Author: Melvyn Bragg Publisher: ISBN: 9780500019061 Category : Art Languages : en Pages : 256
Book Description
The second half of the twentieth century has seen British artists, architects, and designers assuming a central role on the world stage. Starting in the years of reconstruction after the war, the young began to challenge accepted artistic values, looking at popular culture for their inspiration; the iconoclasm of the Pop movement has continued to be one of the most vital ingredients of the British art scene. In the year-by-year record that this book provides, the work of newcomers making their first impact is seen alongside that of outstanding artists in their maturity, with connections and contradictions across the entire visual scene-from architecture, interior design, furniture, and the decorative arts to painting, sculpture, and graphic art.
Author: Barbara London Publisher: Phaidon Press ISBN: 9781838663582 Category : Antiques & Collectibles Languages : en Pages : 280
Book Description
A personal and expert account of the artists and events that defined the medium's first 50 years - now in paperback Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this new paperback edition of her acclaimed book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing so, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.
Author: David Gentleman Publisher: Penguin UK ISBN: 014199312X Category : Art Languages : en Pages : 290
Book Description
David Gentleman has lived in London for almost seventy years, most of it on the same street. This book is a record of a lifetime spent observing, drawing and getting to know the city, bringing together work from across his whole career, from his earliest sketches to watercolours painted just a few months ago. Here is London as it was, and as it is today: the Thames, Hampstead Heath; the streets, canals, markets and people of his home of Camden Town; and at the heart of it all, his studio and the tools of his work. Accompanied by reflections on the process of drawing and personal thoughts on the ever-changing city, this is a celebration of London, and the joy of noticing, looking and capturing the world. 'David has spent a lifetime depicting with wit and affection a London he has made his own' Alan Bennett 'He delivers a poetry of exultant concentration ... The surface fusion of the sensuous and the sharply modern is echoed by Gentleman's imagery' Guardian 'The artist and illustrator has been responsible for some of the most-seen public artworks in this country' The Times 'Perhaps the last of the great polymath designer-painters' Camden New Journal
Author: Phyllida Barlow Publisher: Jrp Ringier ISBN: 9783037643662 Category : Drawing Languages : en Pages : 0
Book Description
Reproducing over 200 works on paper from the past 50 years, this retrospective publication presents a crucial part of British sculptor Phyllida Barlow's (born 1944) oeuvre. Designed by Japanese graphic designer Takaaki Matsumoto, the book will be published alongside the Hauser & Wirth London exhibition opening in late May 2014. A never-before-published interview between the artist and Hans Ulrich Obrist provides insight into drawings that are not preparations but, rather, daily exercises done before, during and after the creation of her sculptures. While the works on paper range in style, they demonstrate a consistency in color and form in their exploration of ideas related to structures, architectural interiors and urban surroundings. Barlow's works on paper date back to the early 1960s when she was a student at Chelsea College of Art in London.
Author: Clare Barlow Publisher: Tate Publishing ISBN: 9781849764520 Category : Languages : en Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Author: Robert Hoozee Publisher: Cornell University Press ISBN: 9780801446948 Category : Art Languages : en Pages : 423
Book Description
"Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs."—The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks—over 300 works gathered from collections all over the world."—The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey of British art from 1750 to 1950. British Vision presents some of the most celebrated works in British art history, selected from public and private collections in Europe, Britain, and the United States by Robert Hoozee, drawing on the expertise of Andrew Dempsey, John Gage, Mark Haworth-Booth, and Timothy Hyman. Among the artists whose work appears in British Vision are William Hogarth, Thomas Gainsborough, George Stubbs, William Blake, Henry Fuseli, John Constable, J. M. W. Turner, Richard Dadd, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Francis Bacon, and Lucien Freud.Essays by a group of distinguished art historians focus on two defining characteristics of British art, observation and imagination, seen within the context of society, landscape, and the visionary. Together, they set forth important arguments about what makes British art recognizable, what gives it its typically "British" style, and how British artists have contributed to the history of art as a whole. This lavishly illustrated catalog is a sumptuous record of the most comprehensive exhibition of British art to be displayed in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries.
Author: Clément Dirié Publisher: Jrp Ringier ISBN: 9783037645550 Category : Languages : en Pages : 656
Book Description
Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and takes the reader beyond them, featuring interviews, portfolios, essays about contemporary art, as well as personal highlights from artists, curators, collectors, and museum directors.00With its A-to-Z format, the publication maps the world of Art Basel alongside profiles spotlighting each of the 500+ galleries that participated across the three shows in 2019. Designed by Gavillet & Cie (Geneva), it features all the different sectors of the fair and highlights events, talks, and Art Basel's new initiatives, offering vivid and varied perspectives on the global art world as seen through the eyes of Art Basel in 2019. Giving art world experts, curators, and collectors a platform for sharing their expertise, the publication provides an insightful and immersive art experience for the reader.00To celebrate the 50th anniversary of Art Basel, founded in 1970, this year?s volume specifically includes an extensive?polyphonic timeline? that provides textual and visual retrospective insights into the fair?s five decades and key editions, mapping and acknowledging its dynamic history and the way it has accompanied globalization and the expansion of the art world.00Interviewees and contributors include Harry Bellet, Lionel Bovier, Lee Bul, Dan Cameron, Raphael Chikukwa, Martin Clark, Eva Fabbris, Marina Fokidis, Hiroshi Fukutake, Natasha Ginwala, David Juda, Kasper Koenig, Li Zhenhua, Sohrab Mohebbi, Otobong Nkanga, Mai-Thu Perret, Dan Perjovski, Alessandra Pirici, Enea Righi, Karen Smith, Diana Wechsler, Kurt Wyss, Pauline J. Yao, and Maxa Zoller, as well as many others whose work contributed this year to the fairs on all three continents.00Exhibition: 50th Art Basel, Switzerland (18.-21.06.2020).
Author: Celeste-Marie Bernier Publisher: University of California Press ISBN: 0520286537 Category : Art Languages : en Pages : 344
Book Description
The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation." Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Black artists’ work and emphasizes the need to understand Black art as a distinctive category of cultural production. She launches an important intervention into European histories of modern and contemporary art and visual culture as well as into debates within African American studies, African diasporic studies, and Black British studies. Among the artists included are Benny Andrews, Bessie Harvey, Lubaina Himid, Claudette Johnson, Noah Purifoy, Faith Ringgold, Betye Saar, Joyce J. Scott, Maud Sulter, and Barbara Walker.
Author: Sacha Llewellyn Publisher: ISBN: 9780993088483 Category : Art, British Languages : en Pages : 200
Book Description
This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w
Author: Melvyn Bragg
Author: Barbara London
Author: David Gentleman
Author: Phyllida Barlow
Author: A. Kirker
Author: Clare Barlow
Author: Robert Hoozee
Author: Clément Dirié
Author: Celeste-Marie Bernier
Author: Sacha Llewellyn