defends a conservative agenda today, from globally exploitative free trade to anti-French “freedom fries” during the War in Iraq, once bolstered the progressive causes of Freedom Summer, the Free Speech Movement, and more militant Black Power and Women’s Liberation movements with equal efficacy. Focused as it is on the faring of freedom throughout the liberation era, this book also explores attempts made by rights movements to achieve the often competitive or cross-canceling American ideal of equality–economic, professional, and otherwise. Although many struggled and died for it in the civil rights era, freedoms such as the vote, integrated bus rides, and sex without consequences via the Pill, are ultimately free–costing officialdom little if anything to fully implement—while equality with respect to jobs, salaries, education, housing, and health care, will forever be the much more expensive nut to crack. Freedom’s Ring regards the politics of freedom, and politics in general, as a low-cost substitute for and engrossing distraction from substantive economic problem-solving from the liberation era to the present day.
Executing Freedom
Author: Daniel LaChance
Publisher: University of Chicago Press
ISBN: 022606672X
Category : Social Science
Languages : en
Pages : 275
Book Description
“Breaks new ground . . . shows compellingly and convincingly that punishment provides a major gateway to exploring a society and culture.”—Journal of American History In the mid-1990s, as public trust in big government was near an all-time low, 80% of Americans told Gallup that they supported the death penalty. Why did people who didn’t trust government to regulate the economy or provide daily services nonetheless believe that it should have the power to put its citizens to death? That question is at the heart of Executing Freedom, a powerful, wide-ranging examination of the place of the death penalty in American culture and how it has changed over the years. Drawing on an array of sources, including congressional hearings and campaign speeches, true crime classics like In Cold Blood, and films like Dead Man Walking, Daniel LaChance shows how attitudes toward the death penalty have reflected broader shifts in Americans’ thinking about the relationship between the individual and the state. Emerging from the height of 1970s disillusion, the simplicity and moral power of the death penalty became a potent symbol for many Americans of what government could do—and LaChance argues, fascinatingly, that it’s the very failure of capital punishment to live up to that mythology that could prove its eventual undoing in the United States. “Fiercely provocative . . . A must-read for socio-legal studies and punishment scholars who want to know more about how the phenomenon of capital punishment took on a life of its own in the modern US cultural imagination.”—Theoretical Criminology
Publisher: University of Chicago Press
ISBN: 022606672X
Category : Social Science
Languages : en
Pages : 275
Book Description
“Breaks new ground . . . shows compellingly and convincingly that punishment provides a major gateway to exploring a society and culture.”—Journal of American History In the mid-1990s, as public trust in big government was near an all-time low, 80% of Americans told Gallup that they supported the death penalty. Why did people who didn’t trust government to regulate the economy or provide daily services nonetheless believe that it should have the power to put its citizens to death? That question is at the heart of Executing Freedom, a powerful, wide-ranging examination of the place of the death penalty in American culture and how it has changed over the years. Drawing on an array of sources, including congressional hearings and campaign speeches, true crime classics like In Cold Blood, and films like Dead Man Walking, Daniel LaChance shows how attitudes toward the death penalty have reflected broader shifts in Americans’ thinking about the relationship between the individual and the state. Emerging from the height of 1970s disillusion, the simplicity and moral power of the death penalty became a potent symbol for many Americans of what government could do—and LaChance argues, fascinatingly, that it’s the very failure of capital punishment to live up to that mythology that could prove its eventual undoing in the United States. “Fiercely provocative . . . A must-read for socio-legal studies and punishment scholars who want to know more about how the phenomenon of capital punishment took on a life of its own in the modern US cultural imagination.”—Theoretical Criminology
Envisioning Freedom
Author: Cara Caddoo
Publisher: Harvard University Press
ISBN: 0674368053
Category : History
Languages : en
Pages : 305
Book Description
In Cara Caddoo’s perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to 1920s. But as it gained popularity, black cinema also became controversial. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans.
Publisher: Harvard University Press
ISBN: 0674368053
Category : History
Languages : en
Pages : 305
Book Description
In Cara Caddoo’s perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to 1920s. But as it gained popularity, black cinema also became controversial. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans.
The Politics of Freedom
Author: David Boaz
Publisher: Cato Institute
ISBN: 1933995149
Category : Political Science
Languages : en
Pages : 354
Book Description
Author David Boaz discusses the roots of American freedom, the growing libertarian vote in America, the arrogance of politicians, and everything from taxes and education to terrorism and the war on drugs.
Publisher: Cato Institute
ISBN: 1933995149
Category : Political Science
Languages : en
Pages : 354
Book Description
Author David Boaz discusses the roots of American freedom, the growing libertarian vote in America, the arrogance of politicians, and everything from taxes and education to terrorism and the war on drugs.
Freedom of Artistic Expression
Author: Paul Kearns
Publisher: Bloomsbury Publishing
ISBN: 1782251693
Category : Law
Languages : en
Pages : 260
Book Description
This book presents a unique and comprehensive examination of the human and moral rights of artists. In what is arguably the first exhaustive book-length account of artists' rights, Paul Kearns explores the problems associated with censorship, both from philosophical and legal perspectives, and focuses on the various ways in which the morality of art is legally regulated in different jurisdictions. In relation to human rights, English, French and American law, the law of the European Convention on Human Rights, European Union law and public international law are all closely scrutinised to discover the extent to which they offer protection for artistic freedom. The author also examines domestic and international law in respect of artists' moral rights, the law of copyright and related laws. In short, the book provides an original, and sometimes controversial, analysis of persistent concerns regarding the legal regulation of the arts universally, doctrinally and theoretically, and seeks to offer an holistic treatment which will appeal to art lawyers, artists and those interested in the future of the arts.
Publisher: Bloomsbury Publishing
ISBN: 1782251693
Category : Law
Languages : en
Pages : 260
Book Description
This book presents a unique and comprehensive examination of the human and moral rights of artists. In what is arguably the first exhaustive book-length account of artists' rights, Paul Kearns explores the problems associated with censorship, both from philosophical and legal perspectives, and focuses on the various ways in which the morality of art is legally regulated in different jurisdictions. In relation to human rights, English, French and American law, the law of the European Convention on Human Rights, European Union law and public international law are all closely scrutinised to discover the extent to which they offer protection for artistic freedom. The author also examines domestic and international law in respect of artists' moral rights, the law of copyright and related laws. In short, the book provides an original, and sometimes controversial, analysis of persistent concerns regarding the legal regulation of the arts universally, doctrinally and theoretically, and seeks to offer an holistic treatment which will appeal to art lawyers, artists and those interested in the future of the arts.