Author: American Institute of Graphic ArtsPublisher:
ISBN:
Category : Etching
Languages : en
Pages : 72
Book Description
Fifty Prints Exhibited
Author: American Institute of Graphic ArtsPublisher:
ISBN:
Category : Etching
Languages : en
Pages : 72
Book Description
The Printed Picture
Author: Richard BensonPublisher: The Museum of Modern Art
ISBN: 9780870707216
Category : Art
Languages : en
Pages : 352
Book Description
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
Artwork
Author: North American Prints, 1913-1947
Author: David TathamPublisher: Syracuse University Press
ISBN: 9780815630715
Category : Art
Languages : en
Pages : 230
Book Description
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.
Rudy Pozzatti, a Printmaker's Odyssey
Author: Rudy PozzattiPublisher: Indiana University Press
ISBN: 0253215404
Category :
Languages : en
Pages : 115
Book Description
A retrospective appreciation of Rudy Pozzatti's career as an internationally distinguished graphic artist.
Bulletin
Author: Museum of Fine Arts, BostonPublisher:
ISBN:
Category : Art
Languages : en
Pages : 302
Book Description
Report on the Progress and Condition of the U.S. National Museum for the Year Ending June 30 ...
Author: United States National MuseumPublisher:
ISBN:
Category :
Languages : en
Pages : 904
Book Description
Report Upon the Condition and Progress of the U.S. National Museum During the Year Ending June 30 ...
Author: United States National MuseumPublisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description
All the Mighty World
Author: Gordon BaldwinPublisher: Metropolitan Museum of Art
ISBN: 1588391280
Category : Photography, Artistic
Languages : en
Pages : 305
Book Description
"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.
Author: